Χ Α Ι Ρ Ε Τ Ι Σ Μ Ο ΣΑγαπητοί προσκεκλημένοι, σας καλωσορίζω στο 5ο φεστιβάλ χορού, κίνησης και παραστατικών τεχνών No_Body/Unplugged, που αποτελεί τη μοναδική παγκύπρια πλατφόρμα Σύγχρονου Χορού & Παραστατικών Τεχνών με έδρα τη Λευκωσία.

Το Dance Gate Lefkosia Cyprus, ιδρυτκό μέλος της ΣΤΕΓΗΣ ΧΟΡΟΥ ΛΕΥΚΩΣΙΑΣ, σας καλωσορίζει στο νέο χώρο της Στέγης στην Αγορά του Αγίου Αντρέα, ένα έργο που μετά από χρόνια προσπάθειας απ όλους μαζί, και ιδιαίτερα απ το Dance Gate, γίνεται τώρα μια πραγματικότητα και που εςςδώ πραγματοποιούμε το φετινό φεστιβάλ μας. Ανακαινίστηκε με δαπάνες των Πολιτιστικών Υπηρεσιών/Υπουργείου Παιδείας και Πολιτισμού και του Δήμου Λευκωσίας.

Σημαντική διαφορά είναι ότι φέτος το όλο φεστιβάλ μας τελείται σε μια UNPLUGGED εκδοχή. Σε καιρούς κρίσης το θεωρήσαμε μια ευκαιρία να συμβαδίσουμε με μια πιο λιτή προσέγγιση στις τέχνες. Έτσι η παρουσίαση και δημιουργία έργου προτείνουμε να γίνει σε μια μορφή όπως η λέξη Unplugged υποδηλώνει. Φέτος συμμετέχουν 9 ομάδες στις παραστάσεις και 2 ομάδες στις παράλληλες εκδηλώσεις αριθμώντας συνολικά 35 συνεργαζόμενους καλλιτέχνες από όλες τις τέχνες. Επίσης, στα πλαίσια της συνεργασίας του Dance Gate με το Ευρωπαϊκό Πρόγραμμα Modul-Dance, φιλοξενούμε τον Arno Schuitemaker από Ολλανδία και στις Παράλληλες Εκδηλώσεις παρουσιάζουμε ένα πρόγραμμα μικρών ταινιών Χορού με τίτλο ‘’Associcio NU2’S’’ που επιμελήτρια είναι η Nuria Font. Επίσης σε συνεργασία με την Πρεσβεία της Βραζιλίας φιλοξενούμε στις παραστάσεις/Παράλληλες εκδηλώσεις τον χορογράφο Eduardo Fukushima.

Κλείνοντας, να ευχηθώ κάθε επιτυχία στους συμμετέχοντες καλλιτέχνες και να τους ευχαριστήσω θερμά για τη συμμετοχή τους. Ευχαριστώ επίσης τις Πολιτιστικές Υπηρεσίες/Υπουργείου Παιδείας και Πολιτισμού για την στήριξη, τον Δήμαρχο Λευκωσίας κ. Γιωρκάτζη και τον Δήμο Λευκωσίας, όπως και το ΡΙΚ ως το χορηγό επικοινωνίας, όλους τους χορηγούς του φεστιβάλ και εσάς τους θεατές που με τη παρουσία σας τιμάτε το φεστιβάλ.

Αριαννα Οικονόμου, Διευθύντρια Dance Gate Lefkosia Cyprus

W E L C O M EDear Friends, A big welcome to No_Body/Unplugged, the 5th Dance, Movement & Performance Arts Festival, a platform, the only one of its kind, for Dance & the Performance Arts in Cyprus.

As one of the founding members of the Lefkosia Dancehouse, Dance Gate Lefkosia Cyprus is delighted to stage the 5th No_Body/Unplugged Festival at the premises of the Lefkosia Dancehouse, its very own home. A recently renovated building, the AGORA of Ayios Andreas, is a new landmark for Culture and the Arts, a joint endeavour realised by the dance community of Nicosia, in particular Dance Gate Lefkosia. Our dream has come true, at last, as a result of the financial support of the Cyprus Ministry of Education and Culture in collaboration with the Municipality of Nicosia.

Due to the critical economic times we face, the 5th No_Body Festival moves towards an UNPLUGGED version, its organization and artists making art by way of minimal means, as is the way of contemporary art today. This year 24 applications from Cyprus Artists, strongly indicate the festival is gaining momentum, and people are queuing for it. Fortunately, in spite of the very limited production budget, we are able to host 7 of these aspiring groups, for the simple reason that we can stage the festival in our own House.

Thanks to our partners, through the EU funded Modul-Dance project, and our collaboration with the Embassy of Brazil, we are presenting in total 9 groups from Cyprus and abroad for the main festival on the 2nd and 3rd November, with 2 more groups presenting at the Parallel Events on the 4th and 5th November. A dance workshop is offered in the morning with Eduardo Fukushima, followed in the evening by screenings of dance films, curated by Nuria Font, in collaboration with Mercat De Les Flors, Barcelona, via the EU programme Modul-Dance.

Deep thanks to our sponsors: The Cyprus Ministry of Education & Culture; The Cyprus Broadcasting Corporation; To our honourable collaborators: The Nicosia Municipality, The Mayor of Nicosia, Konstantinos Yiorkatzis; The Dancehouse Lefkosia, AGORA Ayios Andreas; The EU Modul-Dance Programme (EDN) for their support in bringing Arno Schuitemaker (Holland) to Cyprus. Special thanks to the Embassy of Brazil in Cyprus for their gracious support in bringing the renowned Eduardo Fukushima to perform for us. And lastly a deep thank you to all the participating artists, wishing them every success in their work.

Arianna Economou, Director of Dance Gate Lefkosia Cyprus

perf

orm

ance

s SATURDAY 2 NOV, 8PM

CHOROTHEATRO OMADA PENDE

PERFORMANCE TITLE

WITH/WITHOUT

CONCEPTA PERSONAL “KINESIOLOGICAL NARRATIVE” OF WRESTLING AS AN INTERNAL PROCESS. WHEN OUR BODY BECOMES THE VEHICLE FOR ALL ARCHETYPES, THE CONFLICT IS NOTHING BUT THE VERY PATH TO RECONCILIATION... AGAIN AND AGAIN, STRUGGLE TO ACCEPT THE FACT THAT WE MAKE CIRCLES, ALWAYS FIGHTING AGAINST THE SAME DRAGON.

