Η Ζυγαριά των Βιβλίων

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() n E p E x S' XPONOI TEYXOI 73 IOYNIOI 2000 TIMH 3. 000 o M E N A Nl KOI AAlBIZATOI, KQutOC; , XUL EAWeEQ'U ............................ . .... .. ........................................................ ...... 7 ElANOr A!nOSATI, H xOLvwvlu ltOAmlV ultlfQ t au XWQLOllOU XUL Y.QUtOUC; ... ............................................. 12 rl QPrOI rlANNOYAOnOYAOr, H Kat to OUYXQOVO VCfO; .... .................... .................................. .... .. .. . I-I HE<1>ANOI nHMAZOrAOY, «H orov tOU ................................ .. ............................ ........ ............ .. ......... 21 A<1>IEPQMA: LACAN KAI KOINQNIKEE EmETHMEE: KAI nOAITIKA EPQTHMATA THE \IIYXANAAYEHE XElIlEVI!IV, Eltlll{).£la: eANOE AInOBATE - ETAYPAKAKHE) rl ANNHI HA YPAKAKHI, MLU .. .. ............ ............................ ...... ............................................... .. .......................................... 28 rUVOlttlXO XQOVOAOYLO Jacq u es L acan ................ ...... .. .. ................................. .. ...... ... ..................... ............ .... ... .. .. ..... ....... . 34 SLA VOJ ZIZEK, MliltwC; 0 Lacan IiEv E'VUL ...................... ....... .. ................. .35 DYLAN EVANS . Allo qlilEIQiu: MLU XUI tWV XOIVWVIXWV XUL OUVEilEtWV ................................... . ...... ............... ................... ...... .... ........ ........... .... .-13 MARK BRACHER. Nu ljJvxuVUAUOUllE ilUVta' 0 lOtOQlOIIOC;)(((1 IvuXUVUi.VOll tOI' :Toi.ltlOIIOU XUL XOIVOJV1U; .................. .5-1 ElA m: A!nOBATI . MEQIXEC; XQItlXEC; t WV eEOEWV tou Auxuv uvu(jloglxu TtlI' <jllAOOo(jliu WI eEwgiu XUL tOUe; .... .. .............. . .............. .. ................................ .. .. . .. .. .... .. .. .. .. .... 70 ER ESTO LACLAU - LILIAN ZAC. YilOXEillEVO EAAEIljJllC; - YiloxEillEVO llE ................ .......................................... 80 ALA I JURANVILLE. .......................... ..................... .... .................... .. . 8Q ElANOI A!nOBATr. To HBlxtiv XUL to n oi.lTlxtiv UVUIIEOCl onlY )«(1 lll\' o l'tOil iu .................................................. 103 nAN HI HAYPAKAKHI. ElEwg ia XUL EI I:TEIQ1U: H AU)(f(Vlxli Iilu:Tgu'!lldtEl'Ull Ilia, EVtClOll; X(U to IIEAl,ov BEWQiu; .............. . .. ......................................... 112 ANTONAI. H tUYClQICt nov ....... .. ......................................... 110 E:TIOroAE; .................. . .................................................... .... . .. ............................................ 1 21 B 1 BA 1 0 KPI!: I E !:-B I BA 10 lIAPOY!: IA!: EI!: EY ArrEAOI KQ<1>OI . YIU to tdAI]; (EillII EAElU). H oro I\OOO.",'. H £A).aoa. 0lfOv1, xOIV()nlra Xa/ Til MME. 1999 ........... .. ................................................................................ . . ............ . ....... ONTEN BAPQN-BAIAP. YIU to D EtQo, o rlOv Of "'v. ASliva 2000................... .. ........................ . .... .. ...................... .... .. .. .... .. .. ......... 125 <1>QTEI H «AutOyvwoiac; avuyvwOILUta» (YIU tU M. He rtzield. H avOQw}foAoyia Idoa a:ro rov .... XUL J. Cowan, H :rOAITIXIj rol' ocillaro,. .. ............................................... 127 MnAKAAAKH , YIU to M arc Auge. fla Ilia avOpw:roAoyia rwl' OI; YXPOvwv )(OOllwv. 1999 ...... .. . 130 MAP IOI rlu rou NrEQQlvtci (IXOAIO oro tot' J. Derr ida . AvrlOrtiaEl, 1999 ...... .............. ....................... .. .. .. .................................................... .. .. .............. 133 ITA YPOI MnO<1>YAATOI , ylO TO MUQivoC; flavvo v). 'I> XaAf.1a;. H %a/ TO igyo TOV ........................ 137 BIBAIA KAI nEPIOi\IKA nov AABAME ...................................................... . .................... .. .. .. .......................................... 138 IYrXPONA 3 ElEMATA

description

Άρθρο σχετικό με την εμπλοκή του Jacques Derrida με την Αρχιτεκτονική.

Transcript of Η Ζυγαριά των Βιβλίων

Page 1: Η Ζυγαριά των Βιβλίων

~):YlXI)f)Nll

() 1~)lll'I'll

n E p E x

• nEPIO~Or S '

• XPONOI 22o~

• TEYXOI 73

• IOYNIOI 2000

• TIMH 3 . 000 ~PX .

o M E N A

Nl KOI AAlBIZATOI, KQutOC;, EXXA~O'U XUL eQ~OXEUtLX~ EAWeEQ'U ............................ ..... .......................................................... ...... 7

ElANOr A!nOSATI, H xOLvwvlu ltOAmlV ultlfQ tau XWQLOllOU oQeo(\o~~C; EXXA~Olu; XUL Y.QUtOUC; ................................................ 12

rl QPrOI rlANNOYAOnOYAOr, H g~tOQLX~ t~C; ~EtUILIfAEla~ Kat to OUYXQOVO VCfO; .... .................... ........................................ ... I-I

HE<1>ANOI nHMAZOrAOY, «H ~UO~» orov xaeQE(jlt~ tOU Kooo~ou ................................ .. .................................................. ......... 21

A<1>IEPQMA: LACAN KAI KOINQNIKEE EmETHMEE: ~IAOEO~IKA KAI nOAITIKA EPQTHMATA

THE \IIYXANAAYEHE ( Eltl).O'Y~ XElIlEVI!IV, Eltlll{).£la: eANOE AInOBATE - nAN~HE ETAYPAKAKHE)

rlANNHI HA YPAKAKHI, MLU ElOaywy~ .. .. .............................................. ............................................... ............................................ 28

rUVOlttlXO XQOVOAOYLO Jacq ues Lacan ................ ...... .. ................................... .. ...... ... ..................... ............ .... ... .. .. ..... ........ 34

