AΓNH ΠAPΘENE – Agni Parthene – Notation · PDF fileAΓNH...

AΓNH ΠAPΘENE – Agni Parthene – Notation The following notation of melody and chords has arisen from hearing and comparing different versions of Aγν ´ η Παρθ ´ ενε (Agn´ ı Parth´ ene ) on YouTube. Melodic decorations added by single interpreters are not respected here, and the detection of the chords is mainly based on the help of chordify.net. In the original notation of newbyz.org/agniparthene.pdf only the root of the chords is sung, and in Tune B the beginning root d continues for two further bars. In addition, the root of the very first chord of each of the three tunes is already used there in the anacrusis. Synchronizing triangles: It is often usual to start the chorus simultaneously with the last bar of the verse melody. This is indicated by right triangles ◮ at the beginning of the corresponding bars. Text: Notes beamed or embraced by a slur refer to the same syllable; a slash / separates the verses. Tune A: G 2 3 4 Dm Dm ˇ ˘ in 4 A α only ˇ B♭ ˘ ˇ C ˇ Ć ˇ ˇ Dm ˘ / ˇ C C ˘ ˇ ˘ ˇ Dm Dm ˇ ˇ Ğ ˇ ◮ ˘ The sequence of chords underneath the notes may only be used in Invocation 4 A α, the beginning of the last strophe, to emphasize the transition from glorifying Mary to personal requests. It complies with the interpretation of Kabarnos Panagiotis. Chorus to Tune A: G 2 3 4 > Dm ◮ ˘ ˇ ˇ ˇ ˇ C ˘ ˇ Dm ˘ Tune B: G 2 3 4 ˇ ŐŐ ˇ Dm ˘ ˇ ˘ ˇ Gm ˇ ÎÎ ˇ » ˇ ˇ Am ˘ / ˇ G 6 ˘ ˇ ˘ ˇ Am ` ˘ ◮ ˘ In newbyz.org/ agniparthene.pdf Tune B ends like G 2 Am ˘ ˆ 2 ˇ ◮ ˘ Many soloists end Tune B with G 2 Am ˇ ˇ 6 ˇ ◮ ˘ Chorus to Tune B, Byzantine version: G 2 3 4 > Am ◮ ˘ 6 ˇ ˇ ˇ ˇ G 6 ˘ ˇ Am ˘ Chorus to Tune B, “Slavonic version”: G 2 3 4 > Am ◮ ˘ 6 ˇ ˇ ˇ ˇ Gm 2 ˘ ˇ Am ˘ Tune C: G 2 3 4 ˇ ŐŐ ˇ Am ˘ ˇ B♭ ˘ ˇ F ˇ ÎÎ ˇ » ˇ ˇ ˘ / ˇ Dm ˘ ˇ ˘ ˇ α ˘ Â ˇ ◮ ˘ Only here in Tune C the repetition differs at the end: G 2 β ˇ ˇ Ğ ˇ ◮ ˘ Chorus to Tune C: G 2 3 4 > Dm ◮ ˘ ˇ ˇ ˇ ˇ C ˘ ˇ Dm ˘

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Transcript of AΓNH ΠAPΘENE – Agni Parthene – Notation · PDF fileAΓNH...

AΓNH ΠAPΘENE – Agni Parthene – Notation

The following notation of melody and chords has arisen from hearing and comparing different versionsof Aγνη Παρθενε (Agnı Parthene) on YouTube. Melodic decorations added by single interpretersare not respected here, and the detection of the chords is mainly based on the help of chordify.net.In the original notation of newbyz.org/agniparthene.pdf only the root of the chords is sung, and in Tune B the beginning root d continues

for two further bars. In addition, the root of the very first chord of each of the three tunes is already used there in the anacrusis.

Synchronizing triangles: It is often usual to start the chorus simultaneously with the last bar ofthe verse melody. This is indicated by right triangles ◮ at the beginning of the corresponding bars.

Text: Notes beamed or embraced by a slur refer to the same syllable; a slash / separates the verses.

Tune A: G2 34Dm

ˇ ˘︸︷︷︸

in 4Aα only

ˇB♭

˘ ˇC

ˇĆ ˇ ˇ

˘/ ˇ

˘ ˇ ˘ ˇDm

ˇ ˇ Ğ ˇ◮

The sequence of chords underneath the notes may only be used in Invocation 4Aα,the beginning of the last strophe, to emphasize the transition from glorifying Maryto personal requests. It complies with the interpretation of Kabarnos Panagiotis.

Chorus to Tune A: G2 34 >Dm ◮

˘ ˇ ˇ ˇ ˇC

˘ ˇDm

Tune B: G2 34 ˇ ŐŐDm

˘ ˇ ˘ ˇGmˇÎÎ

» ˇ ˇAm˘ / ˇ G6˘ ˇ ˘ ˇ

Am` ˘ ◮ ˘

In newbyz.org/agniparthene.pdfTune B ends like

G2Am˘ ˆ2ˇ ◮ ˘ Many soloists

end Tune B withG2

Amˇ ˇ � 6ˇ ◮ ˘

Chorus to Tune B,