CREDITSDIRECTION/CHOREOGRAPHER/DANCER: CHLOI MELIDOU • MUSIC/SOUND: ROSS DALY - “BEYOND THE HORIZON” AND “WHITE DRAGON” • PERFORMER: FANI SOKRATOUS • TEXT: PROLOGUE AND EPILOGUE FROM GUSTAVE FLAUBERT’S “RÊVE D’ENFER”, PUBLISHED BY AIGOKEROS, ATHENS 1986

DURATION OF PIECE: 25’---------------------------------------

ΧΟΡΟΘΕΑΤΡΟ ΟΜΑΔΑ ΠΕΝΤΕ

ΤΊΤΛΟΣ ΠΑΡΑΣΤΑΣΗΣ

ΜΕ/ΧΩΡΙΣ

TΟ ΘΈΜΑ ΤΗΣ ΠΑΡΑΣΤΑΣΗΣΜΙΑ ΠΡΟΣΩΠΙΚΉ «ΚΙΝΉΣΙΟΛΟΓΙΚΉ ΑΦΉΓΉΣΉ» ΤΉΣ ΠΑΛΉΣ ΚΑΙ ΤΉΣ ΣΥΜΦΙΛΙΩΣΉΣ ΩΣ ΕΣΩΤΕΡΙΚΉ ΔΙΑΔΙΚΑΣΙΑ. ». ΟΤΑΝ ΤΟ ΣΩΜΑ ΜΑΣ ΓΙΝΕΤΑΙ ΦΟΡΕΑΣ ΟΛΩΝ ΤΩΝ ΑΡΧΕΤΥΠΩΝ, Ή ΣΥΓΚΡΟΥΣΉ ΔΕΝ ΕΙΝΑΙ ΠΑΡΑ Ή ΙΔΙΑ Ή ΠΟΡΕΙΑ ΠΡΟΣ ΤΉΝ ΣΥΜΦΙΛΙΩΣΉ...ΑΜΥΝΑ ΚΑΙ ΕΠΙΘΕΣΉ ΜΕ ΤΉΝ ΙΔΙΑ ΚΙΝΉΣΉ! ΞΑΝΑ ΚΑΙ ΞΑΝΑ ΜΕΣΑ ΣΤΟΝ ΚΥΚΛΟ ΜΑΣ ΝΑ ΠΑΛΕΥΟΥΜΕ, ΓΙΑ ΝΑ ΑΠΟΔΕΧΤΟΥΜΕ ΤΟ ΓΕΓΟΝΟΣ ΟΤΙ ΚΑΝΟΥΜΕ ΚΥΚΛΟΥΣ, ΣΥΓΚΡΟΥΟΜΕΝΟΙ ΜΕ ΤΟΝ ΙΔΙΟ ΠΑΝΤΑ ΔΡΑΚΟ.

ΣΥΝΤΈΛΈΣΤΈΣΣΚΉΝΟΘΕΣΙΑ/ΧΟΡΟΓΡΑΦΙΑ/ ΧΟΡΕΥΤΉΣ: ΧΛΟΉ ΜΕΛΙΔΟΥ • ΜΟΥΣΙΚΉ/ΉΧΟΣ: ROSS DALY - “ΠΕΡΑ ΑΠ’ΤΟΝ ΟΡΙΖΟΝΤΑ” ΚΑΙ “ WHITE DRAGON” • ΠΕΡΦΟΡΜΕΡ: ΦΑΝΉ ΣΩΚΡΑΤΟΥΣ • ΚΕΙΜΕΝΟ: ΠΡΟΛΟΓΟΣ ΚΑΙ ΕΠΙΛΟΓΟΣ ΑΠΟ ΤΟ «ΕΦΙΑΛΤΙΚΟ ΟΝΕΙΡΟ» ΤΟΥ ΓΚΙΣΤΑΒ ΦΛΟΜΠΕΡ, ΕΚΔΟΣΕΙΣ ΑΙΓΟΚΕΡΩΣ, ΑΘΉΝΑ 1986

ΔΙΑΡΚΕΙΑ ΕΡΓΟΥ: 25’_____________________________

ARNO SCHUITEMAKER

PERFORMANCE TITLE

THE FIFTEEN PROJECT | DUET*

CONCEPTFASCINATED BY THE SCIENCE OF MIRROR NEURONS, NEURONS BY WHICH WE ARE ABLE TO SHARE ACTIONS, EMOTIONS AND EXPERIENCES, ARNO SCHUITEMAKER HAS LET HIMSELF BE INSPIRED TO CREATE THE FIFTEEN PROJECT | DUET. TWO MEN. CONCENTRATED, PLAYFUL, AND FULL OF PHYSICAL INTENSITY. ALMOST EFFORTLESSLY THEY SHIFT FROM THE ORDINARY TO THE EXTRAORDINARY, SEEKING AND EXPLORING CONTACT AND INTERFACES, PROPOSING AN IMPLICIT QUESTION TO THEIR AUDIENCE: HOW DO I RELATE TO THE OTHER?

CREDITSCONCEPT/CHOREOGRAPHY: ARNO SCHUITEMAKER (CREATION IN COLLABORATION WITH THE DANCERS) • MUSIC/SOUND: WIM SELLES • COSTUMES: JUDITH ABELS • PERFORMERS: MANEL SALAS PALAU, MITCHELL-LEE VAN ROOIJ • WITH THANKS TO: GUY COOLS • PRODUCTION: THE FIFTEEN PROJECT| DUET IS A SHARP/ARNOSCHUITEMAKER PRODUCTION AND IS SUPPORTED BY DANSBRABANT. THE WORK IS CREATED IN A CO-PRODUCTION BY PRODUCTIEHUIS BRABANT, GENERALE OOST, MUSIS SACRUM/SCHOUWBURG ARNHEM, WITH GENEROUS SUPPORT BY CSC CENTRO PER LA SCENA CONTEMPORANEA/CASA DELLA DANZA DI BASSANO DEL GRAPPA AND THE JHERONIMUS BOSCH 500 FOUNDATION.

ABOUT ARNOARNO SCHUITEMAKER WAS BORN IN 1976 IN THE NETHERLANDS. AFTER OBTAINING HIS MASTER’S DEGREE AT THE UNIVERSITY OF TECHNOLOGY DELFT IN 2002, ARNO DECIDED TO CHANGE COURSE AND TO STUDY CONTEMPORARY DANCE. SINCE HIS GRADUATION IN 2007, HE HAS CREATED A WIDE VARIETY OF THEATRE AND SITE-SPECIFIC PERFORMANCES, INCLUDING: ZONE (2008), EXIT (2009), AND TIDE (2011). ENGAGED BY PHILOSOPHICAL AND EXISTENTIAL QUESTIONS HIS WORK IS CHARACTERIZED BY UNCOMMON APPROACHES TO SUBJECT MATTERS, CREATING PERFORMANCES WHERE THE SENSORY EXPERIENCE IS GIVEN PRIORITY. HE IS SELECTED AS AEROWAVES PRIORITY COMPANY 2013 AND AS MODUL-DANCE ARTIST 2013-2014 BY THE EUROPEAN DANCEHOUSE NETWORK.