SLA VOJ ZIZEK, MliltwC; 0 Lacan IiEv E'VUL ~EtUOtQouxrouQaALOt~C;;.............. .. .. .... .. . ............................. .. ................. .35

DYLAN EVANS. Allo t~V Kavnav~ ~eLX~ Ot~V ILUonx~ qlilEIQiu: MLU UV(XVEUO~ t~:jollissallce

XUI tWV XOIVWVIXWV XUL ilOAltlO~IXWV OUVEilEtWV t~, .................................... ...... ........................................ ........................... .-13

MARK BRACHER. Nu ljJvxuVUAUOUllE ilUVta' 0 lOtOQlOIIOC;)(((1 ~ IvuXUVUi.VOll tOI' :Toi.ltlOIIOU XUL t~, XOIVOJV1U; .................. .5-1

ElA m: A!nOBATI. MEQIXEC; XQItlXEC; tWV eEOEWV tou Auxuv uvu(jloglxu ~E TtlI' 4'I·Z(IVui.uo~. t~V <jllAOOo(jliu

WI t~V ilOAltlX~ eEwgiu XUL ~lu uvnxQltlx~ tOUe; .... .. .............. . .............. .. ................................ .. ... .. ........ .. .. ...... 70

ER ESTO LACLAU - LILIAN ZAC. YilOXEillEVO t~; EAAEIljJllC; - YiloxEillEVO llE :T oi.lTlx~; ................ .......................................... 80

ALA I JURANVILLE. MXULo.ljJuxavci)'uo~. :Toi.lTlX~...... .. ................... .......................... ......................... .................... .. .8Q

ElANOI A!nOBATr. To HBlxtiv XUL to noi.lTlxtiv UVUIIEOCl onlY I&Eo~.o'liCl )«(1 lll\' o l'tOil iu .................................................. 103

nAN HI HAYPAKAKHI. ElEwgia XUL EII:TEIQ1U: H AU)(f(Vlxli Iilu:Tgu'!lldtEl'Ull

Ilia, )(f(taUtanx~, EVtClOll; X(U to IIEAl,ov t~, BEWQiu; .............. . .. ......................................... 112

r\PI~TEI~H~ ANTONAI. H tUYClQICt nov ~1~Aiwv ....... .. ......................................... 110

E:TIOroAE; .................. ..................................................... .... . .. ............................................ 121

B 1 BA 1 0 KPI!: I E !:-B I BA 10 lIAPOY!: IA!: EI!:

EY ArrEAOI KQ<1>OI . YIU to ~I~)'io : IlOt~Q~C; tdAI]; (EillIIEAElU). H ~pio~ oro I\OOO.",'. H £A).aoa.

~ 0lfOv1, xOIV()nlra Xa/ Til MME. A8~vu 1999 ........... .. ................................................................................ . . ............ ........ 1~3

ONTEN BAPQN-BAIAP. YIU to ~1~Aio: DEtQo, MaxQ~C;-Itulxo, . Kira()~ MuArf~o;.

o uya:r~ldvo, rlOv Of "'v. ASliva 2000................... .. ........................ . ...... ...................... .... .. .. .... .. .. ......... 125

<1>QTEI H HIMDlPI~OY. «AutOyvwoiac; avuyvwOILUta» (YIU tU ~1~Aiu: M. He rtzield.

H avOQw}foAoyia Idoa a:ro rov xaOpi'Pr~ .... XUL J. Cowan, H :rOAITIXIj rol' ocillaro,. .. ............................................... 127

AAE:::AN~PA MnAKAAAKH, YIU to ~I~).'O: Marc Auge. fla Ilia avOpw:roAoyia rwl' OI;YXPOvwv )(OOllwv. Ae~vu 1999 ........ . 130

MAPIOI MAPKI~HI . rlu t~V uycirr~ rou NrEQQlvtci (IXOAIO oro ~1~AlO tot' J. Derrida.

AvrlOrtiaEl, t~C; 1jnJxuv<iAua~c;. Ae~va 1999 ............................................. .. .. .................................................... .. .. .............. 133

ITA YPOI MnO<1>YAATOI, ylO TO ~1~Aio: MUQivoC; KUAAIYU~. flavvo v). 'I> XaAf.1a;. H ~wlj %a/ TO igyo TOV ........................ 137

BIBAIA KAI nEPIOi\IKA nov AABAME ...................................................... . .................... .. .. .. .......................................... 138

IYrXPONA 3 ElEMATA

Page 2: Η Ζυγαριά των Βιβλίων

H zyrAPIA TON BIBI\ION

APIOTtf~FlC; AVTov6c;

TON OKTW(3PlO TOU 1989 oaOl 1l0~£UTIlKOV aTO Ip(3olv TIle;

KaAlcpOpV(Oe; YlO vo nopoKoAou8f)aouv evo auveoplo aTO

ono(o 80 aUIlIl£Tdx£ KOl 0 Jacques Derrida (3pe8llKOv npo

£KnAf)~£we; , OTOV OVOKOlVw8IlK£ OTl OVT( TIle; olKf)e; TOU no­

poua(oe; 80 OKOUYOTOV Ill0 KoaaeTo 11£ Til cpwvf) TOU IlXO­

YPocp11lleVTl . To auveoplo dX£ we; 8ell0 Tllv 0PXlT£KTOVlKf) (mo aUYK£Kplllevo TIl «auyxpoVTl» TOT£ OPXlT£KTOVlKf)) KOl

evoe; ana £Kdvoue; nou 80 OKOUYOV TOV Derrida f)TOV 0 op­

XlTeKTOVTOe; Peter Eisenman, naAlOe; TOU cp(AOe; KOl auv£p­

YOTll e; '. To OTlIl£lWVW YlOT( Il cpwvT'j Tile; KoaaeTOe; nou OVTWe; OKOUOTTlK£ a£ £Kdvo TO auveoplO, onw8UVOTOV aTOV

