. . 26

,

: 1. , () 2. , 3. ,

, 2009

, 1. . ...1 . 10 2 . ..16 . ..25 3. 27 .. 34 (22-163).34 (306-509).39 46 (86-323)...46 (804-870)58 65 (112-212)66 (859-889)...76 .. 84 .. 84 ... 87 ... 96 ... 106 1. 107 2. 110 3. ... 115 4. . .116 5. 117 ... 120 129

,

1. () . . , , 1 , . , 5 .., . . . .

) : West (. 2 . 1998 [1990]) , ) : Lloyd-Jones (. . 1994-1996), ) : Cropp (. . . 1988), Diggle, (1981) Euripides Fabulae [Oxford Classical Texts] . .: ) , , , Allen (1920, 1917, 1912), ) :

1

1

5 . , , , , .2

,

, . 3 , Henrichs, . 4 , 2 , , . 5 Lonsdale 6 , . 7 , . , 8

Solmsen, Merkelbach, West (. 1970) ) Campbell (1991) ) 11 : Race (1997). 2 . Blume (2002) 17-21 Easterling (2007, . . 1997 ) 55-66, . 3 O Ringer (1998) 9-10, , . , . , , . . Rabinowitz (1993) 1: I stress at the outset that the Greek tragedy was made to be performed before live audiences in fifth-century B.C.E. Athens. 4 Henrichs (1995) 66: Khoreia did not take place in religious vacuum. . Burkert (1993, . . 1977) 228. 5 Lonsdale (1993) 24. 6 Lonsdale (1993) 21-43. 7 Wiles (2000) 131. . Rabinowitz (1993) 10 . 38 Havelock, Gregory, Nussbaum. 8 , , . Wiles (2000), 136 Lonsdale (1993) 44.

2

, . , 9 , . , , , 10 11 -, , . 12 , Henrichs, () . , . , . . 13 , , , , , ,

Wiles (2000) 17, . 10 , , . , . . (1998) 21-22, Kaimio (1970) 28-32. , . (1998) 25, Seaford (1981) 269-270 . 11 . Kaimio (1970) 82, . 12 . Valakas (2002), 72: the transformation of poetry into theatre necessarily involved the use of the body by performers as the kinetic and sounding instrument, no longer of narratives, as used to be the case in epic and lyric poetry, but of action 13 Henrichs (1995) 68 . 57.

9

3

. 14

. 15 , . , . 16 , 17 ,18

. 19 . , , . , . , . 20 Henrichs (1995) 69-70. Friedrich (1996) 262. 16 Gould (1996) 229 Scott (1996) 5, , (1998) 34. 17 . Cartledge (2007 . . 1997) 8: () , (). 18 Wiles (2000) 135. 19 Goldhill (2007) 190-91: , , - . . Goldhill (1996) 251-52, , . . . 20 . Henrichs (1995) 64: Ritual performance and choral self-referenciality, thus go hand in hand, reinforcing each other. . Friedrich (1996) 271: 15 14

4

, 21 Easterling, 22 . , , () . Easterling : ; . . . , 23 , 24 . , , , , . , 25 , . . . . 21 , . Ringer (1998) 7-19. 22 Easterling (2007, . . 1997) 250-51. 23 . Dale (1965) 17: The notion that [the fortunes of the Chorus itself] was in the earliest dramas universal o usual is probably false. 24 . Easterling (2007, . . 1997)) 232, , . 25 . (1998) 38-39.

5

, , 26 . 27 , , . 28 Kaimio 29 (.. , , ) , . . . . , , 30 . , , , , , , , . . , . 31

. Scott (1996) 7. Dale (1965),18. 28 . (1998) 45. 29 Kaimio (1970) 241-42. 30 (1998) 42-43. , 37, () . 31 (1998) 49.27

26

6

, . 32 , , . Kaimio 33 , . , . 34 , 35 , , . ( ), , . , (1456 25-32), . 36 . 37 , , : ) () () , )

Scott (1996) 17. Kaimio (1970) 243. 34 Kaimio (1970) 244. 35 Wiles (2000) 134-35, ( ), . 36 Kaimio (1970) 244-47. . Easterling (2007) 231-32 . 11. 37 (1998) 36-37.33

32

7

) , . 38 , , 39 () , , . , . Easterling 40 , . , , . , . 41 12 ( ) 15 ( ) . 42 , . Easterling (2007, . . 1997) 245 Dale (1965) 21, . , . 39 (1998) 37. 40 Easterling (2007, . . 1997) 246-47. . Ringer (1998) 9, . 41 Easterling (2007, . . 1997) 245. . Gould, 232, . . , 231, . . Winnington-Ingram, 332, .38

8

, . 43 , , , , . : ) , 5 , ) , , ) , , , ) . , . . . ( ), .

42

Easterling (2007, . . 1997) 245-46 .Kaimio (1970) 10-11 , 241.

9

() , . . 44 , ( ) , , . , , , , , , . 45 , ; Gould Foley 46 (, , , , ). 47 , , , . 48 Gould 49 . Gould (1996) 231 . 81. . Foley (1981) 127-128. 45 . Foley (1981) 129-132, Gould (1980) 43-51, . , . Rabinowitz (1993) 3-9. 46 Foley (1981) 129-132 Gould (1980) 40. 47 . Foley (1981) 127-128 (, , , , ) . 48 Foley (1981) 135. . , 128 . 4, Roger Just , . . Vernant (1991 . . 1986) 26: () , , , , . 49 Gould (1980) 42 52, . Foley (1981) 135.44 43

10

50

- .

. , , 51 . , . , , -, -, -, . 52 , , , , . . 53 . , Gould (1980) 55 Foley (1981) 127. Gould (1980) 55, () , , : . 52 . Foley (1981) 134 140-163. 53 Gould (1980) Foley (1981) . Foley (1981) 144, , , 160, , .51 50

11

, . 54 , - , : 1. , ( , ), . 2. , . 3. - , , , - 5 , . . 55 4. . . , Gould (1980) 55, Vernant, Vidal-Naquet Detienne Slater, , , . . , 57, , Rabinowitz (1993) 10: In tragedy, then, the audience never hears womens points of view, only what men thind would say. . Foley (1981) 136. 55 . Foley (1981) 135-36: . .54

12

. , , . 56 . , , , , . 5. . , . Wiles 57 . , , . , . 6. . Castellani 58 , . , . Easterling (1988) 25. Wiles (2000) 12. , , . Lonsdale (1993) 28.57 56

13

, , ( , ). , , . . , . 7. , , 59 . 60 , . , , Alexiou. 61 , . , , , , , . 62 Castellani (1989) 1-4. , (1998) 37. 60 Gould (1980) 50-51 . 92, 40 . . , . 61 Alexiou (2008 . . 1974) 35 Lonsdale (1993) 259 . 85. 62 Alexiou (2008 . . 1974) 50-55.59 58

14

.63

. 64 , , . 65 , . . 66 . , , , , , ( ). 67 (, ), . 68 5

. Alexiou (2008 . . 1974) 66 56, . 64 Lonsdale (1993) 235 . 5. 65 . Alexiou (2008 . . 1974) 44-45, 47-48 178 365 . 6). 66 Alexiou (2008 . . 1974) 38. 67 Alexiou (2008 . . 1974) 66, . , . , , . 68 . Wiles (2000) 65, , , . . . , 29, . Alexiou (2008 . . 1974) 65, ,

63

15

. , . , , . 69 70 , . , , , , , .