*WITH THE SUPPORT OF THE CULTURE PROGRAMME OF THE EUROPEAN UNION IN THE FRAMEWORK OF THE MODUL-DANCE PROJECT_____________________________

CANADIAN PLYWOOD

PERFORMANCE TITLE

TACET

CONCEPTTACET IS A MUSICAL TERM: ON THE SCORE, IT TELLS A MUSICIAN TO STOP PLAYING FOR A SIGNIFICANT TIME. THE INSTRUMENT REMAINS SILENT. OUR CHOREOGRAPHY: BEING PRESENT IN THE MARGINS OF THE COLLECTIVE DISCOURSE THAT SAYS EITHER TOO LITTLE OR TOO MUCH WITH ITS USUAL LONGING FOR VICTIMS AND HEROES.

CREDITSCHOREOGRAPHER: PASCAL CARON • MUSIC/SOUND: ANTONIS ANTONIOU • COSTUMES: MELITA COUTA • DANCERS/PERFORMERS:PASCAL CARON, ARIANA ALPHAS, MICHALIS ASHIKAS

DURATION OF PIECE: 20-25’---------------------------------------

CANADIAN PLYWOOD

ΤΊΤΛΟΣ ΠΑΡΑΣΤΑΣΗΣ

TACET

TΟ ΘΈΜΑ ΤΗΣ ΠΑΡΑΣΤΑΣΗΣTACET. ΠΡΟΚΕΙΤΑΙ ΓΙΑ ΜΟΥΣΙΚΟ ΟΡΟ. ΣΤΉΝ ΠΑΡΤΙΤΟΥΡΑ ΣΉΜΑΤΟΔΟΤΕΙ ΣΤΟ ΜΟΥΣΙΚΟ ΝΑ ΣΤΑΜΑΤΉΣΕΙ ΝΑ ΠΑΙΖΕΙ ΓΙΑ ΣΥΓΚΕΚΡΙΜΕΝΟ ΧΡΟΝΙΚΟ ΔΙΑΣΤΉΜΑ. ΤΟ ΟΡΓΑΝΟ ΠΑΡΑΜΕΝΕΙ ΣΙΩΠΉΛΟ. Ή ΧΟΡΟΓΡΑΦΙΑ ΜΑΣ: ΠΑΡΟΝΤΕΣ ΣΤΟ ΠΕΡΙΘΩΡΙΟ ΤΉΣ ΣΥΛΛΟΓΙΚΉΣ ΔΙΑΛΕΚΤΙΚΉΣ ΠΟΥ ΕΙΤΕ ΛΕΕΙ ΠΟΛΥ ΛΙΓΑ ΕΙΤΕ ΠΑΡΑ ΠΟΛΛΑ, ΜΕ ΤΉ ΣΥΝΉΘΉ ΤΉΣ ΕΠΙΘΥΜΙΑ ΓΙΑ ΘΥΜΑΤΑ ΚΑΙ ΉΡΩΕΣ.

ΣΥΝΤΈΛΈΣΤΈΣΧΟΡΟΓΡΑΦΙΑ: ΠΑΣΚΑΛ ΚΑΡΟΝ • ΜΟΥΣΙΚΉ/ΉΧΟΣ: ΑΝΤΩΝΉΣ ΑΝΤΩΝΙΟΥ • ΚΟΣΤΟΥΜΙΑ: ΜΕΛΙΤΑ ΚΟΥΤΑ • ΧΟΡΕΥΤΕΣ/ΠΕΡΦΟΡΜΕΡΣ: ΠΑΣΚΑΛ ΚΑΡΟΝ, ΑΡΙΑΝΑ ΑΛΦΑ, ΜΙΧΑΛΉΣ ΑΣΙΉΚΚΑΣ

ΔΙΑΡΚΕΙΑ ΕΡΓΟΥ: 20-25’_____________________________

GROUP FEO

PERFORMANCE TITLE

COPERTEE*

CONCEPTDRAW THE STRAW. GASP AND PANT. PLAY AND DIE IS WHAT WE SAW. COPERTEE AND TEE AND EEE! OUR GAME IS NOT THE SAME, SOMEBODY IS ABOUT TO LOSE THEIR NAME.[*COPERTEE IS ONE OF MANY COUNTING-OUT RHYMES THAT LAUNCH TRADITIONAL OUTDOOR GAMES PLAYED BY CHILDREN]

CREDITSDIRECTION/DRAMATURGY: JOANNA KORDATOU • CONCEPT: GAME/COMPETITION • CHOREOGRAPHER: EVA KALOMOIRI • MUSIC/SOUND: LOUCAS EROTOKRITOU • COSTUMES: THE GROUP • PERFORMERS: JOANNA KORDATOU, EVA KALOMOIRI, LOUCAS EROTOKRITOU • TEXT: TEXT FROM TRADITIONAL COUNTING-OUT RHYMES, EXTRACTS FROM PABLO PICASSO’S “THE FOUR LITTLE GIRLS” AND BY THE GROUP

DURATION OF PIECE: 20’---------------------------------------

GROUP FEO

ΤΊΤΛΟΣ ΠΑΡΑΣΤΑΣΗΣ

ΚΟΠΕΡΤΙ*

TΟ ΘΈΜΑ ΤΗΣ ΠΑΡΑΣΤΑΣΗΣΛΑΧΝΙΣΜΑ-ΛΑΧΑΝΙΑΣΜΑ. ‘ΕΛΑ ΝΑ ΠΑΙΞΟΥΜΕ ΚΑΙ ΘΑ ΔΟΥΜΕ Ή ΜΙΑ ΤΉΝ ΑΛΛΉ ΝΑ ΠΕΘΑΙΝΕΙ. ΚΟΠΕΡΤΙ ΤΟ ΚΟΠΕΡΤΙ, ΤΟ ΠΑΙΧΝΙΔΙ ΜΕΓΑΛΩΝΕΙ ΚΑΙ ΔΕΝ ΕΙΝΑΙ ΠΙΑ ΠΑΙΧΝΙΔΙ.[*ΤΟ ΚΟΠΕΡΤΙ ΕΙΝΑΙ ΕΝΑ ΠΑΙΔΙΚΟ ΠΑΙΧΝΙΔΙ ΠΟΥ ΕΝΤΑΣΣΕΤΑΙ ΣΤΑ ΠΑΙΧΝΙΔΙΑ ΛΑΧΝΙΣΜΑΤΑ, ΔΉΛΑΔΉ ΠΑΙΔΙΚΑ ΤΡΑΓΟΥΔΙΑ ΠΟΥ ΣΉΜΑΤΟΔΟΤΟΥΝ ΤΉΝ ΕΝΑΡΞΉ ΤΟΥ ΠΑΙΧΝΙΔΙΟΥ]