Eisenman ' o£v WPOK£lTO Aomov YlO IlXOYPoCPllllevll OlOA£­

~Il , eMo YlO on£u8uvOTl a£ O£UT£PO npoawno npoe; KonOlo nOAlo CPLAO, Tllv ono(o Ol oKpoOTee; TOU auv£op(ou KOAOUVTO

vo nopoKoAou8f)aouv.

rlOT( 80 Ilnopoua£ Kovde; vo £mlldv£l aTOV TOVO OUTf)e; Tile;

cpwvT'je; ; 'OXl Toao W£lOf) Il aTlYIlf) TIle; £KcpOpOe; eX£l £lOlKf)

OTllloa(o YlO TIlv laT0p(O TIle; aUYXPOVIle; 0PXlT£KTOVlKf)e;.

eMo ll6Mov W£lOf) Ileao aTO e:pyo TOU Derrida nopollev£l

OVOlKTO TO £PWTIlIlO nou ocpopo TIl aTlYIlf) nou no(pv£l KO­

vde; TO Myo YlO vo op8wa£l Konolo £llnOOlO KOl vo owa£l

«TeAOe;» a£ Kon uno OlOIlOPCPwOTl. LTIlV npoYIlOTlKOTIlTO 80

f)8£AO vo IlLAf)aw YlO KonOlo IlUaTlKO nou ocpopo TIlV ucpf)

TIle; O£pplolKf)e; onocpOOTle; · nOT£, nwe;, KOl ana nOlOV OVTAW

TO OlKO(WIlO vo £ydpw £llnOOlO; L£ nOlO aTlYIlf) OlKOlOUIlOl

vo £molw~w KonOlo «TeAOe;»; M£ noOTl eVToOTl OlKOlOUIlOl vo

npow8f)aw Til Pf)~Il ; KOl YlO VO £pwvf)aw aTO (3080e; OUTOU

TOU IlUaTlKOU 80 £mlldvw aTll cpwvT'j TOU Irvine' Il cpwvT'j ou­

TT'j 80 Ilnopoua£ vo npoacpep£TOl we; nop60£lYIlO nou 80

eOlv£ 0 (OlOe; 0 Derrida' (awe; 1l00laTO - onwe; 80 npoan08f)­

aw vo £~Ilyf)aw- KonOlo lOlO(T£pO nopoo£lYIlO.

MLAOW £~ opxf)e; YlO op8wa£le; £Ilnoo(wv KOl YlO unoo£l~1l TOU «TeAOUe;». 'Iawe; eYlv£ f)oll cpov£po on Il nOAlTlKf) Tile;

cpwvf)e;, «a£ npWTO XPOVO», eIlOlO~£ vo onoaup£l TIl CPLAlKf)

£llmaTOaUVIl ana TOV Eisenman ' Il cpwvf) 80 Ilnopoua£ 110-

AlaTO vo OKOUaT£( KOl we; KOTOYY£A(O Tile; aUIl(3oa£we; nou

Ol aUV£PYOT£e; dxov unoypoljJ£l ana KOlVOU. H cpwvT'j TOU

Ip(3olv, a£ «npwTIl OVOyvWOTl», f)TOV OUaTIlPf) cpwvf) .

o Derrida Aomov, £vw eA£m£, KOTOCP£P£ VO nopouaLoaT£(

£KdVTl Tllv Illlepo OTTlv KaAlCPOPVlO, KciAWVTOe; 1l0AlaTO £vw­

mov 1l0PTUPWV TOV Eisenman vo onoAoYll8d. AKOIlO Kl ov

eA£m£ f)TOV £Kd, OKOIlO Kl OV o£v OKOUY£ Ilnopoua£ vo

OKOU£l' «I will know all that you have said publicly», M£l Il

cpwvT'j Tile; KOaaeTOe;. KOl dVOl CPOv£po ana Til aKllv08w(0

Tile; cpwvf)e; on 0 Derrida unOQU£TOl 0 (OlOe; TO cpoVToallo f)

TOV 8£0, 8eA£l vo nO(~£l 11£ TIlV onoua(o.

H onoua(o O£ KOl 0 8£0e; o£V cpnoxvouv 1l0VOXO TO n£p(­

ypOllllO f) TO aKIlVlKO rune scene) Tile; £KcpWVIlOTle;, oMo y(­

VOVTOl 8ell0 [motif) TIle; cpwvT'je; TOU Ip(3olv (nou TunW8IlK£

OPYOT£PO KOl af: XOpT(2). nOpOTl Ilnopd vo cpO(V£TOl nopo­

~£vo aTO n£pl(36Mov aU~IlTT'ja£wv YlO TIl auyxpoVTl OPXlT£­

KTOVlKf) , 0 Derrida IllAO£l YlO TOV 8£0, (TIlV onoAUTTl onou­

a(o), KOl YlO Til ouaKOA(O TOU X£lplallOU Tile; onoua(oe;, nou

npe:n£l vo KpOTll8d «aTll 8eOTl Tile;» YlO VO IlIlV OKupw8d Il OTllloa(o Tile; . 'Onwe; nOVTOT£ O£V npOK£lTOl YlO Kon KOl­

VOUPYlO' TO 8ell0 Tile; onoua(oe; OTTlV 0PXlT£KTOVlKf) O£V d­

VOL CPUaLKO KOlVOUPYlO YlO TOV Derrida oMo OUT£ YlO TOV Eisenman3 .

H Ae~1l onoua(o, (absence) wovepX£Tol auxvo 0TTl PIlTOPl­

Kf) TOU Eisenman, Kl waToao Il cpwvT'j TIle; KoaaeTOe; o£v cpo(­

V£TOl VO £YKp(V£l Tllv W(KAllafJ Tile; . To npo(3Allllo o£v dVOl

OTl Il onoua(o eX£l AIlallOVTl8d ana TOV Eisenman ' KlVOU­

V£U£l OIlWe; (11£ TIl XPf)OTl nou TIle; Y(V£TOl vo onoo£lx8d un£p(3oAlKo (30AlKf), £vw Il onoua(o £laoY£TOl aTO O£PPlOlKO

epyo YlO vo n£pmAeK£l, vo unoo£lKvU£l onop(£e; [apories).

oOle~ooo. H onoua(o «no(pv£l 8eOTl» aTOV Derrida YlO vo

onoooll£l. aXl YlO vo onoKpuaToMwv£l, Kl waToao aTllV

onoKpuaToMWOTl, aTO KPUaTeMO, aTO YUOAl. dVOl nou Il

onoua(o (3p(aK£TOl nopouao YlO TOV Eisenman. AAAo KOl

nplv ana Tllv eVaT00Tl TOU YUaALOU , (nou WlIlOVWe; wovep­

X£TOl 0TTl cpwvf) TIle; KoaaeTOe;), 0 Derrida eX£l KpoTT'ja£l

onOaTOa£le; ona TOV Eisenman4 (TIlV (OlO aTlYIlf) nou auv£­

X(~£l vo auv£pyo~£TOl 1l0~( TOU YlO TO 0PXlT£KTOVlKO axeOlO nou npOYIlOTonOlOUv «ono KOlVOU»5).

