!"#$%&' µ# $( Sony R)100 Mk III1
! "#$#%"&'#%$(") *+µ(,'-.("/$+$# %$, 0&-(1233,4 $+5 &("/4#5, 67&( 036,4 $&"µ+-(8µ64#
#4#4&8$(",95 -':µ,95 0,' &4$2%%,4$#( $, 03#;%(, $+5 #4$;%$,(7+5 saison: &;$& %$, &0;0&*,
$84 0,(";384 software-#4#1#:µ;%&84 (firmware-updates), &;$& %& "#:#-2 %7&*(#%$(")
0-,%6..(%+. <#=>5 #'$) + %'4&7)5 1&3$(8$(") &?63(?+ 06-#4 $,' /$( &;4#( &4$'08%(#"),
*'%",3&9&( "#( $+4 &064*'%+ %& 0-,%80("/ &?,03(%µ/, /085 "#( $+4 0(, 0-,%80(") &0#=)
µ& $, %9%$+µ# 0,' &0(36.&( "#4&;5 .(# $+ *+µ(,'-.(") &=#-µ,.) $,'. @;4#( %+µ#4$(") +
$&3&'$#;# *(#0;%$8%+, "#:>5 + ,("&(/$+$# 0,' &?#%=#3;A&$#( µ&$#?9 &?,03(%µ,9 "#(
7-)%$+, #0,$&3&; 64#4 (*(#;$&-, "#( 4$&3("2$, 0#-2.,4$# µ& 0,(";3&5 0-,*(#.-#=65: &;4#(
$, «*6%(µ,» #=’ &4/5, + &µ0(%$,%94+ %$+ 3&($,'-.("/$+$# $,' &?,03(%µ,9, $63,5 *& "#(
%+µ#4$("/$&-,5 0#-2.,4$#5, + 1#:(2 .4>%+ $84 *'4#$,$)$84 %& &0;0&*, &'"-;4&(#5,
*'4#µ(")5 &'-9$+$#5, &'#(%:+%;#5 "#( &4 .64+ «%'µ0&-(=,-25» "2$8 #0/ (*(#;$&-&5
%'4:)"&5 3)B&84. C3,( #'$,; ,( 0#-2.,4$&5 ,*+.,94 %& *+µ(,'-.("65 &=#-µ,.65, /085
"#( %& &("#%$("65 0(:#4/$+$&5. D&4 &;4#( $'7#;, 085 %$, 0&-(1233,4 $+5 %$#$(")5
"#33($&74(")5 =8$,.-#=;#5, 0,3365 0-,%80("/$+$&5 %'4*6:+"#4 "#( µ& $,4 &?,03(%µ/ 0,'
7-+%(µ,0,;+%#4 %& "20,(# *+µ(,'-.(") $,'5 0&-;,*,.
<7&$("2 0#-#*&;.µ#$# :# µ0,-,9%#4 4# #0,$&36%,'4 ,( &("#%$(",; Lucas Samaras µ& $(5
*(2=,-&5 0-,%&..;%&(5 $,' %& 0,(";3# format-Polaroid, o Andy Warhol2 &;$& µ& $+4
0&-;=+µ+ Polaroid &0;%+5 SX-70, /085 "( #-./$&-# µ& $+4 ?&78-(%$) Olympus AF-1.
@0;%+5 , David Hockney µ& $+4 Polaroid #-7("23 %$+ %'467&(# *& µ& $+4 mini-Pentax 110, ,
+:,0,(/5-%"+4,:6$+5-=8$,.-2=,5 Denis Hopper4 µ& $+4 &µ13+µ#$(") Nikon F "#( =#"/
28mm Nikkor, o Raymond Depardon µ& *(2=,-# µ,4$63# $90,' «E» $+5 Leica, /085
161#(# "( , Henri Cartier Bresson µ& =#"/ 50mm, #332 "#( o Robert Frank &0;%+5 0,'
"#$6.-#B& $+4 "3#%(") $,' 6"*,%+ The Americans, µ& Leica M-IIIC & =#"/ 50mm.
O William Klein5 0-,$(µo9%& $+ %&(-2 reflex $+5 Leica-R µ& &'-'.>4(,'5 =#",95.
