2008

:

:

*

25, 26, 27 2005

...........................................................13

I I

......................................................................................15

: ................................................................................23

.

(1945-1960) ...................................................................67

avant-garde ......... 109

: 19 ...................... 137

.................................. 159

.

19o ........................................................................ 185

To 1859-1871: .................................................................................. 211

.............................................................. 219

1960 .....................233

: ;.....................................249

Albrecht Drer .........................269

.

Trattato della pittura: . da Vinci (1651) ................................................................................... 297

O A

17 ............................................................................. 321

: Paolo Veronese.....................................359

O Karel van Mander .................................. 379

17 : ......................................... 399

17 ....................................................... 419

. ......................439

Roger de Piles Turner...............................................489

. , ............................................. 517

: Kazimir Malevich Ivan Kudriashev .......................539

: ........................................................... 557

: ...................................... 579

..................................593

: ....................................................................................609

: ............................................................... 619

: .....................635

...........................................................................653

orn

1960

, 20 , . (1911) WilhelmLehmbruck (1881-1919).

1912, Sonderbund Sezession , .1 , - . - Armory Show, (N Y, , , 1913). , , .2 , Entartete Kunst (1937) .3

. (, 1965), , . , - , , - (. 1).

, -

234

. 1. Wilhelm Lehmbruck, , 1911, , 178x71x141 ., Duisburg, Wilhelm Lehmbruck Museum, , , , , .-. 1965.

. 2. Auguste Rodin, , 1884, X,190x118x82 ., , Muse Rodin. , ,, , .-. 1965.

. 3. Auguste Renoir, , 1914, , 180x90x130 .. Cagnes-sur-Mer, Muse de Cagnes, ,, , , .-. 1965.

235

. - 60 . () -: - , . , , .

- - 60. , , .4 , . . ,5 ,6 , - . . , - , .

. - Rodin (. 2) -, Renoir (. 3), Picasso Braque, - , , -, , , . , , , - . -. , ,

236

. , ( - ), . , , . . - . (. 4) , - . .

, ; , - - (. 5) - . , , :

- . . . , , , -. . .7

, , - , ,

237

. 4. ., , , .-. 1965.

. 5. ,1934, , , , .

. 6. , ,. 530 .., . 121 ., , .

238

. , , - , , , , .8 , , - , , , - .

- . . , - , - (. 6). . ,, , .9 , .

-. , , , , , - , , .

, 90, .10 , - . .

, , - , : -

239

, - . , , , , , - 60; ; - ; - ;

, , - 60. - , - : ., , - . - , , . (American School of Classical Studies at Athens) 1954-1960 . - - - 11 , , .

, , . T - . , Le Figaro: [] : , .12 lieu demmoire ,13 ,

240

(.. ).14 , , . : ChrisWoodhouse, , 1952-1962, -: Greece, from which the stream of European civilization flowed,had re-entered the mainstream.15 - Andr Malraux , 1959: .16 -, , .

, , . , , . , , (, , ), , . , -, .

-, . , - Biennale 1960.17 . - .18 - . , 60, , - .

241

. - , . . , (1965), - . , - . , 1964 , (1928), (1930-2004) (1924) Teatro La Fenice , Biennale, succs de scandale -, -. , - Pierre Restany, - (. 7).19 , -assemblages - (. 8) . popart nouveau ralisme. . Biennale, , - Teatro La Fenice - . - . 20

, , , Biennale .21 - , .22 , ,

242

. 7. , , , , 1964, , Sale Apolline, Teatro La Fenice.

. 8. , , 1964, , ,Sale Apolline, Teatro La Fenice.

243

- . , , 80, , .

- . - , , -, - , Biennale . , , , , -, Biennale . , , , , : , , , - .

,23 ,24 -25 19 20 -, -, - . - 60. , , , , . , - : .

1 Hans Hildebrandt, Werner Haftmann. Manfred Schneckenburger, Sculpture, Ingo Walther (), Art of the20th Century, , Taschen, 2000, . 414. - , , , - , . .. Harold Osborne (), The Oxford Companion to Twentieth Century Art, , Oxford University Press,19906, . 322.

2 , Theo-dore Roosevelt , ob viously mam-malian [but] not especially human. Henry Grosshans, Hitler and the Artists, , Holmes and Meier, 1983, . 42. . KarlRuhrberg, Painting, Ingo Walther, .., . 271.

