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Transcript of ENSEMBLE INTÉGRALES
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/ Chamber music works by:
Alireza Mashayekhi Meta X Nr. 3 (2003) *
Misato Mochizuki Intermezzi I (1998)
Jamilia Jazylbekova sfiorasi (2004/5) *
Kee Yong Chong metamorphosis
Suren Soronzonbold I, II (2004/5) *
Leilei Tian ensemble Intgrales (2005) *
* ensemble Intgrales / Works commissioned by ensemble Intgrales
Barbara Lneburg: , , / violin, viola, artistic directorJohn Eckhardt: pi / double bassGuiomar Espieira: / fluteMartin Posegga: / saxophoneJonathan Shapiro: / percussionNinon Gloger: pi / pianoMarko Ciciliani: / sound design
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To this Hamburg-based ensemble, a concert tour through Mongolia (as well as others including a tour to Iran) served as the initial motivation to collaborate more intensively with Asian artists with the intention of a resulting concert and CD project. Interestingly enough, only composers are presented, who, as Barbara Lneburg points out, are influenced by the West, have travelled there or even lived there for a while. Nevertheless, one clearly is able to sense the origins in the musical language of each composer.Taking all diverse musical cultures into regard, Europe remains a gravitational centre, attracting
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Traces of Asia
and connecting artists from other cultural contexts. It is also true, however, that during the course of a growing emancipation, especially that of Asian countries, Western culture may not represent the ultimate model anymore, rather just one of many.How the composers deal with Western music and its influence on them is, in any case, as varied as it is multi-layered. In spite of the highly individual artistic and conceptual approach, each of the six works in Traces of Asia demonstrate the exploration of space between the diverse cultures in their very own specific way.