'Η έκφραση και η αντίληψη του χώρου_η περίπτωση του...

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Η ΑΝΤΙΛΗΨΗ ΚΑΙ Η ΕΚΦΡΑΣΗ ΤΟΥ ΧΩΡΟΥ _η περίπτωση του ονείρου Τσομάρ Δημήτριος ΔΗΜΟΚΡΙΤΕΙΟ ΠΑΝΕΠΙΣΤΗΜΙΟ ΘΡΑΚΗΣ Τμήμα Αρχιτεκτόνων Μηχανικών

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Με αφορμή την «αδυναμία» του ανθρώπου να εξηγήσει διάφορα φαινόμενα γύρω του και με έναυσμα την συνειδητοποίηση ενός «παράλληλου» κόσμου όσο κοιμόμαστε, οδηγήθηκα σε μια απόπειρα διερεύνησης του χώρου υπό ένα διαφορετικό πρίσμα ,αυτό του ονείρου. Έτσι καταλήξαμε να μιλάμε για την αντίληψη και την έκφραση του χώρου,ως δύο άμεσα συνδυαζόμενες διανοητικές διεργασίες,που αποδεικνύουν το άϋλο του χώρου. Μέσα από το όνειρο ,ο άνθρωπος ανακαλύπτει πτυχές του ασυνειδήτου του, αλλά ο αρχιτέκτονας συγκεκριμένα,εστιάζει στο χώρο και μαθαίνει να τον αντιλαμβάνετ

Transcript of 'Η έκφραση και η αντίληψη του χώρου_η περίπτωση του...

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    On the occasion of the "weakness" of man to explain various phenomena around him and ushered in the realization of a "parallel" world as we sleep, I was led to an attempt to investigate the space in a different way, dreams way. Initially, we watched several theories surrounding the concept of space. From ancient Greece by Plato and Aristotle, who tried to separate the concepts of place, space and matter, to Kant and Heidegger who seek deeper meaning of space, more anthropocentric. Based on these theories around the sense of space and driven reversal of Contemporary visa talks about a crumbled, marketable and measurable-space object ,we mentioned examples illustrate the double meaning of space. That oscillates between the real and the imaginary.So we ended up talking about the perception and expression of space, as two directly combined mental processes, showing the intangible space. Our ability to consciously imagine space and the lifelike replica of the dream-where mate-rial is absent-indicates that the human mind can create space, describe it, and impart to others as he would do with any other intangible concept .Inevitably, we moved tangentially from foreign fields, indicating concepts associated with human perception, memory, imagination and other mental functions, trying to form a fertile field of study for spaces perception and expression.We saw that a gesture can contain space, that singing and music can earn spatial qualities and have correlations with pace and time. We discovered that we can experience situations of space even with our intellect. We can "inhabit" in a "film" residence, to wander the streets of a comic-city, to feel with all our senses the nature after a highly experiential description through a poem.All these versions of the expression of space concern the side of the con-scious mind. The expression of the unconscious part of the mind takes place mainly through the dream, which analyzed more extensively. So, after a brief review of the history and functions of the dream we are talk-ing about the relationship of reality to the dream, the degree of consciousness dreaming mind, the way they integrate stimuli into the dream and how canthey are re-perceived as sleep. We noticed that in the dream anything can be considered possible and justified by a sense of logic that does not obey the rules of reality.The dreaming mind "is naming" the stimuli that is perceived as familiar or unfamiliar. Should consider the familiar, we are led to its appropriation ,stabili-zation and sometimes to a repetitive dreaming reference of it as something that exists and evolves.If it considers as unknown, we are trying to find them and appropriate them through procedures of recognition of dream world.Through the dream, man discovers aspects of the unconscious, but the architect ,specifically , focuses on the space and learn to understand it through a different process between the conscious and the unconscious. Although the space of dream seems corrupted, it still maintains the integrity of its meaning. So ,dream is another experience of space for humans, unconscious of course, which as is expressed, however, reveals innovative elements that the uncon-scious chooses to send.So, without wishing to speculate the possible reason for the existence of the dream, we can utilize it as an experiential tool that penetrates the inner sanctum of the mind and intellect, where the conception of space is generating and come a little closer to the definition of this.

    SUMMARY

  • GASTON BACHELARD (1957) : - . , : . (1982)

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