2. () 5 . . , , , . 69 . Alexiou (2008 . . 1974) 63-64, 40. 70 . Foley (1981) 144, , .

16

, , . 71 ( ), , Gould, 72 . , , , , , , . 73 / , . , / . . , , 74

Valakas (2002) 77. . , 91: Fifth-century performances of tragedy and satyr-play were as much based on somatic and vocal role of the actor or dancer as on the text and theatrical devices. 72 Gould (1996) 222: The central, heroic characters of the tragic action struggle to maintain and enforce an individual identity and authority and to impose meaning on th flux of events in terms of that identity, the individual I. 73 . Lonsdale (1993) 118-121, 119-120. 74 . Seidensticker (2008) 339 . 24, Gould, . Valakas (2002) 77: In the ancient Greek theatrical tradition performing a role involves in the first place a metamorphosis of the body by the mask and costume. Evidence from vases indicates that these symbolic constituents of theatricality, however

71

17

. , (55, 184.), (107.) (1107) , , , , , . . . , 75 . 76 , 77 , . , . , 78 , , . , , 79 . 80 stylised, tend to be individuated and differentiated, and seem not to have become standardised in the cource of the fifth-century. 75 5 . 110 . 76 . Valakas (2002) 72, . 77 . Valakas (2002) 72, (1998) 50-51. 78 (1998) 50. 79 Valakas (2002) 75. 80 Valakas (2002) 78,

18

, , , , . . Seidensticker 81 , . , , . Goldhill 82 , , , . , . , , 83 [], : , , , . 84

. , . , 81 . 64, , 84-85, 5 , . 81 Seidensticker (2008) 340 . 29 Valakas, (2002) 73-74 . 29. 82 Goldhill (1990) 110. 83 (1998) 22. 84 (1998) 24. . , .

19

, . , . 85 86 . . . Kaimio 87 ( ), ( Dale88

(489.) ). , , , . , , . 89 , .

85 86

Valakas (2002) 80-81, Dale (1965) 18. . 87 Kaimio, 158, . Valakas (2002) 72. 88 Dale (1965) 22.

20

, . , , , , , . 90 , , . , , . , . , , . , . 91 . 92 , .

. Ringer (1998) 10-11: The masking conventions of the ancient theater and the nonnaturalistic delivery of the lines assisted actors in trasforming themselves in numerous roles during a single play. 90 . . 18-19 . 80, . 91 . . 8-9 . 42 . 92 . Winnington-Ingram (1999, . . 1980) 29 . 13: (). , .

89

21

, , . 93 () [ ] . 94 , , , 95 , , . , . 96 , , , ,97

. , , . . . , . ,

Gould (1996) 233. . (1998) 45: () , , , , . 94 Easterling (2007, . . 1997) 55. 95 . (1998) 19-20. 96 Seaford (1981) Dionysiac Drama and Dionysiac Ritual , , , . 97 (1998) 20.

93

22

, 98 , 99 , . 100 , , , . . . , , 5 , . , . . , , . , , , , . , , 102 101

. . 2 . 4 5 . . Dale (1965) 21: its contribution is lyric or emotional in tone, never rhetorical, and its interventions in the spoken dialogue are kept short. . 20 . 85 . 100 . Vernant (1991 . . 1986) 26-27. Lloyd (1992) 34 35-36 . 101 . Seidensticker (2008) 341-43. 102 Burian (2007 . . 1997) 274 278, , 99

98

23

. . , , , . , . 103 , , . , . ( ) , , , . , , . 104 ( , (). (). . Kott (1976 . . 1971) 255-60. 103 . Vernant (1991 . . 1986) 31 104 . Valakas (2002) 87.

24

), , , , , 105 , , 449 .., . 106 () , , . , , 107 . , . , . , , , . 108 , , , ,

, . 106 Valakas (2002) 81. 107 . . 12 2. 108 . . 127.. . Foley (1981) 133. (, , ..).

105

25

. 109 , , , . (.. ), 110 , . 111 . , , . , , , , . , , Foley, : 112 , , , . , , ( ),

. 110 , . Foley (1981) Gould (1980). 111 . Gould (1980) 45, . (, ), . 112 . Foley (1981) 134, .

109

26

,

113

( ). , : ) , , , 114 ) , . , , , , , . 5 , . . 5 , , ( ;), 115 . 116 3.

113 114

Foley (1981) 152. . Burian (2007, . . 1997) 300. 115 . Rabinowitz (1993) 12 16-17.

27

. 5 , , , , . . , Gill, , , , . . , , , . , , , , , . , . 117 : ,

Rabinowitz (1993) 19-27, , . 117 . Gill (1996) 1-28, (. 3), , , , 94-99, Easterling (1990) 90-91.

116

28

, , ; 118 , , , , . 119 , , , , . Keir Elam, 120 , , - , . , , , ( ) . : , , . , , .

Elam (2001, . . 1980) 119: , . , , . . 120 . 160-61. 119 H Easterling (1990) 83-84, Goldhill Barthes, . Goldhill , . 120 Elam (2001, . . 1980) 134.

118

29

, 121 . , , , . , . 122 , Elam. 123 , , . 124 . . . Gofmann , . . 125 , Burns , ( Elam ) , ,. Easterling, (1990) 84 . 4, 5, 6. Elam (2001, . . 1980) 124, . 123 Elam (2001, . . 1980) 133, Goffman. 124 Easterling, (1990) 86. 125 Elam (2001, . . 1980) 111, Goffman . , . Burian (2007, . . 1997) 268-69.122 121

30

. 126 , . , , Goffman. , . 127 Easterling 128 : 129 1. , 130 , 131 . , 132 , ,Easterling (1990) 87 . 14 Elam (2001, . . 1980) 114. Elam (2001, . . 1980) 115-6. 128 Easterling (1990) 88-90 129 . 130 Elam (2001, . . 1980) 118: , , , , . . Easterling (1977) 126, , , . , Elam , Constructing Character in Greek Tragedy (1990). 131 . Easterling (1973) 7, . 132 Elam (2001, . . 1980) 76, - . (, , , ) , . , 134, .127 126

31

, , , , Elam. 133 , . 134 2. , , . . 135 3. . Langer 136 , , . . , , . 137

Elam, 1980 (2001, . . 1980) 136. . Easterling (1977) 126, . , , . . Gould, Easterling (1990) 91-92, , . , , , . . Easterling Gould, , . Dale, Easterling (1977) 128, . 135 Bowie (1999) 15: , . Easterling, (1977) 129, , . . Arrowsmith, , (1968) 13-33, . 136 Easterling (1990) 89. 137 Easterling (1990) 90 . 26134

133

32

, 138 . , , , . , , . . , . , , , , . . , , , . , . , , , , .