ΣΥΝΤΈΛΈΣΤΈΣΣΚΉΝΟΘΕΣΙΑ/ΔΡΑΜΑΤΟΥΡΓΙΑ: ΙΩΑΝΝΑ ΚΟΡΔΑΤΟΥ • ΘΕΜΑ: ΠΑΙΧΝΙΔΙ/ΑΝΤΑΓΩΝΙΣΜΟΣ •ΧΟΡΟΓΡΑΦΙΑ: ΕΥΑ ΚΑΛΟΜΟΙΡΉ •ΜΟΥΣΙΚΉ/ΉΧΟΣ: ΛΟΥΚΑΣ ΕΡΩΤΟΚΡΙΤΟΥ • ΚΟΣΤΟΥΜΙΑ: Ή ΟΜΑΔΑ • ΠΕΡΦΟΡΜΕΡΣ: ΙΩΑΝΝΑ ΚΟΡΔΑΤΟΥ, ΕΥΑ ΚΑΛΟΜΟΙΡΉ, ΛΟΥΚΑΣ ΕΡΩΤΟΚΡΙΤΟΥ • ΚΕΙΜΕΝΟ: ΑΠΟ ΠΑΡΑΔΟΣΙΑΚΑ ΛΑΧΝΙΣΜΑΤΑ, ΑΠΟΣΠΑΣΜΑΤΑ ΑΠΟ ΤΑ « ΤΑ ΤΕΣΣΕΡΑ ΚΟΡΙΤΣΑΚΙΑ» ΤΟΥ ΠΑΜΠΛΟ ΠΙΚΑΣΟ ΚΑΙ ΑΠΟ ΤΉΝ ΟΜΑΔΑ.

ΔΙΑΡΚΕΙΑ ΕΡΓΟΥ: 20’_____________________________

HARRY KOUSHOS

PERFORMANCE TITLE

STATE OF MIND 1

CREDITSDIRECTION/CONCEPT/CHOREOGRAPHER: HARRY KOUSHOS WWW.HARRYKOUSHOS.COM • PERFORMER: MINA LAMPROPOULOU

DURATION OF PIECE: 20’---------------------------------------

ΧΑΡΗΣ ΚΟΎΣΙΟΣ

ΤΊΤΛΟΣ ΠΑΡΑΣΤΑΣΗΣ

STATE OF MIND 1

ΣΥΝΤΈΛΈΣΤΈΣΣΚΉΝΟΘΕΣΙΑ/ΘΕΜΑ/ ΧΟΡΟΓΡΑΦΙΑ: ΧΑΡΉΣ ΚΟΥΣΙΟΣ WWW.HARRYKOUSHOS.COM • ΠΕΡΦΟΡΜΕΡ: ΜΙΝΑ ΛΑΜΠΡΟΠΟΥΛΟΥ

ΔΙΑΡΚΕΙΑ ΕΡΓΟΥ: 20’

_____________________________

VENUEDANCEHOUSE LEFKOSIA (AGORA AYIOS ANDREAS)PARTHENONOS 25, AYIOS ANDREAS, NICOSIA________________________

FESTIVAL PRODUCTION TEAM Director Dance Gate Lefkosia CyprusArianna Economou

Creative DirectorPantelis Georghiou

Artistic DirectorAlexandra Waierstall

Creative Supervision Anita Michaelidis

Publicity CoordinationElisa Bosio

Programme DesignThekla Minaidis

Lighting Alexandrer Jotovitch

----------------------------------Technical Production/ Stage Management Yiangos Hadjigiannis Brave New Media----------------------------------OrganiserDance Gate Lefkosia Cyprus----------------------------------

ΟΜΑΔΑ ΠΑΡΑΓΩΓΗΣ

ΦΕΣΤΙΒΑΛΔιευθύντρια Dance Gate Lefkosia Cyprus Αριαννα Οικονόμου

Δημιουργική Διεύθυνση Παντελής Γεωργίου

Καλλιτεχνική Διεύθυνση Αλεξάντρα Βάγιερσταλλ

Καλλιτεχνική Επιμέλεια Ανίτα Μιχαηλίδη

Συντονισμός ΔημοσιότηταςΕλίσα Μπόσιο

Σχεδιασμός Προγράμματος Θέκλα Μιναΐδου

Φωτισμοί Αλεξάντερ Γιότοβιτς

----------------------------------Τεχνική Παραγογη & Διευθυντής ΣκηνήςΓιάγκος Χατζηγιάννης Brave New Media ----------------------------------Διοργανωτής Dance Gate Lefkosia Cyprus----------------------------------

DANCEWORKSHOP ΈΡΓΑΣΤΗΡΊ -----------------------------------TUESDAY 5TH NOVEMBER

10.00AM - 1.00PMD A N C E H O U S E L E F K O S I A

W I T H E D U A R D O F U K U S H I M A FOR DANCERS, PERFORMERS AND ADVANCED STUDENTS OF DANCEFEE: €5 / INFORMATION: 22 777 046-----------------------------------ΤΡΙΤΗ 5 ΝΟΕΜΒΡΗ10.00ΠΜ - 1.00ΜΜΣ Τ Έ Γ Η Χ Ο Ρ Ο Υ Λ Έ Υ Κ Ω Σ Ί Α Σ

ΜΈ ΤΟΝ ΈΔΟΥΑΡΔΟ ΦΟΥΚΟΥΣΊΜΑ ΓΙΑ ΠΕΡΦΟΡΜΕΡΣ ΕΠΑΓΓΕΛΜΑΤΙΕΣ ΚΑΙ ΦΟΙΤΗΤΕΣ ΧΟΡΟΎΤΊΜΗ: €5 / ΠΛΗΡΟΦΟΡΊΈΣ: 22 777 046

SUNDAY 3 NOV, 8PM

HOMO FABER

PERFORMANCE TITLE

HOMO LUDENS

CONCEPT“PLAY CANNOT BE DENIED. YOU CAN DENY, IF YOU LIKE, NEARLY ALL ABSTRACTIONS: JUSTICE, BEAUTY, TRUTH, GOODNESS, MIND, GOD. YOU CAN DENY SERIOUSNESS, BUT NOT PLAY…”[HUIZINGA, HOMO LUDENS]THE PIECE SIGNIFIES THE IMPORTANCE THAT PLAY HAS FOR CULTURE THROUGH SOMETHING THAT IS ITSELF ‘PLAY’, SINCE DANCE IS THE MOST PURE AND PERFECT FORM OF PLAYING. CREDITSDRAMATURGY: EURIPIDES DIKEOS • CONCEPT: CONSTANTINOS CONSTANTINOU • CHOREOGRAPHER: ELENA MICHAEL • PERFORMERS: ELENA MICHAEL, EURIPIDES DIKEOS, CONSTANTINOS CONSTANTINOU

