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GCT, GPR

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11

COINVENT MELODIC HARMONIZER

1. ..3 2. 4 3. : GCT5 4. 8 5. .................................................10 /11

, . , , [footnoteRef:2] - (imagery)- [footnoteRef:3]. (conceptual blending), Gilles Fauconnier Mark Turner. , , .[footnoteRef:4] , . , ( ), (reverse engineering). , . , - . , , . , , - -, / . [2: Boden, M. (2011). Creativity and art: Three roads to surprise.] [3: / (. , . 20)] [4: . , Lerdall & Jackendoff]

, , . , 16 , (, , ). ( ) . . , , , . (melodic harmonizer) . . , , . To Lerdahl & Jackendoff Gestalt. . , . (General Preference Rules) (GPR2) (GPR3), . (. Frankland & Cohen[footnoteRef:5]). [5: . 519-540]

1 1, [footnoteRef:6]. GPR , [footnoteRef:7]. , , [footnoteRef:8]. Lerdahl & Jackendoff , Gestalt . . [6: 1: . 1-8, 2: . 9-16. ] [7: GPR 2a, 2b, 3a . ] [8: GPR 2a, 3a 2b/2a . ]

3. O gtc

- . . . , , . , [footnoteRef:9]. [footnoteRef:10], , . ( ), , [footnoteRef:11]. , . , , ( ) . [9: .] [10: , , . T,S,D t,s,D . ] [11: Tp= , . tP= , b . ]

, GCT (General Chord Type). Forte , . , (-). 0 11[footnoteRef:12] . , . , , - (. ). [12: 0 , 1 #/b ... ]

, , . : [0,[0,2,4,5,7,9,11]] [0,[0,4,7]] , (0=) . , 0 () . , [footnoteRef:13] J.S. Bach Herzliebster Jesu[footnoteRef:14]. [13: ] [14: Breitkopf, 105. ]

2

3 [footnoteRef:15], . [15: . .: 79-89]

4.

(melodic harmonizer), , . , (GCT) . , , . 2 : 16 2+1 Choral. (C). . , . : . : (6)5-4-3-2-1. , .

4

J.S. Bach. , (. 4) vii7dim . , , (. 5-10, 13-16) , Kostka-Payne . GPR, .

5

, . , , . (GPR, GCT, Melodic Harmonizer) . (Boden) , : .

A., F. B. (2004). Parsing of Melody: Quantification and Testing of the. Music Perception , 21 (4), pp. 499-543.Boden, M. (2011). Creativity and art: Three roads to surprise. Oxford University Press.Buell, T. T.-3.Cambouropoulos, E. A melodic harmonisation assistant using concept invention and blending: Some preliminary thoughts and first steps. Fauconnier, M. T. (1999, Autumn). A mechanism of Creativity. Poetics Today , 20 (3), pp. 397-418.Jackendoff, R. (1987). Consciousness and the Computational Mind. The MIT Press,.Lerdahl F., J. R. (1983). A generative theory of tonal music . Cambridge.Simonson, P. (n.d.). Reinventing Invention, Again. Rhetoric Society Quarterly , 44 (4), pp. 299-322.Turner, G. F. (1998). Conceptual Integration Networks. Cognitive Science , 22 (2), pp. 133-187., . (2010). (15-18 ) . : - ., . . . : .