138

Easterling (1990) 90.

33

(22-163) , . (22-83) , . 1 (10-11 21), . . 2 , 10. 3 4 . . 5 , (27-30), (22), , (75-77). 6 . Taplin (1977) 336. Kaimio (1970) 200. 3 Taplin (1977) 336 3. 4 . . 14-16 . 5 , . . 4-5 . 20 Henrichs (1995) 67-68. . Lonsdale (1993) 242-43 244-45, , , . 6 Webster (1970) 127, Lesky (1987, . . 3 . 1972) 201, , . . Herington (2000, . . 1986) 132-133. . . 4 .2 1

34

.

,

(46), , , . , , . 7 : . (58-59), , , .8

61, 48 ;

, . , , , , . 9 , .10

, ,

. , , , . 8 Garvie (1986) 60-61. 58-60 9 . . 6 . 10 Gagarin (1976) 80, 48, 66-69 70-74.7

35

. , , , 11 . 12 (84-88). (84), , . , . 13 , . 14 . 15 , .16

, , , 122,

. . 19 Gould (1996) 222-23, . 12 . (1998) 20-21. 13 , , . , . , . Kaimio (1970) 158-61, . 14 . Kaimio (1970) 158-9, . 15 . . 15 . 16 . Alexiou (2008 . . 1974) 37 . 40, , , , . . (466-92), . Burkert (1993, . . 1977). Dale (1965) 21-22, , .

11

36

Garvie 17 , . (120) . , , . 18 , . , , , , , . , . 19 . 20 , , 21 . (130-148), - , (135) (136) - ,

Garvie (1986) 75 . 123. . Winnington-Ingram (1983) 140, , , , , . 18 Podlecki (1966) 71-72. , 80-81, . 19 Winnington-Ingram (1983) 140-41. , . 20 . . 120-21 . 21 . . 17 . 72 .

17

37

22 . (140-41). 23 . 24 , . , , , . , , , (. ). , , (152-163) . , , . 25 , Lonsdale 26 , , . . , . 27 , . 28

, (1) . . 23 . . 189., 264., 403 . 608. 612. . . 203., 303, 314., 902, 904 . 1061, 1072., 1080, 1004., 1008., 1113. 24 . . 31 . 131 . 25 Garvie (1986) 82 . 152-63. 26 Lonsdale (1993) 235-60. 27 . Garvie (1986) 82 . 152-63.

22

38

, ( ), . 29 , . 30 , . (, 157), . , , , , . , , , , ( ), . . (306-509) . , . , , 28

Kaimio (1970) 122-23 122 3. , 124, . 29 Alexiou (2008 . . 1974) 40. 30 . . 16 .

39

, , , . (306-14) 31 . , . 32 Albini 33 , , , Winnington-Ingram 34 , 35 , , . Lesky 36 . . (423-28) . , . , . - 37 - , , , , Kaimio (1970) 179 . 2 3, . , . 32 . . Garvie, (1986) . 306-14, . 33 Albini (2000, . . 1999) 138. 34 Winnington-Ingram (1983) 138. 35 . . . 15 . 65 66 . 36 Lesky (1987, . . 3 . 1972) 203.31

40

, . 38 (315-422) (306-14) 39 . , . , ( , ), 40 . (372-79, 400-404). 41 (423-55) . . . .42

, . 43 , .

. 1 4 .. . . 34 . 39 . Webster (1970) 127, Dale (1981) 10-12. , Garvie, (1986) 124-25 . 306-478, Winnington-Ingram (1983) 142, (456-65) (miniature stasimon). 40 . . Easterling (2007, . . 1997) 237-38. 41 . Garvie (1986) 124 . 306-478. 42 . Lesky (1987, . . 3 . 1972) 211 . 1, K. Von Fritz, . Albini (2000, . . 1999) 138. 43 Winnington-Ingram (1983) 141, , . . Alexiou (2008, . . 1974) 64, . , . , .38

37

41

. 44 , . , , . 45 ( 46 , , 132-148), , , : lex talionis. 47 48 . . , . 49 (456-65) . (, , ), . . . (463-65) . . 22 . . Winnington-Ingram (1983) 141 46 . . 38 . 22 Winnington-Ingram (1983) 138: There are many convergent reasons for his action not only gods commands, but grief for a father, the poverty of exile.... 47 Winnington-Ingram (1983) 139 48 . . 22 . 96 . Seaford (1981): , , , 49 . . 4-5 . 20 .45 44

42

(466-475), , . - , (476-78) - . 50 , . 51 , Easterling 52 : () , . , . . 53 . , . - - . 54 , , . , , . 511 , , . , , 432, 50 51

Garvie (1986) 125 . 306-478 168 . 456-65. Gagarin (1976) 60. 52 Easterling, 247. 53 . . 8-9 . 42 . 54 Winnington-Ingram (1983) 142-43.

43

( ) . 55 : ) , . : , . (135) (136). , , . , , . ) . . , . . . - - . . .

55

. Garvie (1986) 183-84 . 510-11.

44

. 56 ) : . , , , . , , 57 ( ) ( ). , , , . 58

. . 15-16 . 67 68 . Garvie (1986) 161 . 434-38. 58 Gagarin (1976) . . Foley (1981), Easterling (1987) Gould (1980) , .57

56

45

(86-120), (121-250) (251-323). . (86-323) , 1 . , - , 2 . , Di Benedetto, 3 (86-120), , (121-250), . 4 , Burton 5 . , 1 2

. . 107-8 . Scott (1996) 149. 3 Di Benedetto (1983) 168. 4 . Winnington-Ingram (1999, . . 1980) 312 . 25. 5 Burton (1980) 188

46

. Kells, 6 , , , , , , , . (10) (9). , . 86 , 77, . , (. . 345.), (. . 439.). 7 (. 22.) , , , . , . , , (92), . 8 - - (103.). . , . ,

Kells (1973) 86-87 . 77-120. (. . 99, . . 11.424, . . 1496).7

6

47

. (114) . . 9 , Winnington-Ingram, , . 10 . . 11 , , . . , , . 12 , , , (. . 84-123), , . , verbal tableaux, Ringer. 13 , , , 92. .