DURATION OF PIECE: 24’---------------------------------------

ΧΟΜΟ ΦΑΜΠΕΡ

ΤΊΤΛΟΣ ΠΑΡΑΣΤΑΣΗΣ

ΧΟΜΟ ΛΟΎΝΤΕΝΣ

TΟ ΘΈΜΑ ΤΗΣ ΠΑΡΑΣΤΑΣΗΣ“ΤΟ ΠΑΙΧΝΙΔΙ ΔΕΝ ΜΠΟΡΕΙ ΚΑΝΕΙΣ ΝΑ ΤΟ ΑΡΝΉΘΕΙ. ΜΠΟΡΕΙ ΚΑΝΕΙΣ ΝΑ ΑΡΝΉΘΕΙ, ΑΝ ΘΕΛΕΙ, ΟΛΕΣ ΣΧΕΔΟΝ ΤΙΣ ΑΦΉΡΉΜΕΝΕΣ ΕΝΝΟΙΕΣ: ΤΉ ΔΙΚΑΙΟΣΥΝΉ, ΤΉΝ ΟΜΟΡΦΙΑ, ΤΉΝ ΑΛΉΘΕΙΑ, ΤΉΝ ΚΑΛΟΣΥΝΉ, ΤΟ ΠΝΕΥΜΑ, ΤΟΝ ΘΕΟ. ΜΠΟΡΕΙ ΚΑΝΕΙΣ ΝΑ ΑΡΝΉΘΕΙ ΤΉΝ ΣΟΒΑΡΟΤΉΤΑ, ΑΛΛΑ ΟΧΙ ΤΟ ΠΑΙΧΝΙΔΙ”.[HUIZINGA, HOMO LUDENS]ΤΟ ΕΡΓΟ ΑΝΑΔΕΙΚΝΥΕΙ ΤΉΝ ΣΉΜΑΝΤΙΚΟΤΉΤΑ ΤΟΥ ΠΑΙΧΝΙΔΙΟΥ ΓΙΑ ΤΟΝ ΠΟΛΙΤΙΣΜΟ ΜΕΣΑ ΑΠΟ ΚΑΤΙ ΠΟΥ ΕΙΝΑΙ ΚΑΙ ΤΟ ΙΔΙΟ ΠΑΙΧΝΙΔΙ, ΑΦΟΥ Ο ΧΟΡΟΣ ΕΙΝΑΙ Ή ΠΙΟ ΑΓΝΉ ΚΑΙ Ή ΠΙΟ ΤΕΛΕΙΑ ΜΟΡΦΉ ΠΑΙΧΝΙΔΙΟΥ.

ΣΥΝΤΈΛΈΣΤΈΣΔΡΑΜΑΤΟΥΡΓΙΑ: ΕΥΡΙΠΙΔΉΣ ΔΙΚΑΙΟΣ • ΘΕΜΑ: ΚΩΝΣΤΑΝΤΙΝΟΣ ΚΩΝΣΤΑΝΤΙΝΟΥ • ΧΟΡΟΓΡΑΦΙΑ:ΕΛΕΝΑ ΜΙΧΑΉΛ • ΠΕΡΦΟΡΜΕΡΣ:ΕΛΕΝΑ ΜΙΧΑΉΛ, ΕΥΡΙΠΙΔΉΣ ΔΙΚΑΙΟΣ, ΚΩΝΣΤΑΝΤΙΝΟΣ ΚΩΝΣΤΑΝΤΙΝΟΥ

ΔΙΑΡΚΕΙΑ ΕΡΓΟΥ: 24’_____________________________

ALICE EVGENIOU

PERFORMANCE TITLE

JUSTE.UN.CORPS

CONCEPT BODY. ENERGY. SERENITY. TENSION. OUR LIVING ORGANISM. THE MATERIAL BODY, THE SPIRITUAL, THE SOUL, THE MENTAL BODY. MIND, LOGIC, FANTASY, THE CAUSES OF OUR THOUGHTS. ENERGY WITHIN EVERY LEVEL OF MYSELF. CAN I CONTROL ITS FLOW? DO I CONTROL THE FLOW?

CREDITSCONCEPT: BODY AND MIND • CHOREOGRAPHER/COSTUME/DANCER/PERFORMER: ALICE EVGENIOU • MUSIC/SOUND: EINSTURZENDE NEUBAUTEN - EIN SELTENER VOGEL AND GIORGOS KALOUDIS - BALO SOKAK • PHOTOGRAPHY: SAVVAS CHRISTODOULOU

DURATION OF PIECE: 20’---------------------------------------

ΑΛΙΚΗ ΕΎΓΕΝΙΟΎ

ΤΊΤΛΟΣ ΠΑΡΑΣΤΑΣΗΣ

JUSTE.UN.CORPS

TΟ ΘΈΜΑ ΤΗΣ ΠΑΡΑΣΤΑΣΗΣΣΩΜΑ. ΕΝΕΡΓΕΙΑ. ΉΡΕΜΙΑ. ΕΝΤΑΣΉ. Ο ΦΥΣΙΚΟΣ ΟΡΓΑΝΙΣΜΟΣ ΜΑΣ. ΤΟ ΥΛΙΚΟ ΣΩΜΑ, ΤΟ ΠΝΕΥΜΑΤΙΚΟ, ΤΟ ΨΥΧΙΚΟ, ΤΟ ΝΟΉΤΙΚΟ ΜΑΣ ΣΩΜΑ. Ο ΝΟΥΣ, Ή ΛΟΓΙΚΉ, Ή ΦΑΝΤΑΣΙΑ, ΟΙ ΑΙΤΙΕΣ ΓΙΑ ΤΙΣ ΣΚΕΨΕΙΣ. ΕΝΕΡΓΕΙΑ ΣΕ ΚΑΘΕ ΕΠΙΠΕΔΟ ΤΟΥ ΕΑΥΤΟΥ ΜΟΥ. ΜΠΟΡΩ ΝΑ ΕΛΕΓΞΩ ΤΉΝ ΡΟΉ ΤΉΣ;