3 Grosse Deutsche Kunstausstellung. O Adolf Ziegler . - Reinhard Merker,Die bildenden Knste im Nationalsozialismus. Kulturideologie, Kulturpolitik,Kulturproduktion, , DuMont, 1983, . . 143-154. 1991 LosAngeles County Museum of Art 1937. - : Stephanie Barron (), Degenerate Art.The Fate of the vant-Garde in Nazi Germany, , Los AngelesCounty Museum of Art, , Harry N. Abrams, 1991.

4 . , 1965, , . 33, 2004, . 249-300.

5 . , -, , , 1990.

6 , , Giuseppe Marchiori Denys Chevalier.

7 : .. , . , 9 . 1965 .. , . , 9 .

246

1965. . . , 9 . 1965. : (1922-), (1917-2007), - (1908-2003), (1916-), -- (1916-1995), (1931-), (1920-1994), (1923-2007), (1918-1995), (1918-), (1902/7-1992), (1927-1967), (1889-1974) (1923-), 1 . -, , , 1965.

8 . , , , - ( ), 1996, . 23-25.

9 .10 -

, 1965, - , , . , . -, , 1949-1967. , , 10-12 - 2000, , - , 2002, . 95. 20 - , ,. , -, (.), . - , . ., , - , 14 -13 1992, , 1992. . 392., , - , , .. , -, 1949-1967. , .., . 406 .. , 1970, 19 20 . , 20 , , 1930-1940 , - . . -

247

, , , , 1982,. 36-37. : , , . . -, 1949-1967: -, , , 1949-1967. , .., . 363-400.

11 Robert K. Sutton, Americans Interpret the Parthenon: The Progressionof Greek Revival Architecture from the East Coast to Oregon, 1800-1860,Niwot (CO), University Press of Colorado, 1992. an Morris, Archaeologiesof Greece, Ian Morris (.), Classical Greece: Ancient Histories and Modern Archaeologies, , Cambridge University Press, 1994, .8-48. Charles W. Hedrick (), The Birth of Democracy: An ExhibitionCelebrating the 2500th Anniversary of Democracy at the National Archives,Washington, DC, . ., , American School of Classical studiesat Athens, 15 . 1993-2 . 1994, the American School of ClassicalStudies at Athens, the National Archives, Washington, DC, , ,1993. Argyro Loukaki, Whose Genius Loci? Contrasting Interpretations of the Sacred Rock of the Athenian Acropolis, Annals of the Association of American Geographers, . 87, . 2, . 1997, . 306-329.

12 . ,11 . 1965.

13 Pierre Nora, Between Memory and History: Les Lieux de Mmoire,Representations, . 26, 1989, . 7-24.

14 . .. K.E. Fleming, The Paradoxes of Nationalism: Modern GreekHistoriography and The Burden of the Past, Journal of the British Royal nstitute for Inter-Faith Studies, . 3, . 2, .-. 2001, .

15 Chris M. Woodhouse, Karamanlis. The Restorer of Greek Democracy,, Oxford University Press, 1982, . 266, . 11. - : - , , 1961, . Chris Woodhouse, . -, . Vassilios Siamantas, , , 1982, . 150.

16 Une Grce secrte repose au coeur de tous les hommes dOccident. Malraux . Le Figaro, 29 - 1959, . 1, 14. ,

248

. Elizabeth Marlowe, Cold War Illuminations of the Classical Past: The Sound and Light Show on theAthenian Acropolis, Art History, . 24, . 4, . 2001, . 578-597.

17 , 1957-1967 Biennale , . , . - , , , .., . 19-21.

18 . .. Serge Guilbaut, How New York Stole the Idea of Modern Art:Abstract Expressionism, Freedom and the Cold War, , University of Chicago Press, 1983. Talor D. Littleton-Maltby Sykes, Advancing AmericanArt: Painting, Politics and Cultural Confrontation, , University of Alabama Press, 1989. Frances Stonor Saunders, The Cultural Cold War. TheCIA and the World of Arts and Letters, , New Press, 2000.

19 . , . - , , University Studio Press, 2000, . 45-46.

20 , -, , -, 1981, . 61. , - . , , , 1985, . 60.

21 , POP-ART-L HOURLOUPE-! , , 1 . 1964 ( , .., . 372). . . , () - : , -, , 22 . 1964 ( , ..,. 354-355, (.), . -, . . , , 22-19 , , 1999, . 324 , , , ,5 . 1964 ( , .., 1999, . 325-326).

22 (.), , . ., , -, 16 -30 , 1997, . 210, 512-513.

23 , ..24 , -

, , .., 1992, . 376-377.25 , 19 ., , (-

), 1995.