H cpwvf) TOU Ip(3olv YPOCP£TOl, IlXoypocpdTOl we; O(OUIlO Kd­

Il£VO KonOlOu npOIlYOUIl£VOU K£lllevou TOU Derrida, nou cpe­

pEL TOV T(TAO: «rlOT( 0 Peter Eisenman ypOcp£l Toao wpo(o (3l­

(3A(0»6, Kl eX£l YPOCPT£( Tp(O XPOVlO nplv ana TO Kdll£vo TIle;

cpwvT'je;. To QUO 1l0~( KOTOYPOcpouv KonOlo naAlvopollllOTl

[balancement) novw a£ KOVTlVO 8elloTO, naAlvOpollllOTl f!ou

Il£TpleTOl a£ KonOlo lOloTunll ~UYOPlO nou KOToaKwo~£l 0 Derrida 11£ TO Kdll£VO. 80 Ilnopoua£ 1l00laTO vo n£l Kovde;

IvrXPONA 116 0EMATA

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Page 3: Η Ζυγαριά των Βιβλίων

on Ta OUO KellleVa Sa elxe vorwa va olaJ36~ovra oav tva 01-

nM, 000 KI av I'l aplSlll'lOf'l (tva, OUO, Tpla ... ) '{ta TO t<ellleva

TOU Oerrida Ilnopel va <palveTOl npof3NWClTlKl'J, (eq>cioov Ta

KellleVa TOU oev npoo<ptpOVTat we; aUTOTe}-E:ie; 1l0v60ee;).

To otnM Keillevo nou oexollaOTe OTI npoKUrrrel ano tva 00-

KllllO Yla TI'lV UnepaanlOf'l TOU Eisenman Kat TT) <pwvri nou

lowe; KaTT)yoPel TOV Eisenman, napOUOla~el 10laiTepo ev­

ola<ptpov YlaTl Ilae; eKStTel, ilIa aKOll1'l <popa, 010 alvtYlla

TI'le; ano<paOf'le; axeT1Ka Ile TI'l xp~Of'l (ano TOV 1010 TOV

Oerrida) TOU oPlOU Kat TOU KAelOTOU ax~llaTOe; .

To «flaTl 0 Peter Eisenman ypa<pel TOOO wpala f31f3l1.1a» apXl­

~ellle OlaSeOf'l unO~pl~l'le; evoe; KaTT)yopoulltvOU. EillaOTe lI.Olnov ano TOTe 010 neplf36Mov TOU olKaOTflPlou, onou 0

Oerrida txel KAI'lSel au~ Tf'l <popa we; llapTUpae; Unepaanl-

0Tfle;. AJ\Aa nepltpywe; Kat TO KaTf'lyopl'l~P10 OUVTaOOeTat

ano TOV i010 TOV Oerrida7• neptAallf3avel oe ilIa aPKeTa f3aPla

KaTf'lyopla' on 0 Eisenman ypa<pel f31f3l1.1a [Iivres] .

/:"ev ypa<pel Keilleva, [textesJ, (aVOlKTa OTI'lV avayvWOf'l

«ax~llaTa»), aMa f31f3l1.1a, «I'lIlOP<P~ TWV onolwv avaoelKvu­et aKolla TI'lV oll.OKAI'lPWT1K~ Ilavla TOU Myou»s. nap6n

0IlWe; I'l anouola (ano TOTe I'l anouola) napalltvet KellleVO,

Kan noM neptOOOTepo ano tva f3tf3l1.10 [«I 'absence reste plus qu'un livre, plus d'un Iivre»9] Kat napOTt 0 Eisenman

<pnaXVet f31f3l1.1a, 0 Oerrida Ilae; KaAel va anaMa~oulle TOV

Eisenman ano KaSe un0tVla Kat va oexSoulle Ta f31f3l1.1a TOU ,

welo~ (Ile Ta f31f3Aia TOU) 0 Eisenman Ilae; elOayet oe Kan010

vto eiooe; ypa<p~e; . KaTa<ptpvel va ypa<pel KaTt aMo [autre

chose] , ana TO KAelOTO ax~lla, xelpl~OllevOe; TO nepiooeulla

TOU KAelOTOU ax~llaTOe; .

/:"lveTat lI.OtnOV ilIa nlOTWOf'l ana TOV Oerrida OTOV Eisenman'

TOU «emTptneTat» va XPI'lOlIlOnOlel TO tVtlla , TO aOTelO

[WitzJ, TT) 1l0P<P~ TOU f3tf3AiOU' «TOU XPelaOTflKe», (ypa<pelO

Oerrida) «01' aUTOU nou 1l0la~el aKOlla Ile f31f3l1.10, va aVOl~el

npaYllaTt tva vto xwpo Iltoa OTOV onolo au~ I'l aVOlKOVO-

IvrXPONA

ilia Sa ~TOV TOuToxpova ouva~ Kat Iltxple; evoe; Of'lllelOU»

(eyw unoypalllll~w) «VOllllll'l , OlanpaYllaTeUOlIlI'l . H ola­

npaYllaTWOf'l lI.allf3avel xwpa 010 xpovo, Kat-tml nptnel-,

Ile ne; OUVallele; Kat TI'lV KoulI.Toupa TI'le; OT1YIl~e;. flaTl ntpav •

TT)e; OIKovOlllae;, ntpav TOU f31f3l1.10U , TOU onolou I'l 1l0P<P~

avaoelKvuel aKOlla TI'lV oll.OKAl'lpWnK~ Ilavla TOU Myou [discours), eKelVoe; ypa<pel Kan6M0»10.

nepvwVTae; ano TO naA10TepO aUTO Keillevo OTI'l <pwvri TT)e;

KaootTae; oev aMa~alle lI.omov OKI'lV1KO. Mtvoulle OTI'lV ne­P10X~ TT)e; anouoiae;, Iltvoulle 0Tfl OUVaTOTT)Ta KaMltpyel­

ae; TT)e; anouolae;, n6Al OTOV Klvouvo TOU neploplollOU.

