Uffizi Gallery 16-18th Century

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Transcript of Uffizi Gallery 16-18th Century

Uffizi Gallery 16-18th century

1504

1504 Raphael Santi (1483-1520) Portrait of Elisabetta Gonzaga

Michelangelo (1475-1564) Doni Tondo

- The Holy Family with St. John the Baptist. c.1504-1506.

Michelangelo (1475-1564) Doni Tondo

- The Holy Family with St. John the Baptist. c.1504-1506.

1506

• Raphael Santi

• Madonna with the Goldfinch. c.1506. Oil on panel

• Πυραμοειδής σύνθεση

• Χρωματική διαβάθμιση

• Πινελιές που απαλύνουν τα περιγράμματα των μορφών.

1510

• Giorgione• (1477/78-

1510) • Portrait of a

Gentleman in Armor. c.1510. Oil on canvas

1513 Pierro di Cozimo

Perseus liberate Andromeda.

1513 Pierro di Cozimo

Perseus liberate Andromeda.

1515

• Titian• (1488/90 –

1576)

• Flora.

• c.1515-1520. Oil on canvas

1517

• Andrea del Sarto's

• 1486-1531• Madonna

delle Arpie (Madonna of the Harpies)

1517

• Antonio Correggio

• 1489-1534• The Rest on

the Flight to Egypt with Saint Francis

1517

• Lorenzo Lotto• (1480-1556)

• Susanna and the Elders.

• Oil on wood

1518

• Albrecht Altdorfer

• (1480-1538)

• The Martyrdom of St. Florian (panel from the St. Florian altar).

1518

• Raphael• (1483-1520) 

• Portrait of Pope Leo X with Cardinals Giulio de' Medici and Luigi de' Rossi

1519

• Pontormo• [Italian Mannerist Painter,

1494-ca.1556

• Cosimo il Vecchio

1521 Giovanni Battista di Jacopo (1494-1540), known as Rosso Fiorentino Angelo musicante 18- the Tribune

1521 Giovanni Battista di Jacopo (1494-1540), known as Rosso Fiorentino Angelo musicante 18- the Tribune

1523

Moses Defending the Daughters of Jethro by Rosso Fiorentino at the Uffizi Gallery, Florence.

Moses Defending the Daughters of Jethro by Rosso Fiorentino at the Uffizi Gallery, Florence.

1528• Lucas Cranach

detto il vecchio (Kronach, 1472 – Weimar, 16 ottobre 1553)

• Adam and Eve.

• Oil on panel

1528• Jacopo

Carucci (May 24, 1494 — January 2, 1557), usually known as Jacopo da Pontormo

• The Madonna and Child with the Infant Saint John the Baptist

1531• Girolamo

Francesco Maria Mazzola (1503 - 1540), also known as Francesco Mazzola or as Parmigianino

• Mare de Déu amb l'Infant, sant Zacaries, santa Magdalena i el jove sant Joan Baptista

1534• 18 - The Tribune

• Giorgio Vasari Arezzo 1511-Florence 1574

• Portrait of Lorenzo the Magnificent

Titian Venus of Urbino.

1538. Oil on canvas

Titian Venus of Urbino.

1538. Oil on canvas

1537

• Titian Portrait of Eleonora Gonzaga Della Rovere. 1536-1537. Oil on canvas.

1538

• Titian • (1488/90 -

1576)

Portrait of Francesco Maria della Rovere, Duke of Urbino. c.1536-1538. Oil on canvas

1540• Agnolo di

Cosimo (1503 -1572), usually known as Il Bronzino,

• Portrait of Lucretia Pucci Panciatichi 18 - The Tribune

1540

• Girolamo Francesco Maria Mazzola –

• Parmigianino

• 1503-1540

• (a nickname meaning "the little one from Parma")