. Ringer (1998) 144, , (277-81) , . 9 Kells (1973) 89 . 112 113. . Winnington-Ingram (1999, . . 1980) 305: . . 10 Winnington-Ingram (1999, . . 1980) 320. . 11 . Ringer (1998) 143-44, . 12 Di Benedetto (1983) 171. 13 Ringer (1998) 146: throughout the play, Electra exhibits a talent for staging the situation in which she finds herself (...) Many of her rhetorical flourishes offer her listeners a strong visual image akin to a dramatic tableau emerging from the eccyclema of the mind.

8

48

, , , . 14 . 15 , , , (, , , ). 16 . (, , 129), . , . . , , , . . Burton , 17 , . 18 Scott 19 , . . 20-21 . 89 90 . . Albini (2000, . . 1999) 335: ( ) . 16 . Ringer, (1998) 5-7. 17 Burton (1980) 225. 18 Burton (1980) 196 19 Scott (1996) 154 . 137.15 14

49

, , . , , . , . , , , , . (133) , 20 , . ,21

. , ( / , 124.) , . , , . . 22 , . Segal . , 20 21

Di Benedetto (1983) 172. . Kaimio (1970) 220, .

50

, . (98.). 23 , , (162). . (183). (162, 175) (184). , Segal, 179 , .

, .

, , , . , , , . 177 , , .

, . 24 (185.) . 25 , .

, , . , , , (. . 439.).22 23

Burton (1980) 191. Segal (1981) 267. 24 . Segal (1981) 262-267, 262-63.

51

(95-102). , , 26 . . 27 28 . (158, . . 9.145) (99, . . 11.424). 199-200, / Burton

Lesky. , 29 , . . , , (201-12). 30 . 31 (215) . 32 219-20,

Di Benedetto (1983) 169, . Scott (1996) 9, , . , . 27 Burton (1980) 192. , 196: 193-212, ) , ) , ) 210 ) 28 . Burton (1980) 192-93. 29 Burton (1980) 193, Lesky (1987, . . 3 . 1972) 385 . 3. 30 Burton (1980) 193. 31 Kells (1973) 95 . 213. 32 Burton (1980) 193.26

25

52

, (. 339). , , , . , . . Kells 33 , , (. 218-27). , , (254-57, 307-9, 616-21). 34 . 35 , , , . , , . . (. 454.). 36 . , , . , , . ,

33 34

Kells (1973) 95-96 . 221. Burton (1980) 194. 35 Kaimio (1970) 220.

53

, . 37 . . 38 , . (121-192) , Lesky, 39 . . , . Di Benedetto 40 (193-212), , . Scott, 41 , (233-250), , , . , , , , , . , . 42 , . , . Knox (1983) 67, . . Ringer (1996) 130, . 37 . Winnington-Ingram (1999, . . 1980) 335, . . Lesky (1987, . . 3 . 1972) 385, . Burton (1980) 195. . Gardiner (1987) 145, . 38 Segal (1981) 252. . Ringer (1998) 180, . 39 Lesky (1987, . . 3 . 1972 ) 385. 40 Di Benedetto (1983) 172. (132, 145, 164, 185, 226) 41 Scott (1996) 154-56.36

54

. 43 , . , , (253). . 44 . 45 , (254) (266). Kaimio 46 , , . . . , (. 311 . 314, 318). (134), , , . , , : . , , , Burton (1980) 190-91, . . ( ) , . 44 , . . 36 . 13 . 45 Kells (1973) 97 . 251-323.43 42

55

. , (264-65). Knox 47 . . , (258) (261.). , , . , . . , (289-92 295-98). , , , , . 48 Segal 49 . , , , . Segal , . , , . 46 47

Kaimio (1970) 243-44. Knox (1983) 38-40. 48 , Ringer (1998) 130, . . , . 49 Segal (1981) 261-62, 289. . Segal, (2001, . . 2 . 2000) 27-31.

56

, . . . 50 , . (653., 770. 776) (. 1145). 51 . 52 , , . , , , . , . 53 5 , . 54

Lesky (1987, . . 3 . 1972 ) 385, 395. Kells (1973) 100-101 . 296. 52 . Lesky (1987, . . 3 . 1972) 386 : , , . 53 Kells (1973) 102 . 312. . . 54 . Scott (1996) 6, . 51

50

57

, - - 55 , 56 . 57 (804-870) , , , . , , , , . . , . . . . Gould (1996) 221-22. 55 . Burton (1980) 187. 56 . Henrichs (1995) 68-70, . . Burton (1980) 224, . . . , . . . Scott (1996) 170, . . 57 . Scott (1996) 149.

58

. 58 . , . , . 59 , . , , , , 60 . 61 , , 62 , (577-83). , . . Kells 63 . . , . , 58 59

. Scott (1996) 158. . Ringer (1998) 162-172, . 60 . Ringer (1998) 160-61, . 61 . Ringer (1998) 173. 62 . 63 Kells (1973) 154 . 804-22.

59

; 64 , , . . , , Burton 65 , . 66 (817.). , (387). . , , , , . 67 (823-870) 68 . 69 . , . 70 . . . ( ) .

. Ringer (1998) 172, . 65 Burton (1980) 204. 66 Di Benedetto (1983) 171. 67 Lesky (1987, . . 3 . 1972 ) 389. , 394, , . 68 Burton (1980) 204, Lesky (1987, . . 3 . 1972) 389-90. 69 Di Benedetto (1983) 171 . 10. 70 Scott (1996) 160.

64

60

. Scott 71 , , . , 72 . , . 73 , , . , , . Burton 74 . . Burton, . Winnington-Ingram 75 , Ringer 76 . (

Scott (1996) 160. Burton (1980) 206, , . (844., 855., 866.). Kaimio (1970) 228, , . . . , , . , (. . 823.). , 1398. 73 Scott (1996) 160. 74 Burton (1980) 205. 75 Winnington-Ingram (1999, . . 1980) 315. 76 Ringer (1998) 177-178.72

71

61

) , . , , . 77 , . . 78 . , , . . (861-63). 79 (854-59), , . 80 , , Burton, 81 . , (. 423-55 ). Kells 82 . 865. . 78 . . 8 . 40 41 . 79 Scott (1996) 160, . Burton (1980) 205-6. 80 Di Benedetto (1983) 173. 81 Burton (1980) 205. 82 Kells (1973) 159 . 865.77

62

, (. 1551.). 83 , . . . , , . , . . , . , . . . , , . 84 , . . Di Benedetto (1983) 182. 84 . . 59-60 .83

63

. , , . . .