H oUlllleTpla TWV OUO Kellltvwv napOUOla~eTQl tTOl atvlYlla-

TtK~ Kat napa~evl'l ' XPI'lOlIlOnOlOUVTat Ta Iota yeV1Ka 1l0Tlf3a

Kat npoWSOUVTat napOIlOlee; eV01aOele; Kat 0IlWe; TO npwTO

XatpeTl~el <ptA1Ka TOV Eisenman, TO oeUTepo opSwvel Ilnpo-

010. TOU tvav Tolxo.

f taTl YlveTat aUTO; flaTl I'l t ll<PaOf'l ~Tav nplv OTflV KaTa<pa­

Of'l aUT~e; TI'le; ypa<p~e; (nou Ile f3aOf'l TI'lV KAet~ oUIlf3aOf'l yta KaTt Ilnopel va Atel KaTt 6M0) Kat Twpa (ano TT) <pwv~

TOU Irvine) I'l t ll<PaOf'l elVat OTI'lV apVf'l~ TT)e;; flaTl Twpa 0 Oerrida Wtlltvel OTOUe; KtVOUVOue; nou Sa anOllaKPUVaV (~

Sa anollovwvav) TO f3tf3Alo ana Tf'l ypa<p~ ntpav TOU f31f3Ai­

ou ; H all<P1TaAaVTeUOf'l nou npoKumel ano TI'l Otnll.~ aUT~

xelpovollia Ilae; <ptpvelllnpOOTa oe KanOlO ~uyo (KanOla ~u ­

yaplo f31f3AlWV) TOV onolo O1~vel 0 Oerrida, OTav KaAelTat va

~uYloel Ta O<ptAI'l nou nalpvel 0 Eisenman (KaTa Tf'l VOlllllo­

nOll'lOf'l TOU f3tf3Alou) «ntpav TOU f31f3AlOU», (eKTOe; ol'lll.ao~

Tf'le; anooo~e; TWV oUIlf3aoewv) oe axtOf'l Ile TOUe; KIVOU­voue; nou KaMtepyel I'l eplll'lT1KOTllTa TWV i01WV TWV f3tf3l1.1wv

Kat TWV KAelOTwv axI'lIlOTWV.

ZUYl~eTat TO f31f3AlO oe axtOf'l Ile TO «ntpav» TOU f31f3AlOU Kat

WOlltvwe; Ta OUO Kellleva Sa Ilnopouoav va npOKumouv

we; anoTeAtollaTa Mo Ola<popenKwv lleTp~oewv Tf'le; ~uya-

117 0EMATA

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pLO~ . rLOTI o~w~ Ol IJe:TPrlOe:L~ Olvouv TOOO OLo<pOpenKO

anoTe:MoIJOTa; rLOTI aTO npWTO Ke:lIJe:VO T] anouaia (w~

ypacprl nepav TOU [3L[3Alou) [3apalve:L ne:pLOOOTe:pO ana TO

10LO TO [3L[3AlO, KOl aTO Ke:lIJe:VO TTl~ CPWvrl~ , TO [3L[3A(O (nou oe:v

avacpepe:TOl ma 1Je: TO OVOIJO TaU) YlVe:TOl ane:LAT]TLKO [3apu­

Te:pO ana TTlV anouola;

rLOTI opaye: aTO npwTo Ke:lIJe:VO avayvwpi~e:TOl aTOV

Eisenman T] LKavOTTlTa va ypOcpe:L Kon nou une:p[3alve:L TTlv

eVaTaOTl TOU [3L[3Alou , KOl aTO Ke:lIJe:VO TTl~ CPWvrl~TOU Ip[30LV,

(xwpi~ va aVOlpe:lTOl Kon oe: OXeOTl 1Je: al}Tl'j TTlv LKavOTTlTa

TOU Eisenman) , e:VT]~e:pwvolJaaTe: onlJeoa OTT]v iOLa TTlv ev­

aTaOTl TOU [3L[3A(OU, (oe: O,TL oe:v anaoxoAe:l e:u8ew~ TO nOl­

xYlOL TOU Eisenman) , TO 10LO TO nOlxvioL KLVOUVe:Ue:L va KPL8e:l;

Kaveva~ OUYKe:KpLlJeVO~ napoyoVTa~ oe:v e:lvOl apKe:To~ YLa

va npooLKoOe:L rl va e:~T]YrlOe:L Ta anoTe:Mo~OTa TOU ~uyi­

OIJOTO~ . rLa va M~e: TTlv«cArl8e:La» OL IJe:TPrlOe:L~ TeToLa~ ~u­yapLo~ 8a npene:L va e:lVOl LOLaiTe:pa avaKpL[3e:l~. AUTo oe:v

anoTe:Ae:l npo[3AT]lJa YLa TT] ~uyapLO . AVTL8eTw~ ouv8rlKT] YLa

TTl lJeTpT]OTl , e:iVOl va ~T]v unOPxe:L aKpl[3e:La OTT] lJeTpT]OTl . Na

e:lJne:pLexoVTOl TOOe:~ m8aVOTTlTe:~ ocpOAlJaTO~ WaTe: KOl T]

iOLa T] lJeTpT]OTl va anoTe:Ae:l avoyvwOTl. KL aUTO a~ IJT] 8e:w­

pT]8e:l nOAL e:YKOTOAe:LlJ!T] aTa AC8T]. H e:u8uVT] TT]~ lJeTpT]OTl~

OUVlaTOTOl aKpL[3w~ OTT] ouoKoAia avoyvwOTl~ TWV ~e:TPrl­

oe:wv KOl aTT] IJT] npo[3Ae:lJ!LIJOTTlTO KaIJLO~ TeToLa~ lJeTpT]-

0Tl~ · Luv8rlKT] unap~T]~ TTl~ ~uyapLo~ e:lVOl T] KOTOPYT]arl TT]~ , T] oLaypacprl TTl~ 11 (w~ oPyovou nou IJe:TOTpene:L TTlv alJ­cpL[3oAia oe: [3e:[30l0TTlTa) .

