"•µ¯..." €¯·ƒ· -...

download "•µ¯..." €¯·ƒ· - ±½¬ƒ·‚  ¬½…

of 116

  • date post

    09-Mar-2016
  • Category

    Documents

  • view

    224
  • download

    5

Embed Size (px)

description

Κατερίνα Καρβελά, Επιμέλεια Κειμένων και Έκδοσης Γιώργος Λαναράς, Ζωγραφική. Θωμάς Άνεμος, Φωτογραφία, Επιμέλεια Έκδοσης. Θανάσης Πά;νου, Ποίηση, Αφήγηση, video art, Μουσική.

Transcript of "•µ¯..." €¯·ƒ· -...

  • 1996

  • 1996

  • ISBN 960-85871-0-7

    1996 c Copyright , , .

    :

  • , , , ,

    .

  • , . , .

    .

    yin-yang , .

    , , . , . . , , . , . .

  • , . . , , .

    , , . - , . , , .

    .

    , , , . . , , . , - , - . , ,

    96

  • , , . , .

    . . , . , , . , .

    , . , . . , , . . , - , , .

    , - , , , , , , , , , , , , , , , , .

    , , ;

    , 96.

  • THOUGHTS ABOUT THE PHOTOGRAPHS

    The creator believes, that the present photographic collection and its fusion with the poetic expression and co presence with drawings, ensures one unique and multiform communication of the artist with the public. The power of expression destroys the apparent difference to the world and reinforces the believe and confidence, that the truth lays beyond the customized representations.

    The real without innervations is timid articulation. The photography processes the image of the seen activating the fantasy. The inner vibration builds up black and white, and imprints the appearance character with the motion in luminous trails following traces of vision. The talent of the photographer is to present reality, like someone who discovers it for the first time. The uniquence of photographer is to alternate his encounters with the reality with his self-energy and inspiration.

    The photographs had been chosen to attend a poetic work. They are moving freely but not independently from the poems , trying to submerge in them. The viewer is been set free. He is been asked to look each photograph separately leading himself occasionally exclusively from the poetic word. This is the happiness of photographer in this collection. He tries to touch and express variety of elements and representations . his approach leads from the expressionistic considerations of the shadows games and the alteration of the visible to the shadows of the illuminated imaginary to the symbolic reflections of the surreal through the successive turns of the unconsciousness.

    The viewer is urged to travel from the sceneric oil-painting like frame, to the intentional unfocus, to the humoristic erotic nude in nature, to a handshake with the immortals, against ignorance, to the imbodiment of geometry shapes, like a wrecked person floating on primordial waves, illuminous bicycler in the shadow of reality, life imprisoned without iron bars, to the cartoonistic entertainment, to the severe landscape of the forbidden planets sites, to the serpent symbol, to the addition mark as a figure of encounterment new and ancient, to the tepee of rainbow warrior, metting with remarkable people, exit, accession to the holy mountain.

    The photographer , stochastic adventurer of the excession and uplift beyond the four corners of the visable, will declare ignorance for the existing fenomenon?

    Thomas Anemos , feb. 96.

  • ,

    . .

    .

    . ,

    .

    . .

    . .

    .

    , .

    . .

    , .

    .

    .

    , .

  • ,

    - ,

    .

    .

    .

    20/1/1979

  • .

  • 0

    , .

    , , .

    .

    .

    . .

    .

    . ,

    . ,

    ,

    , -

    , .

    ,

    , .