ΣΥΝΤΈΛΈΣΤΈΣΘΕΜΑ: ΣΩΜΑ ΚΑΙ ΕΝΕΡΓΕΙΑ •ΧΟΡΟΓΡΑΦΙΑ/ ΚΟΣΤΟΥΜΙ/ΧΟΡΕΥΤΉΣ/ΠΕΡΦΟΡΜΕΡ: ΑΛΙΚΉ ΕΥΓΕΝΙΟΥ • ΜΟΥΣΙΚΉ/ΉΧΟΣ: EINSTURZENDE NEUBAUTEN - EIN SELTENER VOGEL ΚΑΙ ΓΙΩΡΓΟΣ ΚΑΛΟΥΔΉΣ - BALO SOKAK • ΦΩΤΟΓΡΑΦΙΚΟ ΥΛΙΚΟ: ΣΑΒΒΑΣ ΧΡΙΣΤΟΔΟΥΛΟΥ

ΔΙΑΡΚΕΙΑ ΕΡΓΟΥ: 20’_____________________________

JULIA ANNA BRENDLE

PERFORMANCE TITLE

BODY SIGNS/IN BETWEEN

CONCEPTSIGN LANGUAGES CARRY DIFFERENT MEANINGS; MAKING MOVEMENT A FORM OF COMMUNICATION. HOW CAN THIS MOVEMENT BE TRANSFORMED INTO AN AESTHETIC EXPERIENCE THAT IS NOT CODED WITH MEANING? IS IT POSSIBLE TO TRANSPORT THE EMOTION INTO A MORE PHYSICAL FORM FOR THE PERFORMER AND A SIMILAR KINAESTHETIC EXPERIENCE FOR THE AUDIENCE? AN EXPERIMENT ABOUT THE RELATIONSHIP OF MEANING, MOTION, EMOTION AND VISUAL UNDERSTANDING.

CREDITSDRAMATURGY: RACHEL OIDTMANN • CONCEPT/CHOREOGRAPHER/DANCER: JULIA BRENDLE • MUSIC/SOUND: PANOS BARTZIS • COSTUME: TOBIAS SIEWERT (EINELINIE)

DURATION OF PIECE: 18’ ---------------------------------------

JULIA ANNA BRENDLE

ΤΊΤΛΟΣ ΠΑΡΑΣΤΑΣΗΣ

BODY SIGNS/IN BETWEEN

TΟ ΘΈΜΑ ΤΗΣ ΠΑΡΑΣΤΑΣΗΣΟΙ ΝΟΉΜΑΤΙΚΕΣ ΓΛΩΣΣΕΣ ΦΕΡΟΥΝ ΔΙΑΦΟΡΕΤΙΚΕΣ ΕΝΝΟΙΕΣ- ΚΑΝΟΥΝ ΤΉΝ ΚΙΝΉΣΉ ΜΟΡΦΉ ΕΠΙΚΟΙΝΩΝΙΑΣ. ΕΝΑ ΠΕΙΡΑΜΑ ΠΑΝΩ ΣΤΉ ΣΧΕΣΉ ΤΉΣ ΣΉΜΕΙΟΛΟΓΙΑΣ, ΤΉΣ ΚΙΝΉΣΉΣ, ΤΩΝ ΣΥΝΑΙΣΘΉΜΑΤΩΝ ΚΑΙ ΤΉΣ ΟΠΤΙΚΉΣ ΚΑΤΑΝΟΉΣΉΣ.

ΣΥΝΤΈΛΈΣΤΈΣΔΡΑΜΑΤΟΥΡΓΙΑ: RACHEL OIDTMANN• ΘΕΜΑ/ΧΟΡΟΓΡΑΦΙΑ/ΧΟΡΕΥΤΉΣ: JULIA BRENDLE • ΜΟΥΣΙΚΉ/ΉΧΟΣ:PANOS BARTZIS • ΚΟΣΤΟΥΜΙ:TOBIAS SIEWERT (EINELINIE) ΔΙΑΡΚΕΙΑ ΕΡΓΟΥ: 18’_____________________________

EDUARDO FUKUSHIMA

PERFORMANCE TITLE

HOW TO OVERCOME THE GREAT TIREDNESS?

CONCEPTA GREAT WEARINESS. IN TIME. IN THE AIR. FROM THE TIREDNESS COMES MOVEMENT, BODY LANGUAGE, HARNESSING

EXHAUSTION AS A POWER FROM WHICH TO MOVE. THE WORK EXPLORES THE BUILDING OF GESTURE AND INTENTION WITHIN SPECIFIC QUALITIES OF MOVEMENT, REACHING A BODY STATE THAT BOTH DEVELOPS AND EXISTS IN REAL TIME. IT’S FROM THE EXISTENTIAL TIREDNESS AND THE MOVEMENT THAT ARRIVE AT THIS QUESTION AND DEVELOPING IT IN A BODY LANGUAGE WITHOUT PRETENCES OF GETTING AN ANSWER. THE CHOREOGRAPHY AND RESEARCH FOR THIS PROJECT WAS FUNDED AS PART OF ITS PROGRAM OF DANCE IN 2009/10 BY RUMUS ITAÚ CULTURAL SAO PAULO/ BRAZIL.

CREDITSARTISTIC DIRECTION/PERFORMER/ PRODUCTION: EDUARDO FUKUSHIMA • ARTISTIC COLLABORATION: KEY SAWAO • MUSICAL COMPOSITION: FELIPE RIBEIRO AND EDUARDO FUKUSHIMA • CREATIONS OF LIGHT: SÉRGIO PUPO AND EDUARDO FUKUSHIMA • PHOTOS: INES CORREA • MANY THANKS TO: JULIA ROCHA, BEATRIZ SANO

BOTH PIECES (SUNDAY, 3RD NOVEMBER AND MONDAY, 4TH NOVEMBER) FOLLOW AN INVESTIGATION LINE THAT STARTS FROM GESTURE AND MOVEMENT IN THEIR CRUDENESS. THEY ARE NOT BALLET, THEY ARE NOT OF ANY CONTEMPORARY TECHNIQUE, THEY ARE NOT ORIENTAL DANCE, THEY ARE NOT BRAZILIAN DANCE, THEY ARE DANCES WITHOUT SPECIFIC ROOTS BUT AT THE SAME TIME WITH ALL TOGETHER WITH ORIGIN INSIDE OF A DANCER WHO IS ATTEMPTING TO DEAL WITH THE MOMENT. SPEECHES, YELL, ARIDITY AND SOFTNESS TRANSFORMED IN TWO SHORT DANCES.