To OPLO AOLnOV nepav TOU onoiou TO anoTeAe:olJa TT]~ lJe­

TPT]OTl~ aMo~e:L PL~LKO oe:v lJa~ OiOe:TOl e:K TWV npoTepwv.

OaTOOO aUTO TO OPLO napalJeve:L KpiOlIJO. Av IJLAOW YLa ~u­

YLOlJa e:lVOl e:ne:LOrl oe: Ko8e: OU~rlTT]OTl YLa TOV Oerrida KOl

YLa TT]V apXLTe:KTOVLKrl exe:L OTllJaoia va aVa~T]TOTOl TO e:uai-

08T]TO OPLO TT]~ aKalJlJ!ia~ KOl TT]~ oKAhpoTT]Ta~ IJLa~ na­

pelJ[3aOT]~ . T] onoia 8a ane:LAe:l n~ unopxouoe:~ OUYKPOTT]-

IYrXPONA

lJeve:~ OOlJe~ XWPl~ va TL~ aVTLKa8LaTO ana vee:~ KonOLO

OPLO nou -xwpi~ au80lpe:ole:~- KaAOUlJaaTe: va e:yKOTa­

mrlOOUIJe: e:1Je:i~ .

Luve[3T] AOLnOV Kon nou napa[31aoe: KonOlO TeTOLO OPLO aTO

OLOOTT]lJa nou IJe:OOAo[3T]oe: ano TO eva Ke:lIJe:VO aTO OMo;

Ta [3L[3Ala TOU Eisenman anOOe:lxrT]KaV TO 1989 [3apUTe:pa

ana e:Ke:lVa TOU 1986;

Ga IJnopouoa va ypolJ!w val. NJ...o oe:v 8eAw va ypOlJ!w e:ow

YLa aUTo, oe:v xpe:LO~e:TOl va e:mlJe:lVOUIJe: e:ow oe: aUTO. {H

anooOXrl TOU [3L[3Alou, «T] aVOlKOvolJia», T] «IJT] oLanpaYlJo­

Te:uOTl» IJnope:l va VOIJLIJOnOle:lTOlIJOVO ~expL~ e:vo~ OTlIJe:lOu ·

IJOVOV lJexpL~ e:vo~ OTlIJe:lOU T] «IJT] oLanpaYIJOTe:uOTl» e:lVOl

oLanpaYIJOTe:uOLIJT]. )

Me: Ta Mo Ke:lIJe:va oe:v vOlJi~w OTL 0 Oerrida anAw~ IJe:Ta­

aTpecpe:TOl. (1Je:TO ana TTlv unep[3aOTl KonoLou opiou ana TOV

Eisenman)· noM ne:pLoooTe:pO vOlJi~w on e:lJlJeve:L OTT] OLKrl

TaU unoxpewOT] va acprlve:L TO ne:oio YLa KonOla apXLTe:KTOVL­

Krl ano06IJT]OT] e:Ae:u8e:po aTO IJT] anocpaoLOlJevO, (aTO IJT]

anoKpioLIJO [indecidable]) KOl OTT]V aIJCPLTcAoVTe:uOT]. To

oe:UTe:po Ke:l~e:VO oe:v aVOlpe:l TO npWTO. OUTe: TO aVTLKa8LaTO.

Ae:LTOUPYe:l lJa~i TOU YLa va «OpLaTLKOnOlrloe:L» KonOla ncALV­

OPOIJT]OT] nou npo~e:Ve:lTOl ana TO [3opo~ TTl~ an6uoia~ . H npooKAT]OT] napalJOvrl~ aTO ~uYLOlJa. OTT]V a IJCPLTOAC­VTe:uOT] a~ IJT]V 8e:Wpe:lTOl WaTOOO e:pyaoia nou IJnope:l va

KAe:LaTe:l KOl va ne:pLOpLaTe:i aTOV E:OUTO TTl~· TO [3opo~ TTl~

anouoia~ (TO [3opo~ TTl~ aTOV LOLOIJOPCPO aUTO ~uyo), aKpL­

[3w~ aUTO e:YYUOTOl" TT]V unap~T] Ko8e: OUVOTOU e:~WTe:PLKOU

ne:pL[3oMoVTO~ aTO WWTe:PLKO TOU ~UyiOIJOTOC;. EAacppaivo­

VTa~ KOl ne:pLopi~OVTa~ TT] MvalJT] TTl~ anouoia~ . avaKO­

me:TOl T] OUVOTOTTlTa TOU e:~WTe:PLKOU va e:LoeA8e:L aTO e:OW­

Te:PLKO. AvaKome:TOl T] oLa[3pwTLKrl MvalJT] nou oLa8eTe:L TO

e:~WTe:PLKO . npOKe:LlJeVOU va oT]AT]TT]PLo~e:L TO e:OWTe:PLK~.

'ETOL TO e:OWTe:PLKO anOIJOVwve:TaL KOl OXT]lJaTOnOle:lTOl aTT]

1J0PCPrl TOU [3L[3Aiou.

118 0EMATA

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H enll..lovrl OTO ~UYlOJ..lO ~ev O~llYd OlnO oe eYKaTCW:lltJll

OTllv o!3e!3OloTllTO· ono!3Mnel oVTl8eTO OTflv eyyullOfl Tfl e; nopoUOlOe; TOU e~w J..IeOO, TOU OMou e~w, OTflv ~ooCP6JuOfl

~IlAO~rl Tile; 8eOlle; TOU OMou OTO ~UYlOJ..lO .

H ~IOTrlPllOfl Tile; onOUOlOe; 9Tll ~UYOPlO ~ev dVOl J..IOVO J..IlO Te)(VlKrl npow8rloeWe; TWV OnO~OJ..llKWV epyoOlwv, UUVIOTOIl

l~IO TflV eu8uVfl nou OVOA0J..l!30VW YIO TO OMo.