F63,5 .(# $+ Rolleiflex 67&( .-2B&( "#( , Antonio Carlos Jobim $, '06-,7, Bossa-nova
Desafinado (Off-key, =23$%,5):
Fotografei você na minha Rolleiflex ( %& =8$,.-2=+%# µ& $+4 Rolleiflex µ,')
Revelou-se a sua enorme ingratidão ( "( #0,"#39=:+"& + µ&.23+ %,' #7#-(%$;#)
&4> + #..3(") &"*,7) $84 %$;784 0#-#332%%&( $+4 «#=).+%+» 85 &?)5,
I took your picture with my trusty Rolleiflex
And now all I have developed is complex
<,' 0)-# µ(# =8$,.-#=;# µ& $+4 0(%$) µ,' Rolleiflex
"#( $>-# /$( &µ=24(%# &;4#( %94:&$, (complex)
G5 &0#463:,'µ& /µ85 %$+4 techno-lust $,' 21,' #(>4#, µ& %'4#=&;5 «#%:64&(&5» /085 $,
pixel-pipping (+ µ#4;# $+5 µ&.6:'4%+5 pixel-to-pixel µ6%# %$+4 &("/4#, µ& %",0/ $+4
#4#A)$+%+ $+5 :6#%+5 $+5 µ#$(6-#5 $84 &(",4,%$,(7&;84), $>-# 0,' , "/"",5 $,' =(3µ
#0>4 036,4, 0-,%$;:&$#( +3&"$-,4("2 %$+ *(#*("#%;# $+5 &0&?&-.#%;#5 $84 RAW/DNG
#-7&;84, .(# 4# #0,"$)%&( + &("/4# 0(, «,-.#4(")» #(%:+$(")...
H02-7&( 036,4 µ;# 46# "#$+.,-;# µ,4$6384 =8$,.-#=(">4 µ+7#4>4 06-#4 $,' 1#%(",9
*(#78-(%µ,9 µ&$#?9 &0#..&3µ#$(">4 "( &-#%($&74(">4 /085 "#( $84 demi, *+3#*)
prosumer #42µ&%# %$(5 0-,#4#=&-:&;%&5 0&-(0$>%&(5: 0-/"&($#( .(# $(5 7#-#"$+-(A/µ&4&5
85 enthusiast-cameras, #'$65 0(:#42 0,' #0&':94,4$#( %$,'5 aficionados-µ#4(>*&(5 $,'
&;*,'5, 0,' 3#$-&9,'4 µ& $+4 "#3) ) $+4 "#") 644,(# $,4 &?,03(%µ/ (,µ,3,.,'µ6485
#4)",'µ& %& #'$)4 $+4 "#$+.,-;#), 0,' #4#A+$,94 024$# 64# "#(4,9-.(, «/-.#4,» .(# $(5
*+µ(,'-.("65 $,'5 0-,%&..;%&(5.
! Sony RX-100 Mk III, #4)"&( %& #'$) $+4 "#$+.,-;#, enthusiast/point & shoot
#0&':'4/µ&4+ %’ #'$,95 $,'5 (*(#;$&-,'5 "#( *+µ(,'-.(",95 7-)%$&5, &?&3;7:+"& *&
-#.*#;# 0#-,'%(2A,4$#5 $-&(5 &"*,765 $,' µ,4$63,' %& µ;# 0&-;,*, #4$;%$,(7# *9, &$>4 µ&
$# µ,4$63# RX-100 (2012) & RX-100 II (2013) $63,5 *& $, 0#-/4 µ,4$63, $-;$+5 .&4&25 "(
&"*,7)5 &? ,' "#( Mk III, 0,' 7#-#"$+-;A&$#( #0/ 64#4 #(%:+$)-# $90,' Bionz X CMOS 1’’
(µ&.6:,'5 µ;#5 ;4$%#5), 0,' &µ0&-(67&( 20Megapixels *(#:6$,4$#5 64# =#"/ µ&$#13+$)5
&%$(#")5 #0/%$#%+5 Zeiss Vario Sonnar (&0;%$-8%+5) F*, 8.8-25.7 mm (#4$(%$,(7;#5 24-
70mm %& full frame %'4:)"+), µ& 24,(.µ# *(#=-2.µ#$,5 f/ 1.8-2.8. ! $&-2%$(#