ABOUT THE ARTISTEDUARDO FUKUSHIMA (WWW.FUKUSHIMAEDUARDO@WORDPRESS.COM) WAS BORN IN 1984. SINCE 2004, HE HAS WORKED AS A CHOREOGRAPHER, DANCER, PERFORMER AND TEACHER IN SAO PAULO, BRAZIL. HE GRADUATED FROM THE PONTICIFICIA CATHOLIC UNIVERSITY OF SAO PAULO WHERE HE OBTAINED A DEGREE IN “COMMUNICATION AND BODY ARTS”. HE CREATED THE SOLOS: “EXIT” (2004), “CORNER” (2007), “BETWEEN CONTENTIONS” (2008), WHICH WAS AWARDED THE PRIZE OF FUNARTE KLAUS VIANNA OF SAO PAULO, AND “HOW TO OVERCOME THE GREAT TIREDNESS?” (2010), WHICH WAS AWARDED THE “RUMOS DANÇA ITAÚ CULTURAL 2009/2010” PRIZE IN BRAZIL. IN 2012 AND 2013 HE WAS SELECTED AS PROTÉGÉ IN ROLEX MENTOR AND PROTÉGÉ ARTS INITIATIVE AND MOVED TO TAIWAN TO WORK WITH LIN HWAI-MIN, ARTISTIC DIRECTOR OF CLOUD GATE DANCE THEATRE OF TAIWAN. HE HAS BEEN PRACTICING ORIENTAL BODY PRACTICES AS SEITAI-HO FROM JAPAN AND CHI KUNG FROM CHINA SINCE 2005 AND HAS TRAINED IN CLASSIC BALLET, BRAZILIAN DANCE, CAPOEIRA ANGOLA, RELEASE TECHNIQUE, CONTACT IMPROVISATION, INDIAN DANCE AND ARTISTIC GYMNASTIC. HIS WORKS HAVE BEEN PERFORMED IN BRAZIL, PORTUGAL, ARGENTINA, BOLIVIA, DOMINICAN REPUBLIC, ENGLAND AND TAIWAN._____________________________

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ARIANNA ECONOMOU

PERFORMANCE TITLE

SIXTEEN DANCES BY JOHN CAGE (EXTRACT)ARIANNA ECONOMOU PERFORMS SIXTEEN DANCES TO THE ORIGINAL 1951 RECORDING OF JOHN CAGE’S COMPOSITION, WRITTEN SPECIFICALLY FOR FOUR DANCERS, LED BY MERCE CUNNINGHAM.

HER SOLO TREATMENT OF THE COMPOSITION WILL DRAW ON THE MANY YEARS OF HER TRAINING AND EXPERIENCE, FROM A WIDE RANGE OF DANCE VOCABULARY - BALLET [MARIE RAMBERT]; CONTACT IMPROVISATION [STEVE PAXTON, HIMSELF A ONE-TIME STUDENT OF MERCE CUNNINGHAM]; IDEOKINESIS [MARY FULKERSON]; BODY/MIND/ CENTERING [VERA ORLOCK], AS WELL AS HER WORK AS DANCER/CHOREOGRAPHER IN ANCIENT GREEK THEATRE PRODUCTIONS. THE PRESENT DANCE PERFORMANCE EXPLORES THE 9 RASA-S / SENTIMENTS THAT REMAIN THE CORE OF INDIA/ASIAN ARTS & AESTHETICS: ANGER, HUMOUR, SORROW, THE HEROIC, THE ODIOUS, THE WONDROUS, FEAR, THE EROTIC AND TRANQUILITY. THESE SENTIMENTS ARE DEFINED AND DISCUSSED AT GREAT LENGTH IN THE ANCIENT SANSKRIT MANUAL, THE NATYASHASTRA 200 BC-200 AD - STILL IN USE THROUGHOUT THE INDIA CONTINENT, AS A REFERENCE AND AN INSPIRATIONAL TEXT. IN JOHN CAGE’S SCORE, EACH SENTIMENT IS FOLLOWED BY AN INTERLUDE, THE TOTAL PERFORMANCE TAKING 53 MINUTES. THE INSTRUMENTS USED IN THE ENSEMBLE WORK ARE FLUTE, TRUMPET, PERCUSSION, PIANO, VIOLIN AND CELLO. WE HEAR ATTEMPTS AT BREAKING FURTHER AWAY FROM TONAL MUSIC AND EXPLORING A WIDER RANGE OF PERCUSSIVE SOUNDS. WE ALSO SEE THE START OF A NEW METHOD OF COMPOSITION BASED ON ‘CHANCE’ INSPIRED BY HIS READINGS AND USE OF THE CHINESE MANUAL I CHING – AN APPROACH THAT REMAINED WITH HIM, AND ALSO THE DANCER, MERCE CUNNINGHAM, THROUGHOUT THEIR WORKING LIVES.

THE PROGRAMME THIS EVENING IS AN EXTRACT. ARIANNA ECONOMOU WILL BE DANCING 7 RASA-S: ANGER, HUMOUR, SORROW, HEROIC, WONDROUS, FEAR, THE EROTIC AND FIVE INTERLUDES. THE COLOUR CODING OF THE FABRICS ARE THOSE MENTIONED IN THE NATYASHATRA MANUAL, AS IS THE CHOICE OF THE RECTANGULAR SPACE USED IN ANCIENT SANSKRIT THEATRE CONVENTIONS.

IN CONVERSATION WITH RUTH KESHISHIAN ON SANSKRIT THEATRE AND AESTHETICS

DURATION OF PIECE: 30’_____________________________

EDUARDO FUKUSHIMA

PERFORMANCE TITLE

BETWEEN RESTRAINT

CONCEPTBETWEEN RESTRAINT IS A SHORT PIECE OF DANCE THAT HAS ITS STARTING POINT IN THREE GESTURES DEVELOPED AROUND THE SPACE. A PIECE FROM 2008, DEVELOPED BY THE PROJECT “10 SOLOS E REVERBERAÇÕES”, FROM THE KEY ZETTA AND COMPANY, PRIZE FUNARTE KLAUS VIANNA IN SAO PAULO/BRAZIL.