64

, . . 1 - - , 420.. 2 , . 3 , . , . 4 , , , , . 5 , . , . Lesky (1987, . . 3 . 1972) 206-09. (1991) 9. 3 (1991) 18, : , , , , . 4 . Lesky (1987, . . 3 . 1972) 224-25 224 . 1. 5 . Conacher (1967) 5 : to observe the individual approaches taken to the traditional material of myth serves as a useful introduction to the tragic ideas and dramatic structure used by the three tragedians.2 1

65

, . (112-212) (112-66) (167-212) . , 6 . 7 (54-81) . , . 8 . , , 9 , , . . 10 . Cropp (1988) 107 . 112-66, . (. . 46-47 . 3, 4, 5 ) ( ) , , . . , 98 . 1-212, Lesky (1987, . . 3 . 1972 ) 209, . 7 . Halleran (1985) 10, . 8 Conacher (1967) 205. 9 . Webster (1970) 159-60, . . 10 Lesky (1987, . . 3 . 1972) 210, .6

66

. , . Lesky, 11 , . (64-66), 12 - - (71-76). , (77-78). . 13 , , 14 (82.) 15 16 , 17 . .

Lesky (1987, . . 3 . 1972) 210. . Conacher (1967) 205. . O Brien (1964) 29, . 13 . Conacher (1967) 205 . 13, , , , . . Kaimio (1970) 246-47. 14 (1965) 74. 15 . Lesky (1987, . . 3 . 1972) 210. 16 . (1965) 134, ( ) .12

11

67

(112-13, 127-28, 125-26, 150) - , , (107-08) . 18 , Lesky, 19 , , (115-19) . , , , . . : . (112-24) . (125-26) , , . 20 (127-39) , (60-63). (135-39). (140-49), (, 140) ,

17 18

. Lesky (1987, . . 3 . 1972 ) 210, . . Cropp (1988) 108, . 112-66 19 Lesky (1987, . . 3 . 1972) 210. 20 . Cropp (1988) 108 . 126.

68

. 21 (22.) , (150-56) , ( ). (157-66) : , . 22 23 . 24 , , . , (. ), ( ). 25 Cropp, 26 , , , , . . Margaret Alexiou, , . , . . Cropp (1988) 109 . 140. . (1965) 137 140-41, , 140 , . 22 . . 14 -15 , . 23 . Cropp (1988) 111 . 166. . 24 . . Cropp (1988) 111 . 164-65, Davies , . . . 1160. 25 . . 14 16 , Cropp (1988) . 112-166, . . Webster (1970) 159, . 26 Cropp, . 112-166.21

69

, . Cropp - (. 24. 719-724). , Conacher 27 Lesky 28 , . , Barlow, 29 , . , (150-56). . Barlow , Cropp Lloyd 30 , , . . 31 .32

(167-212)

Conacher (1967) 205. . Lesky (1987, . . 3 . 1972) 210. . . 67 . 11 . 29 Barlow (1971) 53-55. 30 . Cropp (1988) 108 . 112-166, , xxxv, Lloyd (1986) 4-6, . 31 . . 69 . 23 . 32 . Cropp(1988) 111 . 167-212.28

27

70

. . , . , Cropp, . 169, (, ), . 33 , , 34 , Cropp 35 , (174, 215) (169.) 36 . . , , Zeitlin . 37 . , (172) (174). 38 . Cropp (1988) 111 . 167-212. 169 170. 34 . Kaimio (1970) 244. 35 Cropp (1988) 111-12 . 167-212. 36 (). 37 Zeitlin (2003) The Festival of Hera Euripides. 38 . Cropp (1988) 112 . 171 173-74, Zeitlin .33

71

(184-85), (181-82), , , 39 , , . 40 , , (191.). 41 (190-92). , , . 42 , , . 43 Conacher 44 (198-200) . , , (201-210). , , , 45 , ,

. Cropp (1988) 113 . 180, . Cropp (1988) 113 . 178. . . 80 . 72 . 41 . Cropp (1988) 113 . 191. . Thury (1985) 17, . : In general, Euripides chorus sympathizes with high born nobility and embodies an abundant free-giving nobility of its own, which does not wear out until the play is almost over. 42 Cropp (1988) 113 . 194-98. 43 . Cropp (1988) 113 . 199 Conacher, 210. 44 Conacher (1967) 205. , . . 45 . Cropp (1988) 114 . 209.40

39

72

(211-12), . (198-212) Halleran, 46 (202-5), . , (213-14), . , . . , , . , , . , , , . , , 47 , . , : , . . , . (-) ,

46 47

Halleran (1985) 69-70. . (1991) 16.

73

. 48 . 49 . , . . , , . . . . , . . . . , Conacher 50 .Foley (1985) 43. Zeitlin (2003) 266. . Burian (2007, . . 1997) 289, . , (880).49 48

74

Cropp 51 , . 52 53 . , . 54 . . , , , , . . Conacher (1967) 210-11. Cropp (1988) . 167-212. 52 . Kaimio (1970) 246-47, (1991) 18, Conacher (1967) 210-12, Cropp (1988) xlxli, . 53 . . Lloyd (1992) 1 . 2: Realism (...) refers to a literary mode, and does not imply any straightforward reflection of the world. . Conacher (1967) 14, , . . . March (1990) 38: () this reduction of the hero to ordinary human size is (...) typical of Euripides. Kaimio (1970) 245, . . . (1991) 14, . 54 Kaimio (1970) 245. . . 6 7 . 36 , .51 50

75

, . . 55 , , . , . , , 56 , , . Cropp 57 . (859-889) , , . , . (213-14) .

55 56

. , . . Barlow, 54.

76

, . , . , , ; ; , , . , , . 58 5 , , . . , , . . 59 , , , . Cropp (1980) xl. . Gould (1980) 226, , . 58 5 .. . Burian, 2007, . . 1997) 311 314.57

77

. . , . 60 , (432.) . 61 . , , , . , , . (487.) , . Lloyd (1986) 11-12. . O Brien (1964) 32-34, , , . . Di Benedetto (1971) 207-9, , 215 218, . 61 , , (481.), . . Halleran (1985) 50 . 1, ( ), , (, 1456 25.). , 51, . . Kaimio (1970) 103, . , 89, , . . (1991) 18. 62 . Thury (1985) 15 . 29, . .60 59

62

78

- . 63 . (699.) . . (737.). . Lesky 64 747-987, . 65 (761.) , (859-889) 66 . . (866-72) . , (874-79) , (88089). . . (860-61, 865, 875). . 67. Di Benedetto (1971) 213, -. . Lesky (1987, . . 3 . 1972 ) 225-226, , O Brien (1964) 36-37. 64 Lesky (1987, . . 3 . 1972 ) 215. 65 , , , . Winnington-Ingram (2003) 54-55 . 36, . . 66 . Lesky (1987, . . 3 . 1972) 216. 67 Cropp (1988) 158 . 860-79, . Webster (1970) 160.63

79

. (862.), 68 (880.) , , , , . 69 (838.).70

Zeitlin

, , . , 71 . , , . . 72 (54, 141, 181) . 73 ,

Cropp (1988) 158 . 862-63. (1965) 16. . O Brien (1964) 28. . 70 . Lloyd (1986) 15-16, . 71 Zeitlin (2003) 268. 72 . Cropp (1988) 157 . 860-79. . Henrichs (1995) 89, (175-80). . . Zeitlin (2003) 272 , .69