%7&*(#%$(") 0-/,*,5 0,' 0-,%*;*&( &0;%+5 "( 64#4 .,+$&'$("/ 06-#4 $+5 &93,.+5
3&($,'-.("/$+$#5 $,' 7#-#"$)-# %$+4 "2µ&-#, #=,-2 $+4 0-,%:)"+ (%& %76%+ µ& $# *9,
0-,+.,9µ&4# µ,4$63#) &4/5 «pop-up» OLED viewfinder/%"/0&'$-,' (#423'%+5 1.44
&"#$,µµ'-;84-dots), 0,' &;$& µ64&( µ/4(µ# "-'µµ64, %$, %>µ#, &;$& 3&($,'-.&; &0(36.,4$#5
$+4 &µ=24(%) $,' µ& $+4 "2µ&-# &"$/5 3&($,'-.;#5 %#4 «on» &0(3,.) &4&-.,0,;+%+5, &;$&
$63,5 0#-#µ64&( 024$# #4,("$/ %$, %>µ# $+5 µ+7#4)5 78-;5 4# &0+-&2A&$#( "-'1/µ&4,
/$#4 + "2µ&-# %1)4&( «off» #0/ $+4 233+ &0(3,.) button. I-/"&($#( &0;%+5 .(# 64# #3+:(42
&'"-(46%$#$, OLED %"/0&'$-, 0,' 0-,%*;*&( 7#-#"$)-# %$, %>µ# $+5 µ+7#4)5, &0($-60&(
$63,5 %$, 7-)%$+ ,-:) 0-,%6..(%+ %$+ %94:&%+ $,' "2*-,', #4&?2-$+$# #0/ $+4 90#-?+
$,' «%'µ1#$(",9» LCD µ/4($,- (3-(4$%>4/ #423'%+5 1.229 &"#$,µµ'-;84-dots), 0,'
3&($,'-.&; "( 85 flip-out /085 "#( '0/ .84;#4 72-(4 %& 64# '0,*&(.µ#$("/ %9%$+µ#
%$)-(?+5 .(# ,0,(#*)0,$& *+µ(,'-.(") &0(3,.) .84;#5 3)B+5, µ& µ;# ."2µ# 0&-(%$-,=)5
180 µ,(->4.
J7,'4 .-#=$&; 0,332 "#( #4#3'$("2 $&%$ #0/ &(*("/$&-,'5 +µ>4, &4> "#( $, *(#*;"$', .(#
0#-2*&(.µ# 1-;:&( #0/ '0,*&(.µ#$("65 #4#3'$("65 "#( %'."-($("65 0-,%&..;%&(56. ! *(") µ#5
0-,%6..(%+ :# &%$(2%&( %$, &0;0&*, $+5 3&($,'-.("/$+$#5 "#( $84 ("#33($&74(">4)
&=#-µ,.>4 /085 0#-,'%(2%$+"#4 %$+4 (%$,-(") #4#*-,µ) 0,' &0(7&(-)%#µ& %$, 0->$,
µ6-,5 $+5 %'."&"-(µ64+5 0#-,'%;#%+5. J4#5 0-,13+µ#$(%µ/5 #=,-2 $, µ6.&:,5 $,'
#(%:+$)-#: .(#$; 4# '02-7&( $, %'."&"-(µ64, format $+5 µ;#5 ;4$%#5; I-,=#4>5 .(# 4#
0#-#µ64&( «µ("-)» + µ+7#4) 3)B+5.
! *(#0;%$8%+ 0,' 0-,"90$&( &;4#( 085 *&4 '02-7&( «#3+:(4/5» 0-,13+µ#$(%µ/5 %$,
&0;0&*, $+5 &'"-;4&(#5 "#( $+5 &'#(%:+%;#5, "#:>5 $# #-7&;# RAW 0,' *+µ(,'-.,94$#(,
&;4#( %;.,'-# "#( 3/.8 $+5 &?#(-&$(")5 0,(/$+$#5 $,' =#",9, &?/785 &'"-(4), &4> "#( $,
'B+3/ 12:,5 0&*;,' 0,' 0-,"90$&( #0/ $, µ6.&:,5 $,' #(%:+$)-#, #4 161#(# #'$) +
%'4:)"+ #0,$&3&; 0-/13+µ#, ?&0&-4(6$#( &;$& µ& $+ 7-)%+ µ&.#39$&-,' =#",9 %$+4
&0(3,.) $+5 µ&$#13+$)5 &%$(#")5 #0/%$#%+5, &;$& %$+4 &0(3,.) 7#µ+3,9 *(#=-2.µ#$,5.
