Portfolio Laurent Mudry
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Σ Arch+Eng PORT FOLIO Laurent MUDRY
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Architect EAVT Marne-la-Vallée Engineer Ecole des Ponts ParisTech
Transcript of Portfolio Laurent Mudry
Σ
Arch+Eng
PORTFOLIO
Laurent MUDRY
ARCH
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sec. XVIII
sec. XX
sec. XIX
sec. VI
sec. V-XV
sec. XVI
sec. XXI
Um jardim monastico arqueologico
N
Rehabilitação do mosteiro São Francisco de Real
Evolução cronologica - Esc. 1/4000
Laurent Mudry (E5615 - EAUM)
Medidas e direções do projeto - Esc. 1/500
Atelier Historia e Ucronia - Entrega 1 - 31/01/2014
Planta geral de coberturas de cobertura e cortas de terreno - Esc. 1/500 -
TecnicoSagrado Noble
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sec. XVIII
sec. XX
sec. XIX
sec. VI
sec. V-XV
sec. XVI
sec. XXI
Um jardim monastico arqueologico
N
Rehabilitação do mosteiro São Francisco de Real
Evolução cronologica - Esc. 1/4000
Laurent Mudry (E5615 - EAUM)
Medidas e direções do projeto - Esc. 1/500
Atelier Historia e Ucronia - Entrega 1 - 31/01/2014
Planta geral de coberturas de cobertura e cortas de terreno - Esc. 1/500 -
TecnicoSagrado Noble
MONASTIC AND ARCHEOLOGICAL GARDEN 1/3
Project of renova-tion of a ruined monastery in Braga, Portugal.
The program con-sists in the mu-sealisation of the monastery, the archaeological ex-cavations and the
mausoleum from the seventh century on the site, and of the installation of a research center in archeology.
The concept is to keep the natural torsion of the build-ings of the site to
reconstruct the de-stroyed cloister and install laboratories in a new archaeo-logical monastic garden respecting the proportions and modulations of the original monas-tery.
MONASTIC AND ARCHEOLOGICAL GARDEN 2/3
Level 2 Level 1
Level 0
Level -1
MONASTIC AND ARCHEOLOGICAL GARDEN
3/3
The project gave rise to the de-tailed study of the history of the monastery and mausoleum, an analysis of the past construction rules and pro-cesses, the dat-ing of the various elements and the identification of damages to pro-pose a consistent project theoreti-cally and techni-cally.
HOUSING & STORES
PARIS 13
1/2
Design of an “ideal” housing, first “in abstracto”, i.e. with-out site (above) and adaptation of the concept “in situ”, in the13th arrondisse-ment of Paris (here opposite and below).
The concept (dia-gram below) is to offer the same quali-ties as an individual house in a collective building: private en-trance directly from the outside, gener-ous outdoor spaces.
More than surface available, feeling of space is mostly seeked, which is made by a set of movable dividers enlarging the main spaces on the un-used rooms during the day.
Level 0 Level 1
Generous bal-conies are saw tooth and shift-ed to favor the best solar gain, then suspended by tension rods through.
These then serve as anchors to sup-port sun blinds and separate bal-conies, like boat sails.
COUPE EN TOITURE - ECHELLE 1/20ELEVATION EN TOITURE - ECHELLE 1/20
ELEVATION ETAGE COURANT - ECHELLE 1/20 COUPE ETAGE COURANT - ECHELLE 1/20
6. Façade sud, rue du Chevaleret
PLAN ETAGE COURANT - ECHELLE 1/20 PERSPECTIVE ETAGE COURANT
Vide / entrée
poussettes
Rue du Chevaleret
Rue Watt
Rue Léo Fränkel
pente 5%
Local vélo
Entrée
poussettes
COUPE EN TOITURE - ECHELLE 1/20ELEVATION EN TOITURE - ECHELLE 1/20
ELEVATION ETAGE COURANT - ECHELLE 1/20 COUPE ETAGE COURANT - ECHELLE 1/20
6. Façade sud, rue du Chevaleret
PLAN ETAGE COURANT - ECHELLE 1/20 PERSPECTIVE ETAGE COURANT
HOUSING & STORESPARIS 13
2/2
MARTIN PARR MUSEUM
IN PANTIN1/2
The concept is inspired from the one of Louis Kahn for the First Unitarian Church (conceptual diagram of Kahn above). Indeed, museums are the last contem-porary “sacred” spaces in the secular society, with the same characteristics of the cathedral of yesteryear.
Monument, subject to competition between territories, it is also a very hi-erarchical space between the “sacred” works of art and the “profane” every-day. Finally, it is one of the last collec-tive place of introspection through art.
1500 square meters of exhibition along the Ourcq canal in an indus-trial area in reconversion.
Level 0
Level 1 Level 2
The passage from “profane” to “sacred”, passage from the canal waterfront to the patio, is “miraculously” possible thanks to a monumental lift of a corner of the build-ing. Circulations encircle the exhibition and noble spaces of the program, allowing a variety of routes between exteriority and interiority.
MARTIN PARR MUSEUM
IN PANTIN2/2
ENG Σ
Internship at EGIS Con-cept with Pierre-Michel DELPEUCH, architect, urban planner and en-gineer.
The project was the construction of a new high-speed station near Nîmes, in the heart of a railway junction. Egis Concept was respon-
sible of the urban and environemental impact study.
My role was to lead a site analysis and make the synthesis of urban, regulatory and techni-cal constraints, in order to provide options for implementation of the station.
URBAN STUDY FOR RAILWAY STATION OF
NÎMES
Internship (1 year)Egis Concept
In addition to the urban and environmental study, we also proposed some archi-tectural guidelines (see op-posite).
Project of crossing of a valley for an highway based on the tecnical specifications from the client.
The study included the works of project man-agement (define the
outline and analyse different alternatives), design office (develop-ment of a draft design on the basis of detailed calculations) and con-struction company (price and quantitative studies, methods of im-
plementation).
The choice fell on an asymmetrical cable-stayed bridge support-ed by a main pylon and three secondary pylons with a steel deck.
STAY-CABLE BRIDGE Final project of the Ecole des Ponts
STRUCTURAL STUDIES FOR THE RENOVATION OF
CLASSICAL BUILDINGS
Structural Engineer - SCYNA 4
The project was the restructuring into an office building of four classic and Hauss-mann buildings in Paris 8th arrondisse-ment, the destruction and reconstruction of one of them and the renovation of the three other buildings , as well as the realisa-tion of underpinning work for three stories of parking.
Alone on this project with the support of a drawer, this study has allowed me to inte-grate the practice and experience of the leg-islative framework of structure calculation
and construction con-straints .
The project was com-plex due to the full underpinning of the building, the need to change loads descent on new structural ele-ments over the entire height of the building (columns and beams) and the numerous in-teractions between existing to keep (bear-ing façade in dressed stone or interior walls in rubble, slab wood floors) and the new structure (new bear-ing concrete structure, suspended façade in steel and glass).