No nOLO 8eJ..lo ~lvel TO pu8J..10 0Tfl CPWvrl TOU Ip!301V· II w8UVfl

YIO TOV OMov, II w8uVll YIO TO oMo [pour I'autre] nopoTlll

M~ll W 8uVll ~ev npocpepeTOl KOV one Til CPwvrl · II enlKAllOfl

Tfle; onouoloe; OJ..lWe; ~ev YlveTOl xwple; w8uVll· II ouveXlOfl

TOU ~uylOl..laTOe; emTpenel TflV eYPrlYoPOfl Tfle; w8UVfle;· Meoo OTO ltJeJ..lQ, J..Ieoo OTO oOTelo [Witz]. J..Ieoo OTO !31!3AlO

J..Inopd vo exw rl~ll eK8eoei TO OMo oe KlVOUVOUe;, J..Inopd vo

eXw rloll npo~woel TOV OMo. To OMo Klv~uveuelooo II onou-

010 nouel vo OUJ..IJ..IeTexel oe OA' OUTO J..Ie Pl~IKO Tpono. KOl Tfl

OTIYJ..Irl nou II onouolo xovei TO !3opoe; Tfle; OTO ~UYlOJ..lO , KO­AOUJ..IOl vo ovovewow TO xpOVO Tfle;. Me nOIOV Tpono; AuTr'j d ­

VOlll npoomlKrl nou olovolyel II ~UYOPlO . H ~UYOPlO oev aTr'j­

VeTOl YlO VO J..Ioe; eYKaToAdltJel OTflv OJ..lCPlToAoVTWOfl nopo YlO vo olvel TeAOe; - ov xpeloOTd- OTflv 0J..lCPlToAoVTWOfl.

H epyoolo TWV J..IeTPrl0ewv dVOl Aemrl KOl OUOKOAll oM6 0

~uyoe; AelTOuPyd npOKelJ..leVOU vo emTpeltJel KOTl XOVTpO­

KOI..IJ..leVO KOl OKOJ..lmo. To ~UYlOJ..lO emTpenel TO OTOJ..lOTIlJ..lO

TOU ~uylOJ..lOToe;· OVoA0J..l!3ovel Tllv w8uVll YlO Tllv eyepOfl

Konolou eJ..lnoolou , YlO TOV neplOplOJ..lO, ecpooov oev J..Ievel

OMoe; TponOe; OVTlOpOOfle; npoe; TO KAelOTO OXrlJ..lO. LXrlJ..lO

TOU onolou II YlYOVTWOfl onetA.d vo KaTOOUVOOTeuoel KO­

nOLO OUYKeKplJ..leVO nepl!3OMov nou «80 enpene» vo J..Ievel

OVOlxrO. Me TO ~UYlOJ..lO OVO~IlTOJ..le TO OPlO, nepov TOU onOl­

ou «npenel» VO nOUJ..Ie OXl, YlO Ko8e TeTOlO OXllJ..laTlOJ..lO uno

OIOJ..l0PCPWOfl , (OK0J..l0 KOl rl Kuplwe; YlO OXllJ..l0Tl0J..l0Ue; nou ovoyyeMoVTOl we; Kopnol Tile; epYOOloe; TOU ~uylOJ..lOToe;).

MtA.ow Aomov YlO ~UYlOJ..lO J..IOVO OTO J..IeTpO nou J..Inopw eTaI

IvrXPONA

vo nopouolOOW Tllv ~uoKOAlO Tile; enoypunvllOfle; YlO TO OA­

AO KOl TllV Aemrlloopponlo nou J..Inopel vo emTpeltJel OTpO­

TllYlKee; OnOKAel0J..l0U rlop8wOfle; el..lno~lwv . 0 Oerrida XPll­

OlJ..lOnOld TO OPlO, eydpel eJ..lnO~IO, (OXI J..IOVOV enel~rl ovo­

YKo~eTOl one TlC;; ouv8rlKee; Tile; YAWOOOe;, OUTe I..I0VOV OTOV

!3ploKeTOl OTO nepl!3OMov Tfle; 0PXlTeKTOVlKrle;) · onocpool~el

vo XPllOlJ..lOnOlrlOel TO OPlO KOl TO eJ..lnO~IO OTOV 01 neplOTO­

oele; TO ~IlTOUV , nOpOTllll~eO Tfle; eYKaTOOTOOfle; rl Tile; eno­

VOXPllOfle; OPlWV ~1~eTOI e~ 0pXrle; OTO epyo TOU we; npo­

!3AllJ..l°TlKrl · H w8UVfl A0 J..l!3ovel eTaI nOAeJ..llKO xopoKTr'jpo, e~eA(ooeTOl

we; OVTlOTOOfl KOl opo OVoA0J..l!3ovel OXllJ..l0Tl0J..l0Ue;, ~leKne­

pOlwoele;, eyepoele; eJ..lno~IWV, (TflV 1010 OTIYJ..Irl nou II w8u-

Vll KOAdTOl VO npocpUAo~el one TeTOlOe; cpuoewe; OXllJ..lOTl­

OJ..lOUe; KOl eJ..lnOolo) . H w8uvll ovoAoJ..l!36veTOl J..Ie TO ~UYl­

OJ..lO KOl TllV OJ..lCPlTOAOVTWOfl . nolpvel0J..lWe; J..IOpcprl OTflv enl-

8eOfl KOl Tflv nOAeJ..llKrl OTPOTflYIKrl nou oxeolo~eTOl J..Ie Tflv

nopolTllOfl one TO ~UYlOJ..lO.

AnocpeUYOVTOe; Tllv eYKOTOAelltJll OTllv 0I..lCPlToAoVTWOfl,

J..Ioe; oVOTigeTOl TO K08rlKOV YlO eYPrlYOPOfl OTflV OVOyvwOfl

nou ono!3Mnel OTIlV nOAeJ..llKrl OTPOTIlYIKrl . LTO nAOlOlO nou

OUTrl opl~el , TO eJ..lnOOlO J..Inopd vo XPllOlJ..lOnOlelTOl npOKel­

J..IeVOU VO un086AmeTOl.