! "2µ&-# #'$) "#:#'$) 67&( 64# 7#-($8µ64, 12-,5, &;4#( µ&$#33(") 78-;5 03#%$("2 µ6-+,
0-,%=6-,4$#5 µ;# #;%:+%+ %$(1#-/$+$#5, &4> 7#-#"$+-;A&$#( "#( #0/ µ;# #'%$+-/$+$#
%7&*(#%$(") 0,' 0#-#06µ0&( %& vintage #(%:+$(")5 µ,4$63#, *(#$+->4$#5 $#'$/7-,4# "(
64#4 sleek-µ,4$&-4(%µ/: 0-/"&($#( .(# µ;# #3+:(42 /µ,-=+ µ+7#4) 3)B+5. ! 0->$+
#;%:+%+ &;4#( /$( &;4#( µ("-) /7( $/%, ,0$("2, #332 %$+ 7-)%+: 0-60&( *+3#*) "#4&;5 4#
%'4+:;%&( 4# $+4 "-#$2 3&($,'-.("2. K61#(# #'$/ *&4 #0,$&3&; 0#-#$)-+%+ %7&*(#%$("),
"#:>5 #'$/5 , /.",5 0,' 0-,"90$&( $+4 "24&( #3+:(42 compact .(# 4# $+4 67&( "#4&;5 %$+4
$%60+ $,' .(# 0#-2*&(.µ#, µ& %"&0$("/ µ;# µ+7#4) 3)B+5 0,' 67&( "#4&;5 0#4$,9 78-;5 $,
%'4#;%:+µ# $,' &4,73+$(",9 /.",' &?,03(%µ,9. H0,"#:(%$2 /µ85 "2$( $6$,(, µ;# «#3+:(4)
"2µ&-#» (µ&.#39$&-,'-format);
@;4#( + Sony RX-100 Mk III «#3+:(4) "2µ&-#»; <$, 0->$, &->$+µ# + #024$+%+ &;4#(
:&$(") #423,.# $+4 0-,%*,">µ&4+ %'4:)"+ 3)B&84. F, ;*(, (%79&( "#( .(# $, *&9$&-,
&->$+µ#. L(#$; "#( %& $( 7-+%(µ&9&( µ;# µ("-) µ+7#4) 3)B+5, 0,(,( *& &;4#( ,( «#3+:(4,;»
0&-(,-(%µ,; $+5; ! 7-+%(µ/$+$# "#( + 7-+%$("/$+$# &;4#( "2$( %7&$("/ #423,.# µ& $,
7-)%$+. L(# 0#-2*&(.µ# :# µ0,-,9%& 4# =#4$#%$&; "20,(,5 $,4 Robert Frank ) $,4 William
Klein µ& µ;# Sony %$, 76-(, .(# "20,(# 0&-;,*, $+5 0-,%6..(%)5 $,'5. F, 0-/13+µ# &;4#( /$(
$6$,(,' $90,' µ+7#465 3)B+5 #"/µ# "( /$#4 0-,$&;4,'4 03)-85 7&(-,";4+$+ 3&($,'-.;#,
*&4 *(#:6$,'4 $+4 #03/$+$# "#( $+4 #µ&%/$+$# $84 $#79$#$84 %'4*'#%µ>4 &0(3,.)5
$#79$+$#5-*(#=-2.µ#$,5-&%$;#%+5: + *(#0;%$8%+ &;4#( 085 0#-#*/?85, %$(5 0(:#4/$+$&5
%'4*'#%µ>4 #'$,µ#$,0,()%&84 &;4#( 0,' 0-2.µ#$( #4$(*-,94 %8%$/$&-#, "#:>5 ,(
7&(-,";4+$&5 &0(3,.65 7#-#"$+-;A,4$#( #0/ µ;# %7&$(") 1-#*9$+$#.