68

80

. , . , O Brien, (854, 856, 871, 872, 874, 882), 1195. . O Brien . 74 (874-79), . , ,75

,

. . 883. (/ =

), Lesky, 76 . . . 77

Cropp (1988) 158 . 866-68. O Brien (1964) 24. 75 . . Halleran (1985) 22 Lesky (1987, . . 3 . 1972 ) 216 . 1. 76 Lesky (1987, . . 3 . 1972) 216 . 1. 77 . Lloyd (1992) 57 . 13, Kovacs, Where is Aegisthus head? CP 82 (1987), 139-41, . . O Brien (1964) 23 . 26. . Foley (1985) 43-44, Halleran (1985) 15, .74

73

81

(953-56). 78 , . , . , . , .79 . , (. ). , , . . , , . . , . , . , . ,

78 79

. Zeitlin (2003) 272. . Zeitlin (2003) 275-76, .

82

. 80 , , . .

. Thury (1985) 15-16, . , . .

80

83

, . , , . , . : ) ) . , , , . . . . , ( ), 84

. , , . . . . (900-2), , . , , . , . , . . ( ) , . , , . 1 . . 2 , ,

1

Webster (1970) 128, Lesky (1987, . . 3 . 1972) 207.

85

. 3 , 935-36, . 4 (497) (498), . 5 - - , 946-50 . 6 . . , (11) (24-25) (2730), . . 950 ( ) . 7 , , . , (1048-1050) 8 . , (1007-9, 1016-20) (1044-1047, 105152). / (= , ).

, , -

. Garvie (1986) xxxix, Webster (1970) 128, Lesky (1987, . . 3 . 1972) 207. Garvie (1986) 303-4 . 935-71. . . 38 . 25 . 4 . . 36-37 . 18 . 5 . . 43 . 6 Podlecki (1966) 72-73. 7 . Kaimio (1970) 53. 8 , (925-44) (920-22).3

2

86

, (1040), (1048-50). . , , , () , . . 9 . , , , . , . . , , . :

. Segal (1980) 134-37, Segal (1985) 19, Segal (1981) 278-80, Ringer (1998) 3-4, 185-89, Seale (1982) 75-76. , , . Segal . , , , , .

9

87

, , . . Minadeo 10 , 1264, . , . (1382.) , . . 11 , . (1384-1397). , . . 12 (1388) . 13 (498-501), Burton. 14 Minadeo (1994) 125-26 . 10. . Scott (1996) 173. . . . . . , 171, . 12 . Scott (1996) 168, Kells (1973) 216 . 1384-97, Burton (1980) 215, 218. , 215, (855-70) . 13 . Burton (1980) 216, (924, 1054) . 14 Burton (1980) 216.11 10

88

. , , . Seale , Ringer , . 15 . , ( ) , Burton, . 16 . 17 18 , . Easterling 19 , , . . , ,

Seale (1982) 74, Ringer (1998) 184. . Kells (1973) 216 . 1384-1397: Inheritors of the dark past of Aeschylean theology, the Chorus see the present vegeance as arising from the grave, the present advengers as the embodiment of the spirits of the dead who claim the blood of their slayers in compensation for their own blood. . Winnington-Ingram (1999, . . 1980) 304, (112, 276, 491, 1080) . , . . Ringer (1998) 184, , . 16 Burton (1980) 217. 17 . Burton (1980) 218. 18 Burton (1980) 215-16. 19 Easterling (2007 . . 1997) 229-30.

15

89

. 20 , . 21 . 22 . Ringer, , . (1400-1). 23 , . , , , . (1404.) 24 . (1406) , . . Segal (1980) 137: Though Sophoclean tragedy unquestionably has his share of violence and bloodshed, it differs from both Aeschylean and Euripidean drama in a preponderance of ethical over emotional and pathetic effect (...) He not only treats visual effects with the kind of intellectual and psychological thoughtfulness (...) but also at times tones down deliberately, it would seem the raw energy of ekplexis in favor of other, quieter aims. 21 , . . Seale (1982) 74, . Burton (1980) 218. 22 Ringer (1998) 185. . , 140: To live in the Electra world, one must play a role. A persons exterior can never reflect the inner self. Deception and subterfuge are necessary for survival, creating the kind of theatrical environment that has surrounded ancient and modern tyrants. , . . 23 . Ringer (1998) 200: The Chorus becomes an extension of the theater audience in his breathless anticipation of the events behind the skene. 24 Scott (1996) 168, . Dale (1971) 38, o Kells (1973) 238, .20

90

, , ( 1407.). 25 . (. . 896.), 26 , , ( / , 141112). 27 . (1413-14), , , (1415). . , . 28 . , . 29 . 30 (1415, . . 1343) , , Lesky, 31 . . (1416)

Burton (1980) 219, Scott (1996) 168. Kells (1973) 219 . 1407., . 26 Kells (1973) 219 . 1410. 27 Kells (1973) 219 . 1411. 28 Burton (1980) 186-87. 29 . Burton (1980) 224, . . 30 . Scott (1996) 168, (1404) . 31 Lesky (1987, . . 3 . 1972) 394, . Kells (1973) 220 . 1415.

25

91

. , . (1419-22). , 32 . 33 . 34 . , ( ). . Segal 35 1427, , Burton Kells 36 .

Winnington-Ingram (1999, . . 1980) 314 . 30, 1344, 1397, 1399, 1417, 1435, 1464, 1510 . , , 315, : , 1388, , 837., , 846., , 1498. . , 316, , . 314 . 31 . 33 . Burton (1980) 220, Kells (1973) 220 . 1420. 34 Kaimio (1970) 159: Announcement of a new person in the chorus-leaders iambic lines is also rare in Aeschylus, but occur very frequently in Sophocles and Euripides. 35 . Segal (1980) 138: The probable lacuna at 1427 makes certainty impossible; but it is arguable that Orestes reenters after the matricide without any visible evidence of the deed (El. 1424-1436). At least the ensuing dialogue (1424-1436) does not call attention to Orestes appearence, unless those details were lost in the lacuna. The chorus remark about the bloody hand (phoinia cheir) dripping from Ares altar (1422f.) could refer to actual scenic representation; but the combination with Ares altar can equally suggest that the entire sentence is to be understood figuratively (...). With the murder of Aegisthus still before them, Sophocles pair cannot yet openly reveal what they have done. This muting visual effect is nevertheless in keeping with the quiet, tense tone of the entire play, a play of inner struggle and long silent suffering rather than bold external acts. . , 138, . 22 23. . . 89-90 . 20 . 36 Burton (1980) 217 Kells (1973) 220 . 1442-41.