CREDITSARTISTIC DIRECTION/PERFORMER/PRODUCTION: EDUARDO FUKUSHIMA • ARTISTIC COLLABORATION: KEY SAWAO, RICARDO IAZZETTA E DANIEL FAGUNDES • CREATIONS OF LIGHT: SÉRGIO PUPO AND EDUARDO FUKUSHIMA • PHOTOS: INES CORREA • MANY THANKS TO: BEATRIZ SANO, JULIA ROCHA, HIDEKI MATSUKA

PERFORMANCE TITLE

HOW TO OVERCOME THE GREAT TIREDNESS?FOR DETAILS PLEASE REFER TO PERFORMANCE ON PREVIOUS PAGE_____________________________

TUESDAY 5 NOV, 8PM

SHORT DANCE FILMS: AT THE CROSS-BORDER OF GENRES*

SE FONDRE BELGIUM, 2006, 25’; DIRECTOR AND CHOREOGRAPHER: ANTONIN DE BEMELS; PERFORMERS: UGO DEHAES, MELANIE MUNT, BRUNO MARIN; MUSIC: AERNOUDT JACOBS, ANTONIN DE BEMELS, RAWAKARIPIÉTON WALKS THROUGH THE CITY, PENSÉE LOOSES HERSELF IN HER THOUGHTS, PANTIN SLOWLY GETS OUT OF HIS IMMOBILITY... A SHORT FILM ABOUT HOW TO DEAL WITH THE REALITY THAT SURROUNDS US. SOME WILL WORK THEIR WAY THROUGH IT, SOME WILL MERGE INTO IT, SOME WILL MELT INTO THIN AIR... MOVEMENT IS THE KEY.---------------------------------------

MIDDAY UK, 2003, 6’; DIRECTION: MARGARET WILLIAMS; CHOREOGRAPHY AND PERFORMANCE: MAL PELO; MUSIC: STEVE NOBLE; CAMERA: MÁRTEN NILSSON

THE SHORT FILM MIDDAY EXPLORES THEMES OF DESIRE, MEMORY AND LOSS. TO QUOTE MAL PELO, “THIS WORLD THEN, IS ONE INHABITED BY BEINGS OF FLESH AND BLOOD, WHERE REALITY AND FICTION ARE OFTEN CONFUSED - A UNIQUE MEETING POINT BETWEEN THOUGHT AND IMAGINATION.”MIDDAY IS THE FIRST COLLABORATION BETWEEN MARIA MUNOZ AND PEP RAMIS OF MAL PELO COMPANY, AND MARGARET WILLIAMS. MIDDAY WAS SHOT IN GIRONA, SPAIN AND WAS COMMISSIONED AS PART OF THE 2ND SERIES OF 4DANCE BY CHANNEL 4 TELEVISION.---------------------------------------

REWIND SWEDEN, 2003, 5’; DIRECTOR: MÅRTEN NILSSON; CHOREOGRAPHER: GUNILLA HELLBORN; DANCERS: HELENA FRANZÉN, ANNA KÄLLBLAC, SANDRA MEDINA, TOVE SAHLIN, STAFFAN EEK, MATS GARPENDAHL, JUKKA KORPI, HENRIK VIKMAN; MUSIC: KIM HIORTHØYEXACTLY WHAT HAPPENED THAT DAY, WHEN HENRY MOVED INTO HIS NEW HOUSE? ONE HOUSE, EIGHT DANCERS, ONE CAMERA.---------------------------------------

WHILE THE CAT’S AWAYICELAND, 2002, 5’; DIRECTION AND COREOGRAPHY: HELENA JONSDOTTIR AND UNNUR OSP STEFANSDOTTIR; MÚSICA: HALLUR INGOLFSSONAN OLD WOMAN WHO LIVES IN HER DAUGHTER’S APARTMENT WITH A TERRIBLE FEAR THAT SHE IS IMPOSING ON HER CHILD’S OTHERWISE INDEPENDENT AND MODERN LIFESTYLE. WHEN THE DAUGHTER GOES TO WORK, THE OLD LADY GETS A CHANCE TO EXPRESS HERSELF AND MAKE HERSELF FEEL COMFORTABLE IN HER RESTRICTIVE SURROUNDINGS.---------------------------------------

FISTICUFFSUK, 2004, 11’; DIRECTION: MIRANDA PENELL; COREOGRAPHY: MIRANDA PENELL & THE ENSEMBLEA BLOKE WALKS INTO A PUB... SIX ACTORS PUNCH, KICK AND WRESTLE THEIR WAY THROUGH THE

WILD WEST OF AN EAST LONDON DRINKING ESTABLISHMENT. THE RITUAL OF THE WESTERN BAR-BRAWL IS RE-LOCATED TO A LONDON WORKING MEN’S’ CLUB. THE VIOLENCE APPEARS TO HAVE NO CONSEQUENCES, THE ACTORS’ BODIES BEING AS RUBBERY AND INVULNERABLE AS THOSE IN THE TV WESTERNS THAT INSPIRED THE FILM.---------------------------------------

TAUPERLENNETHERLANDS, 2008, 12’; DIRECTOR: GIDO LEYTENS; CHOREOGRAFY: KRISTEL VAN ISSUMTAUPERLEN IS A JOURNEY OF UNDEFINED SOULS WHO LIVE ON THE EDGE OF HEAVEN AND HELL. ANONYMOUSLY, AND WITH A LOSS OF MEMORY, THEY ARE LOOKING FOR THEIR RIGHT TO EXIST, IN LIMBO. TAUPERLEN IS INSPIRED BY SCENES OF THE PERFORMANCE ISA BY DANCE COMPANY T.R.A.S.H.---------------------------------------

HORIZON OF EXILEUNITED KINGDOM / CHILE, 2007, 22’: DIRECTION: ISABEL ROCAMORA; PERFORMERS: CAMILA VALENZUELA, PAULINA GARRIDO; MUSIC: JIVAN GASPARYANHORIZON OF EXILE FOLLOWS THE JOURNEY OF EXILE OF TWO WOMEN ACROSS TIMELESS DESERT LANDSCAPES. STRONGLY REFERENCING MIDDLE EASTERN CULTURE, THE FILM REFLECTS ON THE FEMALE CONDITION; SELF-IMAGE, BELONGING AND EFFACEMENT. WITHIN A CINEMATIC FRAMEWORK PUNCTUATED BY VOICE TESTIMONIES OF IRAQI EXILES, HORIZON EMPLOYS CHOREOGRAPHED GESTURE TO CONSIDER ISSUES OF LAND AND IDENTITY. SET TO A SOUNDTRACK BY JIVAN GASPARYAN THE BODIES BETRAY A SERENE VIOLENCE, TRAVELLING AS THOUGH RELEASED FROM CONSCIOUSNESS OR GRAVITY, FALLING AND RECUPERATING, HAUNTED BY AN IRREPRESSIBLE PAST.---------------------------------------

SVETOBOLJE ST. 1SLOVENIA, 2009, 14;’ DIRECTOR: LUCIJA SMODIS; CHOREOGRAPHER AND PERFORMER: VLASTA VESELKO CYCLE IN EMERGING. ETERNAL THEME.

*WITH THE SUPPORT OF THE CULTURE PROGRAMME OF THE EUROPEAN UNION IN THE FRAMEWORK OF THE MODUL-DANCE PROJECT_____________________________

* WITH THE SUPPORT OF THE CULTURE PROGRAMME OF THE EUROPEAN UNION IN THE FRAMEWORK OF THE MODUL-DANCE PROJECT

M A I N S P O N S O R

I N C O L L A B O R A T I O N W I T H S U P P O R T E R S M E D I A S P O N S O R