F, 233, 0-/13+µ# &;4#( 161#(# 085 %'742 #'$65 ,( #'$,µ#$,0,()%&(5 *&4 0-,%=6-,'4 $+4
(*&>*+ &0(3,.) *(#=-2.µ#$,5 ) $#79$+$#5, /085 "#( %'742 + &%$;#%+ *&4 &;4#( +
0-,%*,">µ&4+. I-2.µ#$( + Sony 0&-(3#µ124&( %$, 03,9%(, menu $+5 /3&5 $(5 &"*,765
aperture ) shutter priority, /085 "( &"*,765 7&(-,";4+$+5 "( #'$/µ#$+5 &%$;#%+5 %&
*(2=,-# «%+µ&;#» $,' %>µ#$,5. J4# &? #'$>4, $, (µ,4#*("/) *#"$'3;*( 0248 %$, =#"/,
µ0,-&; 4# 7-+%(µ&9%&( #423,.# µ& $+4 &0(3,.), &;$& 85 *#"$'3;*( zoom, &;$& 85 &0(3,.6#5
$#79$+$#5 ) *(#=-2.µ#$,5, $63,5 *& 85 *#"$'3;*( &%$;#%+5. C3&5 /µ85 #'$65 ,( &0(3,.65,
#0#($,94 7-/4, %'4):&(#5 "#( ,("&(/$+$#5 µ& #µ=;1,3# #0,$&36%µ#$#. ! &%$;#%+ .(#
0#-2*&(.µ# 0,' :&8-+$("2 :# )$#4 %+µ#4$("/ 4# '02-7&( &"&;, *'%",3&9&( $+4 #;%:+%+
"-#$)µ#$,5, 3/.8 $,' µ("-,9 /.",' $,' %>µ#$,5, /085 "#( 3/.8 $,' %'%$)µ#$,5 focus by
wire. K61#(# + &%$;#%+ 0&-(3#µ124&( 0,(";3# 1,+:)µ#$#, /085 *(03#%(#%µ/ $+5 &("/4#5 .(#
064$&-*9, ) «/%#» *&'$&-/3&0$# #0#($,94$#( #0/ $, 7-)%$+, &0;%+5 &"*,765 7-8µ#$(",9
peaking "#( %'4*'#%µ,95 $84 #48$6-8 0(:#4,$)$84. F&3("2 /µ85 $, button/déclencheur
.(# $+ 3)B+ =8$,.-#=;#5, 0(&A/µ&4, 85 $+ µ6%+ %& %'4*'#%µ/ µ& $+4 #4$;%$,(7+ 64*&(?+
&;4#( $, $#79$&-, /384, µ& µ/4+ &0(=93#?+ 4# 0#$+:&; 0&-(%%/$&-, #0’ /$( 0-60&( "#( .;4&(
+ 3)B+ #",9%(#... F6$,(# «bugs» &;4#( #-"&$2, /7( 0&-(%%/$&-# /µ85, ,9$& 0(, 0-8$/$'0#
#0/ /3&5 $(5 B+=(#"65 µ+7#465 #'$)5 #332 "#( 23384 &0;%+5 "#$+.,-(>4. D&4 0-60&( 4#
&%$(2%&( "#4&;5 %& #'$)4 $+4 0-#.µ#$("/$+$#, #332 %$, "#$2 0/%,4 + µ+7#4) 0-,%=6-&(
$&3("2 #-7&;# 0,' :# µ0,-,9%#4 4# &"$'08:,94 %& &("#%$("/ &0;0&*,, /085 "#( 4#
7-+%(µ,0,(+:,94 %& &0#..&3µ#$("/ 0&-(1233,4, + *& #024$+%+ &*> &;4#( :&$(").