32

92

. , . 37 / , (1424-25), . / (1426-27)

. 38 . . Scott 39 . . . 1440 , . 40 , , . Burton 41 . , , , . , (1428), , . 37 38

. Burton (1980) 221, Kells (1973) 221 . 1427. Di Benedetto (1983) 180. 39 Scott (1996) 169 . 170. 40 Kells (1973) 222 . 1437. 41 Burton (1980) 223.

93

. . 42 . Minadeo 43 , . . Ringer 44 . : , , . 45 . 46 , . 47 - . 48 , Ringer 49 , . Seale(1982) 79. Minadeo, 112-13. , () (). 44 Ringer (1998) 131. . , 192, . 45 O Ringer, (1998) 131, , , . 46 Ringer (1998) 29, . 47 . Ringer (1998) 192 , , . 48 O Scott (1996) 170, .43 42

94

( ). 50 , ( ) (, , , ), , . . : , 51 . 52 . 53 54 . - - , , . 55 56 . . ( ;)57

Ringer (1998) 23. . Scott (1996) 151: , . , , . 51 . , . 17 . 72. 52 . , . 2-5, , . 12-13 4. 53 . . 90 . 22 . 54 . Scott (1996) 171: The elimination of mythological/religious theories began in the parodos when Electra rejected the philosophizing of the chorus. 55 , , . Ringer (1998) 22-23. 56 , , , . 57 . . 90 . 23 .50

49

95

. , 58 , , , . 59 , , . - - . 60 (1147-1164) (1165-71), (1165-68) , , (1169-1171). 61 . 62 . (1165 1167), 63 , .

Di Benedetto (1983) 178. . Segal (1980) 142: If the chorus closing address to the seed of Atreus refers to her (1508), we should perhaps recall her first appearance in the play as she stands alone before the sinister house (c.f. 86ff., 818f.). The circularity of such a visual image would be appropriate for the static mood of this play, where pulling free from the past is so difficult, so uncertain. 60 Cropp (1988) 176-77 . 1147-1171, . 61 Cropp (1988) 177 . 1154. 62 . Webster (1970) 160, , . Cropp (1988) 1176-77 . 1147-1171 , Lesky (1987, . . 3 . 1972) 220, .59

58

96

, , . 64 , , O Brien, 65 . , 66 , . ( / , 1147-48)) , . , - (1152-53) (1152-54). 67 (1151-54). (1155.) , , . 68 , Cropp, 69 , . - . - . (1160-62).

. Cropp (1988) 176 . 1147-1171, . Lesky (1987, . . 3 . 1972 ) 220, 1168 . 64 , . 65 O Brien (1964) 31-32. 66 . . 80 . 71 . 67 Cropp (1988) 177 . 1152-54. 68 . Lesky (1987, . . 3 . 1972) 220.

63

97

, . 70 (1163-64), , , . 71 , . (1165 1167) , . 72 73 . , . . 74 . , , . 75

Cropp (1988) 177 . 1161-62. . Easterling (2007, . . 1997) 242-43. 71 . . 11-12 . 54 . . Cropp (1988) 177 . 1163-64, . 72 . Cropp (1988) 177-78 . 1168, , . . 73 Kaimio (1970) 245, , , . , 139-40, 1166 . , . . , 1011, , , , 161, , . 74 . Conacher (1967) 211, . . . 104 . 108 . 75 . Thury (1985) 15-16, , . .70

69

98

, , . , , 76 . .77

, 78 . , , , . , - - . 79 . . 80 . , . Webster 81 .

, . . . 98 . 73 . 77 Segal (1985) 20, . . 78 (1965) 107, . Cropp (1988) . 1147-1171 . Lesky (1987, . . 3 . 1972 ) 220 . 1. 79 . Lesky (1987, . . 3 . 1972 ) 220, . . , . . 80 . Cropp (1988) 178 . 1177-1232, Dale. 81 Webster (1970) 161

76

99

, . . 82 . . 83 . (1182-84 1224-25). 84 . 85 . 86 , , , . 1189 . , . 87 (1190.) . Cropp 88 , . (1194.) (11981200), . . 89

. Cropp (1988) 179 . 1177, Parker (1983) 316-7 . 44. Cropp (1988) 179 . 1181-82. 84 . Conacher (1965) 209. 85 Cropp (1988) 179 . 1183-84. 86 . Denniston Cropp (1988) 177-78 . 1168 Kaimio (1970) 245. 87 . , . 99 . 79. 88 Cropp (1988) 179-80 . 1190-93. 89 . Cropp (1988) 180 . 1193-97 1198-1200. Parker (1983) 316. . Zeitlin (2003) 284, .83

82

100

, . , . , / (1203-4), (1204-05). (1206.) . , . , . 90 , (896.). Segal 91 () (1206-9), , , , . , 92 . 93 . 94 (1224.) . , , . 95

90 91

Cropp (1988) 180 . 1218-20. Segal (1985) 20. 92 . Gould (1973) 75-77, . 93 Segal (1985) 20-21. 94 . Cropp (1988) 180-81 . 1221, . 95 . Segal (1985) 22: There is something in the experience of the tragic moment that defies description and analysis.

101

. , , . Cropp . , ; , , . . - - , , . 97 . , . 98 , 99 . 100 . , , . , . 101 . , , 96

1232

Cropp (1988) 181 . 1232. Foley (2001) 239. 98 . Foley (2001) 237 239, , . , . . 99 . Foley (2001) 241. 100 Conacher (1967) 203, , -. 101 . Lesky (1987, . . 3 . 1972 ) 224, . .97

96

102

. Kaimio 102 , 103 , . , ( ), . ; , Cropp. 104 . . . , , . . 105 , . 106 , , ,

. . 98 . 73 . . . 75 . 53 . 104 Cropp (1988) 182 . 1233-37. 105 . Cropp (1988) xxxviii: The matricide is a moral error, but one compounded not simply from her nature but from divine intent and historical circumstances, previous wrongs and present hardships. The need of Orestes and Electra is condemned, but the careful balance finally struck between their rewards and their sufferings reflects the complexity of its moral valuation. . Foley (2001) 239, . . 106 . Conacher (1967) 16-17, , , 103

102

103

(1294). , . , . , , Zeitlin, 107 . , , . , (1051-54) 108 (1147.) . (1357-59). 109 , , 110 , ( , , ). (1302) ,

. . . 107 . 98 . 73 . 108 Lloyd (1992) 65, , . 109 . 1292-93 1298-1300 . Cropp (1988) 188-89 . 1292-93, , , . . Roberts (1987) 51-64 61 . 39. 110 . Wiles (2000) 144, .

104

. 111 , . 112 , .

. Conacher (1967) 13-14, , , . 112 . . 15 . 68 .