• Madonna with the Long Neck

1542

• Giovanni Lutteri

• 1489-1542• Doso Dosi

• Magic or Hercules Allegory

1545

• Agnolo Bronzino

• 1503-1572 Portrait of Cosimo I de' Medici in Armor1545-1559Oil on panel,

1545• Bronzino, Agnolo

(Agnolo di Cosimo) (1503-72). Florentine Mannerist painter, the pupil and adopted son of Pontormo

• Giovanni de Medici as a child

• 18-Tribune

1555

• Paolo Veronese (1528 – April 19, 1588) was an Italian painter of the Renaissance in Venice,

• Isopod and Adriano da Porto 

1557 Daniele Ricciarelli da Volterra: Slaughter of the Innocents

1557 Daniele Ricciarelli da Volterra: Slaughter of the Innocents

1558

• Francesco de' Rossi (1510-1563)

• Cecchino del Salviati

• Charity• 18-Tribune

1564

• Giorgio Vasari Arezzo 1511-Florence 1574

• Die Schmiede des Hephaistos

• Το σιδηρουργείο του Ηφαίστου

1570• Jacopo

Tintoretto (real name Jacopo Comin 1518 - 1594) was one of the greatest painters of the Venetian school and probably the last great painter of the Italian Renaissance.

• Leda and the Swan

18- The Tribune18- The Tribune

18-Αίθουσα• The project to

arrange the Gallery on the 3rd floor of this large building, conceived by Cosimo I Medici, was realized by his son Francesco I, who, after having Buontalenti build the room of the Tribune for the collection of antique medals and other works of art.

1597

• Michelangelo Merisi da Caravaggio, (1571 –1610)

• on the Baroque school of painting

• BACCHUS

1598 Caravaggio Medousa1598 Caravaggio Medousa

1600

• El Greco• Crete 1541-

Toledo 1614• St. John the

Evangelist and St. Francis

1604

1604 Caravaggio Sacrifice of Isaac

1620

• Artemisia Gentileschi

• 1593-1652• Judith

Beheading Holofernes

1627 Peter Paul Rubens Henry IV at the Battle of Ivry

1634

• Rembrandt• Leiden 1606-

Amsterdam 1669

• Self-Portrait. c. 1634. Oil on panel.

1717

• Anna Maria Luisa in The Electress Palatine in mourning dress by Jan Frans van Douven, 1717. She points to the portrait of Johann Wilhelm's remains, adorned with the Palatine regalia, in the milieu.

1737• H προεικονιζομένη Άννα Μαρία Λουντοβίκα επέδειξε

εξυπνάδα και διορατικότητα• Υπογράφοντας το 1737 το σύμφωνο παραχώρησης των

έργων τέχνης των Μεδίκων στη δυναστεία της Λορένης έθεσε όρους

• 1.Τα έργα τέχνης παραχωρούνται ως στολίδι του κράτους 2. Για το κοινό όφελος των Φλωρεντινών

• 3. Αυτή η κληρονομιά θα χρησίμευε για να προσελκύει την περιέργεια των ξένων.Το μήνυμα;

• Η καλλιτεχνική κληρονομιά είναι αγαθό του κράτους και όχι όποιου κυβερνά, πρέπει να βρίσκεται στην υπηρεσία της εκπαίδευσης των πολιτών και τέλος είναι πηγή εισοδήματος γιατί ενθαρρύνει τον πολιτιστικό τουρισμό.

1740

• Ζαν Μπατίστ Σιμεόν Σαρντέν

• Κορίτσι με ρακέτα

1750 Φραντσέσκο ΓκουάρντιΚαπρίτσιο με γέφυρες πάνω από κανάλι

See you around Florence!See you around Florence!

Leonardo• «Ήταν τόσο

γλυκομίλητος που μαγνήτιζε τις καρδιές των ανθρώπων.Και μολονότι δεν διέθετε περιουσία και εργαζόταν λίγο, είχε πάντα υπηρέτες και άλογα ,που χαιρόταν πολύ και άλλα ζώα που φρόντιζε και αγαπούσε» Βαζάρι

“Facil cosa e falsi universale”

Επιλογές-Επιμέλεια DIONYSOS.