F# RAW #-7&;# 0,' 0-,"90$,'4 #0/ $,4 #(%:+$)-# "#( $, =#"/ &;4#( 'B+3/$#$,'
&0(06*,', µ& "#$#03+"$(") &'"-;4&(#, 64#4 .,+$&'$("/ :/-'1, %$# out of focus 0&*;# $+5
&("/4#5, µ& µ/4, 0-,13+µ#$(%µ/ 64# «µ03,"2-(%µ#» 0,' 0-,"90$&( #0/ 64# #0/$,µo fall
off %$# µ#9-# ) "#( #4$;%$,(7# %& µ;# #0/$,µ+ *(#78-(%$(") %'4:)"+ %$+4 0&-(,7) $84
highlights, µ;# %7&*/4 pop high-contrast #(%:+$("), 0,' #0#($&; #-"&$) "#( ",0(>*+
&0&?&-.#%;# $84 #-7&;84. ! &'"-;4&(# /µ85 &;4#( &4$'08%(#") #"/µ# 0&-(%%/$&-, .(# $,
µ6.&:,5 $,' #(%:+$)-#, &4> + #'$/µ#$+ &'#(%:+%;# 125-800 ISO *+µ(,'-.&; #4$;%$,(7#
&;$& super-sharp &;$& /µ,-=+ creamy µ#$(6-#. <& &'#(%:+%;&5 1600/3200 ISO + &("/4#
0#-#µ64&( #0,*&"$) $+-,'µ6484 $84 #4#3,.(>4, $84 %'4:+">4, /085 "#( $+5 0-,%80(")5
"#( &("#%$(")5 ,0$(")5 0-,%6..(%+5 $,' "2:& 7-)%$+, &4> %$# 6400 '02-7,'4 $# 0->$#
*&;.µ#$# #0>3&(#5 0,(/$+$#5, #4 "#( #'$) + %'4:)"+ &;4#( %7&$(") %$, 0-,#4#=&-:64
&("#%$("/ &0;0&*,: 161#(# + 0-,%*,";# µ;#5 $/%, 'B+3)5 #0,*,$("/$+$#5 #0/ $/%, µ("-/
#(%:+$)-# ($-&(5 =,-65 µ("-/$&-,5 #0/ $, standard full-frame), #4)",'4 0-#.µ#$("2 $+
%=#;-# $+5 '0&-1,3)5, .(#$; /085 &:;.+ + &("/4# 0,' 0-,"90$&( &;4#( 'B+3,9 &0(06*,' "(
#(%:+$(")5 %& %'µ1#$("/$&-&5 &'#(%:+%;&5.
F# JPEG «#0/ $+4 "2µ&-#», *&4 &;4#( $,' &0(06*,' $84 0-,#4#=&-:64$84 RAW: contrasty-
&("/4#, #-"&$/ noise-reduction, ,*+.,94 %& µ;# #;%:+%+ /0,' tout est flou est tout est net,
/7( "#") ,9$& &0(:'µ+$) &0;%+5, µ& #0,$63&%µ# µ;# $'7#;# %'4:)"+ %& %76%+ µ& $, $&3("/
#0,$63&%µ#.
M =#"/5 #332 "#( o #(%:+$)-#5 #*(",94$#( #0/ #'$/ $, preset-manipulation. E,(-#;#, .(#
4# #4#*&(7:&; 0-#.µ#$("2 + &("#%$(") *'4#$/$+$# 0,' µ0,-&; "#4&;5 4# 0-,%*,")%&( #0/
$, /µ,-=# %7&*(#%µ64, 0-,$&(4/µ&4, %9%$+µ# $+5 Sony, + &0(3,.) RAW 0#-#µ64&( +
(*&>*+5. <#=>5 &*> *&4 0-/"&($#( .(# µ;# &9",3+ %'4:)"+ .(# 64#4 ",(4/ 7-)%$+, ,0,;,5
024$85 :# µ&;4&( ("#4,0,(+µ64,5 %$(5 0&-(%%/$&-&5 0&-(0$>%&(5 06-#4 $84
0-,13+µ#$(%µ>4 0,' #4#=6-:+"#4: , 0&-(%%/$&-, #0#($+$("/5 /µ85 :# #0,3#9%&( "#( $+4
*(#*("#%;# $+5 &0&?&-.#%;#5, /085 "#( :# &"03#.&; &'72-(%$# "#( #0/ $+4 &?#(-&$(")
#(%:+$(") 0,' 0-,"90$&( #0/ $,4 µ("-/ Neiss $+5 µ+7#4)5, /085 "#( #0/ $# #-7&;# $,'
Bionz X #(%:+$)-#, #"/µ# "#( %& %'4:)"+ «"-,0#-;%µ#$,5» 685 "#( 35%.