111

105

. , , . , ( ), 113 , , , . , . 114 , , . 115 : 1. , 2. , 3. , 4. 5. . ****

. . 88-89 . 13 15, . 92 . 32 . 114 . Kells, 7 (1973): However, the wording of the oracular consultation and the preliminary characterisation of Orestes are by no means the essential reason for disagreeing with those who believe that the Electra either justifies or condones the matricide. I believe that these things are crucial, but only as the earliest of a series of subtle but forceful dramatic touches which all add up to the same effect: and that effect if I am not mistaken, amounts to a kind of suspended abhorrence of the act itself, of sustained tragic pity that it should have been necessary or have come about.

113

106

1. , . , (. ). . , , , , . , . 116 , . , . , . . , , 115

. Scott, 149: [Aeschylus] Oresteia presented Justice as such an active force in the myth that both Sophocles and Euripides were compelled to confront it despite the modifications the introduced in plot and character. 116 . Kells (1973) 2, .

107

, , 1264, 117 . 118 . , . Kells 119 ( 771 . Radt): , /, /.

, , , : , , , , . , Segal 120 , . , , , . . , ,

117 118

. . 88 . 10 . . Kells (1973) 10: Orestes will mishandle the oracle (...). He will proceed to the deed of matricide (the most horrible act humanly conceivable) almost jauntily, with no religious motivation but a very materialistic one. . . 2. 119 Kells (1973) 6. 120 . . 92 . 35 .

108

, . . 121 . 122 , . 123 , . . , , . , . , , , : . . , , , . , , 124 , .

121 122

. (1991) 20. (1991) 13. 123 . Segal (1985) 21-22: Euripides (...) retains the external frame of the Aeschylean events, but completely transforms ther spirit.

109

: , . 2. 125

. 5 . , . , , , 126 . (458..) , , 127 , , . 128

. (1991) 13 . 75 . 53 . 125 . (1994) 285-86 . 3, . 126 . Hourmouziades (1965) 9: The front wall of the skene is the border line between indoors and outdoors; the interior is accessible through a central opening. Consequently, the whole acting area, i.e. both the logeion and the orchestra, always represented an outside space, which implies that what the audience saw of the backgraound building was its exterior. 127 Hourmouziades (1965) 61-62 3. . , 9: The establishment of this convention [indoors and outdoors] should be ascribed to technical rather than intrinsically dramatic factors. 128 Hourmouziades (1965) 9 . 3, (1991) 50-51. . Di Benedetto (1989) 9799,

124

110

, , . 129 Di Benedetto 130 , . , 652 , , , . , , , , . 131 (872) . 132 , / / . , . , (930.), , , .

, . 129 (1991) 51-53, . 130 . . 112 . 133 . 131 . (1991) 38-39. , , , . Taplin (1977) 348-54. 132 Taplin (1977) 348-49 (1991) 39

111

, . Di Benedetto 133 , 134 , . . , , Ringer, 135 . , . , . , . 136 , . ,137

, ,

Di Benedetto, 97-99. . 135 Ringer (1998) 130. 136 . . 90 . 21 . 137 . . 92 . 35 .134

133

112

. 138 , , . 139 , . 140 , . , . , , . , , . , . . . . . . .

.

, , . . Segal (1980) 135-136. , . . 139 . Taplin (1982) 164. 140 . (1991) 40, .

138

113

. , , , . , . , , , , . . 141 , , , , . . , . . . . , , . . , . , , , .

141

. Hourmouziades (1965) 90.

114

, . . . . . 3. . , . . . , , . : , 142 . . , ,

142

. . . 1343, 1345.

115

. , . , , . . , , , . 4. . , . , , . , . , , 116

. , , . , , . . . . , . , , . , , , . . , , . 5. , , . , 117

, . , , . 143 , , , . , , . . . . , , . , . . , , , . , . . , , ,

143

(1991) 11.

118

. . . , , , . , , . , , . .

119

. , . , , , , . . , , . , . , , 1 7 . ..2

: )

, . Gantz (1993) 676-77, Garvie (1986) x-xi. 2 . Lvi-Strauss (1963 . . 1958) 217 218: (...)we define the myth as consisting of all its versions. There is no single true version of which all the others are but copies or distortions. Every version belongs to the myth. . Bremmer (1987) 3: Mythology (...) was an openended system.

1

120

, . 3 ) ( ) ( ) ) . , 4 5 .., , , (. 23() M-W). , 5 (. 176 194). . 6 . .. Foce del Sele. (. 24 Foce del Sele, Paestum) . 6 , , 6 . .. , , . 7 , ,

, Garvie, (1986) xi . 7, (1.298., 3.193. 11.387.) . . . Gantz (1993) 14, . 4 , . Garvie (1986) xvii. 5 , . Garvie (1986) xi, Gantz (1993) 676, (1987) 177-8. , Gantz (1993) 677. 6 . Garvie (1986) xvi-ii . Gantz (1993) 679. , . Gantz (1993) 677. , , . Gantz (1993) 678. 7 . Campbell (1991) 5, West ( ), .

3

121

, , (217 PMG). . , . 8 . . , (219 PMG). (217 PMG) , , . , . 9 , , . 10 11 . 11

.

. Garvie (1986) xxi, , . 9 Garvie (1986) xviii-xix xxi, . 10 . Garvie (1986) xx-xxi . 38, . 11 Race (1997) 366.

8

122

.

12

(22-27) . 13 . 14 , , . 15 , . , , , , . , . 16 , , , . 17 , . )

12

Race (1997) 366: The scholia give conflicting dates and events for the victory: 474 in the boys stadion and 454 in the mens diavlos (or stadion); the former is more likely. 13 Garvie (1986) xxiv-v. 14 . Garvie (1986) xxv . 52. 15 VIII.347e. 16 . . 18 . 17 . Vernant (1991 . . 1986) 49-88, .

123

, ) , , ) . , : . . . , . . . 18 Burkert 19 7 , , , . . . , ,

18 19

Burkert (1993, . . 1977) 228 229. Burkert (1993, . . 1977) 229-30.

124

. . 20 Gould , , . , ( ), . ( ) , , . 21 . , . . , , . , 22 . , . 23 . 24 T , , , , , 20 21

. . 2-3 . Gould (1996) 221 223-24. 22 Alexiou (2008 . . 1974) 178. 23 Alexiou (2008 . . 1974) 178 . 8. 24 . Winnington-Ingram (1983) 23, .

125

, , . 25 , . , , , . . , , . , . , , . . , . 26 . 27 . . . , , . , 25 26

, . . 39-45 . , . . 87-96 27 . . 99 . 81 .

126

. , , . . 28 . . , , , . . . , . , , , . , , , . . .

28

, . . 96-105

127

. : ( ) (). , , , , . , ; Gould - . ( ), (), . . , , , . . . , , , , , , , , . 29

. 29 Gould (1996) 233.

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