Acoustic absorption of micro-perforated panels

22
Acoustic absorption of micro-perforated panels Muttalip Temiz Mico Hirschberg Ines Lopez Arteaga

Transcript of Acoustic absorption of micro-perforated panels

Page 1: Acoustic absorption of micro-perforated panels

Acoustic absorption of

micro-perforated panels

Muttalip Temiz

Mico Hirschberg

Ines Lopez Arteaga

Page 2: Acoustic absorption of micro-perforated panels

Overview

• What is a micro-perforated panel?

• Why micro-perforated panels in TANGO?

• How does it work?

• History of MPP: from Kirchhoff to Maa

• TANGO results

• Future steps

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Micro-perforated panels

What is an MPP?

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Sound absorber made of metal.

Small holes (ø ~ 1 mm ), low

porosity (σ ~ 1%)

Heat and clog resistant.

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Why MPPs in TANGO

In a thermoacoustic system, interaction between heat

release and acoustics leads to a feedback mechanism.

Heat

Release

Oscillations

Acoustic

Oscillations

Flow and

Mixture

Perturbations

Results:

• Stability problems

• Efficiency problems

• Noise problems

Possible Solution:

• Minimize the effect of

acoustic oscillations

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Why MPPs in TANGO?

• Classical absorbing materials are

impractical.

• Fibrous structure (Flammable),

• Effective at high frequencies (>3000 Hz).

• Micro-Perforated materials are made of

metals.

• Durable,

• Non-flammable,

• Effective at low frequencies,

• Increasing damping characteristics with

flow.

Glass wool

Rock wool

Circular

MPP

Slit MPP

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How does an MPP work?

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Oscillating Viscous

Boundary Layers

Acoustic wave

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How does an MPP work?

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Viscous Shear

Between Boundary

Layers

Sound Attenuation

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How does an MPP work?

Different hole diameters result with different absorption / reflection values.

dp/2 δv

Increasing frequency

Shear number, Sh, proportional to ratio dp/δv

Increasing Shear number

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How does an MPP work?

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dp tp

Back Cavity

D

σ=dp2/D2

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History

Maa’s impedance model for MPP

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Kirchhoff: harmonically

oscillating flows inside of

a circular tube.

Ingard: harmonically

oscillating flows outside

of a circular tube.

+ =

Maa combined Kirchhoff

and Ingard’s ideas to

model a single perforation.

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History

Analytical Expression for Transfer Impedance of MPPs

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Zt= jwtr

01-

2

Sh - j

J1

Sh - j( )J

0Sh - j( )

é

ë

êêê

ù

û

úúú

-1

+2aRS+ jdwr

0

dp

2

Inside the hole Resistive

E.C.

Reactive

E.C.

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History

Analytical Expression for Transfer Impedance of MPPs

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Zt= jwtr

01-

2

Sh - j

J1

Sh - j( )J

0Sh - j( )

é

ë

êêê

ù

û

úúú

-1

+2aRS+ jdwr

0

dp

2

Resistive

End-Correction

Coefficient

α=2 or 4

Reactive

End-Correction

Coefficient

δ=1.64

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History

Analytical Expression for Transfer Impedance of MPPs

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Zt= jwtr

01-

2

Sh - j

J1

Sh - j( )J

0Sh - j( )

é

ë

êêê

ù

û

úúú

-1

+2aRS+ jdwr

0

dp

2

MAIN PROBLEM: The

value of α changes from

one sample to another*.

* Allam S., Åbom M. Journ. Vib. Acoust.,

133 (3), 2861-2866, 2011

Reactive

End-Correction

Coefficient

δ=1.64

Resistive

End-Correction

Coefficient

α=2 or 4

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Example of TANGO Results

Impedance Tube Setup

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D/A

Converter

A/D

Analyzer

DAQ

Card

• Multi-Microphone Method

• Open End Ref. Coef. Measurements

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Example of TANGO Results

MPP Samples

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Samples dp [mm] tp [mm] σ [%]

A 0.3 1.0 0.76

B 0.8 1.0 0.74

C 1.6 1.6 0.72

A

B C

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Example of TANGO Results

Measurement Procedure

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ZR

= r0c

0

1+ ROE

1- ROE

ZP

= r0c

0

1+ RP

1- RP

Z

t= Z

P- Z

R

Measure Ref. Coef. Translate into Transfer Impedance

Sample

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Example of TANGO Results

Non-Dimensional Parameters

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Zt= jwtr

01-

2

Sh - j

J1

Sh - j( )J

0Sh - j( )

é

ë

êêê

ù

û

úúú

-1

+2aRS+ jdwr

0

dp

2

d =Á Z

t{ }- Á Zt{ }

th

wr0d

p2

a =Â Z

t{ }- Â Zt{ }

th

2RS

Sh= dp

w /4n

OBJECTIVE: Estimate α and

δ in terms of non-

dimensional parameters

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Example of TANGO Results

Resistive End-Correction Coefficient

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Sample A

Sample B

Sample C

Numerical Fit

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Example of TANGO Results

Reactive End-Correction Coefficient

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Sample A

Sample B

Sample C

Numerical Fit

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Conclusions & Future Work

Conclusions

α and δ depend only Sh for sharp edge limit.

Limit values of both resistive and reactive end corrections for

high Sh agree with earlier results.

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Conclusions & Future Work

Current work

• Different edge geometries,

(Fillets, chamfers, punched holes, etc.)

• Different hole geometries,

(MPPs with slits)

• Effect of non-linearity.

(High amplitude excitation)

Future work

• Effect of panel flexibility on sound absorption MPP

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Acoustic absorption of

micro-perforated plates

Muttalip Temiz

Mico Hirschberg

Ines Lopez Arteaga