<'µ0&-#%µ#$("2 0-/"&($#( .(# µ;# %+µ#4$(") µ+7#4) 3)B+5 0,' ?&06-#%& $(5 0-,%*,";&5
µ#5, /085 "#( µ;# #-"&$2 ("#4) video-camera &0;%+5, µ& 0,39 "#3/ codec-&..-#=)5
(XAVC-S), µ& $#79$+$# µ&$2*,%+5 *&*,µ6484 %$# &4$'08%(#"2 (#0,*&"$2 85 broadcast-
standard #0/ $, BBC) 50 Mbps. D(#:6$&( &0;%+5 6?,*, HDMI µ& %7&$("2 #%'µ0;&%$, 4 2 2
%)µ#, HD-1920x1080 %$# 25-30-50p & "#( 85 120fps %& #423'%+ 1280x720, /085 "#( $,
#0#-#;$+$, =;3$-, ,'*6$&-+5 0'"4/$+$#5 $90,' ND, #4 "#( + *(") µ#5 0-,%6..(%+ &;4#(
"#:#-2 «=8$,.-#=(")» %& #'$)4 $+4 0#-,'%;#%+. <& #'$/ $, &0;0&*, 0-2.µ#$( &;4#( µ;#
&?#(-&$(") µ+7#4) %'."&"-(µ64+5 µ&4 0-,%6..(%+5 3/.8 µ&.6:,'5 #(%:+$)-#, 'B+3/$#$84
*'4#$,$)$84, /085 "#( &0#..&3µ#$(")5/"#33($&74(")5 &=#-µ,.)5, 3/.8 &4/5
'0,*&(.µ#$("2 %7&*(#%µ64,' µ("-,9 /.",', /085 "#( %76%+5 3/.,' (ratio)
0,(/$+$#5/"#$#%"&')5, $63,5 *& .(#$; ,( &("/4&5 0,' 0-,"90$,'4 &;4#( #032 .,+$&'$("65.
<$+4 "#$+.,-;# $+5 0-/"&($#( .(# µ;# (*(#;$&-+ &0(3,.), 0,' &µ046&( %(.,'-(2 %$# 76-(# "#(
$+ µ#$(2 $,' 7-)%$+, $#79$#$&5 #4$(*-2%&(5 &0;%+5 #0/ $(5 ,-:65 &4*&;?&(5 0,' 67,'4
0-,13&=:&;, $63,5 *& 64#5 ",µB/5 %7&*(#%µ/5 0,' %'4,µ(3&; *+µ(,'-.("2 µ& $+4 0,(/$+$#
$84 #-7&;84 $+5.
1 E& $+4 &'.&4(") 0#-#7>-+%+ .(# *,"(µ65 #0/ $+4 &$#(-;# Stamos, SA %7&$("2:
http://www.stamos.com.gr/product_search.jsp?action1=SEARCH&catId=40&extLang
2 <7&$("2: http://theshuttergoesclick.blogspot.gr/2010/07/andy-warhols-cameras.html
3 @µ0&-(%$#$8µ64+ 0#-,'%;#%+ $+5 %&(-25 Joiners $,' Hockney #0,$&3,9µ&4+ #0/ collages
Polaroid #-7("2 "#( Pentax-110 %$+ %'467&(#:
http://www.shootingfilm.net/2013/01/joiners-polaroid-collages-by-david.html 4 http://royal-academy-production-asset.s3.amazonaws.com/uploads/a2fc3827-e5ae-
4cad-b01a-1d30e7694291/Final%20Dennis%20Hopper%20-
%20The%20Lost%20Album%20Press%20Release.pdf: 0-/"&($#( .(# $+4 6":&%+ $+5
&4/$+$#5 The lost album, #0,$&3,9µ&4+ #0/ $&$-#"/%(&5 #%0-/µ#'-&5 &"$'0>%&(5
=8$,.-#=(>4 $+5 0&-(/*,' 1961-67 5 http://erickimphotography.com/blog/2013/03/26/10-lessons-william-klein-has-taught-
me-about-street-photography/ '0,*&(.µ#$(") #4#3'$(") 0#-,'%;#%+ $+5 0-,%6..(%+5
Klein. I&-(3#µ124&( $, 3(4" .(# $, &"3&"$("/ 4$,"(µ#4$6-, The Many Lives of William Klein
(2012), /0,' , Klein &0(%$-6=&( µ& $+ Leica-R6 &?,03(%µ64+ µ& 64# zoom Vario-Elmar-R,
21-35mm, %$+ O6# H/-"+ "#( /0,' #4#*&("49&$#( + «&0(:&$("2»-*+µ(,'-.(") $,'
=8$,.-#=(") 7&(-,4,µ;#.
6 http://www.dpreview.com/reviews/sony-cybershot-dsc-rx100-m3
Top Related