To ~UYlOJ..lO TOU !31!3AlOU J..IOe; enovocpepel eTaI OTOV lAlYYO nou npoocpepel 0Xl TO 6neipo oMo TO nepoe;, oe KonOlO OUVOPO­

J..IO TOU oPlOU (mal de limite) nou ouvoeeTOl ovonocpeuKTo J..Ie

TOV OCPOPlOJ..lO oM6 KOl J..Ie Tflv 0PXlTeKTOVlKrl '2. H OKOJ..lltJlo,

TO !31!3AlO, 0 OCPOplOJ..lOe; KoAoUVTOl VO KoMlepYrloOUVTO OVO­

nocpoOlOTO, TO onelpo, TflV onouolo. Evoow KPlVW TO !31!3AlO,

TflV eYKOTOOTOOfl Kat TOV OCPOPlOJ..lO, evoow II unep!30Ofl TOU

OPlOU Tfle; ~UYOplOe; J..Ie KoAd vo KOTOOlKOOW KOTl on' OUTO,

KOT08eTw Kl eyw J..Ie TflV OnArl 0uTr'j emai]J..IOvOfl KOTl nou J..IOl­

o~el J..Ie !31!3AlO, Konolo OVOlKOVOJ..llKO axrlJ..lo. Me Tl OUV0J..lll WOTOOO J..Inopw vo unepoomOTw Tfl OT08epo-

119 0EMATA

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TIlTa TOU Op(OU nou ~ydpw Yla va npo<pUAO~W TOV 6.JV...o , OTav ~ntX~lPW va TOV npo<puA6~w aKpll3we; ana aUTO, ana

TIl OUVOOT~U011 TOU op(OU Kat OTav exw anood~~l TIlV aOTo-

8~la K08~ TaOlOU op(ou; To ~pwTIl~a ~T]TO olanpay~6Tw-

011' TO ~~noolo nou KaAOlJ~at va KOTaaKwoaw ~~TO apXl-

T~KTOVlKl'j en~~~pyaa(a ' O<pdA~l va KTlOTd eTat WOT~ va au­

TOKOTapydTOI. K08~ ~~noolo nou U4JWVW ~npoe; OTOV 6.JV...0

Yla va TOV npo<puAo~W unaKOU~l OTT]V OlKovo~(a nou Ola­

npay\lOT~u~at TIlV (o la TIlV op8wm'] TOU . Eydp~Tat KOTO Te­

TOlO Tpono WOT~ va napouato~~l n~plaaoT~p~e; ola<puyee;

ap6 onOKAelOllOUe;. To ~~noolo ~UY(~£Tat Kl aUTO (nplv

~y~p8~i) ~~ TIlv (ola ~uyaplo , npo~Tol~o~£Tat un~u8uva aav

f3lf3AiO. npO~Ol~O~~Tat eTal WOT~ nepav TOU anOKA~la~OU ,

nepav TIle; anOppl4JT]e; nou KT(~~l tl ~eaw TT]e; anoppl4JT]e; , va

Il"opd va npoavayyeA~l tl va ypO<p~l tlOT] KOTl oMo. Yn' au­

TO TOV opo, noMa £~noola o<p£LAOUV va ~ydpoVTat, noMa

opla va xapOaaOVTal. Kat av TO £~nOOlO nou op8w8T]K£

ana TIl <pwvt'j TOU IP130lv OTeK£l aKo~a , (av ~voxAd aKo~a)

aUTO au~l3a(v~l « ~ovov» £n£lOtl aKo~a ~nopd va avav£wv£l

TO xpOVO TOU 6.JV...ou, en~lotl aKo~a wOTa8d we; unoox£011

npoe; TOV oMo.

LHMEIOLEIL 1. To 19870 C. Ray Smith, eypo<p£ OTl 0 Peter Eisenman rlTOV n£­plaaoT£po £v£pyoe; we; auyypo<peoe;, KplTlKOe; KOI £K5OTT)e; napa we; 0PXlTeKTWV (Contemporary architects , Chicago & London, a .

263-264). APK£TO <pUC71KO YlO TOV OPXlTeKTOVO nou nopoualo~£ OKO~O aTO I3IOYP0<PlKO TOU ~ovov Teaa£po xna~evo crnlTlo. AAAo OKO~O KOI ~£TO ana TT)v nopooo TWV xpovwv (~eao aTO onolo 50-81"]K£ I"] WKOlP10 aTOV Eisenman va OIKOoO~rla£1 noMa KOI 0I"]~0-

VTlKO KT1PlO, onwe; TO Wexner Center for the Visual Arts, TO Colombus Convention Center aTO Ohio rl TO Nunotani Office Building aTO TOKuo) , I"] ouvo~I"] TOU ypomou K£l~evou nopo~ev£l OI"]~OVTlKrl KOI XOPOKTT)PlaTlKrl aTO epyo TOU. 'OXI ~ovov - onwe; 0 101Oe; 80 TO rl8£A£- £m;l0rl TO 1010 TO epyo npoa<pep£TOl we; K£l~£VO npoe; ovoyvwOl"] (npI3A. Mario Gandelsonas, "On reading Architecture .. , Progressive Architecture, Neo YOPKI"] . MOpTlOe; 1972) aMo £n£lorl 0 Eisenman nOTe O£V £YKOTeA£lljJ£ TO ypomo K080u­TO. eo ~nopoua£ ~OAlaTO va IOXUPlaTd Kovde; OTI opyovwa£ ~£ TT) OOUA£IO TOU KonOlO 10101T£PO Tpono auvunopC;I"]e; TOU KTlP10U ~£ TO Tunw~evo Kel~£VO nou TO auvoo£u£l, WI"]P£O~OVTOe; TT) OI"]jJ£Plvr'] "M YlO" OPXlT£KTOVlKrl . 0 Eisenman auveo£C7£ jJ£ nOlYVl{J)ol"] Tpono TT)v 0PXlT£KTOVlKrl jJ£ TT) aUy)(PoVl"] 8£WPl"]TlKrl aKeljJI"] (£VO£IKTlKO ovo<pepw TO KeljJ£VO Moving Arrows, Eros and other Errors aTO onolo ovo<peP£TOl KOI 0 Derrida aTO "nOTl 0 Peter Eisenman ypo­<p£l Toao wpolo 131I3Alo,,), LUV£PYOC7Tl"]K£ jJ£ TOV Derrida wl TOU <pl­MooC;ou OX£olou Choral Work. 0 Eisenman £lVOl K081"]Yl"]Ti]e; 0PXl­T£KTOVlKrle; aTO Cooper Union TT)e; Neoe; YOpKI"]e; ana TO 1975. 2. Derrida Jacques, «A letter to Peter Eisenman .. , Assemblage 12,

Cambridge, AUyouaToe; 1990, a. 6-13. H YOMlKrl £KOOxi] TOU K£ljJe­YOU Ol"]~OC71£UTT)K£ aTO n£ploolKO Rue Descartes , 10, TOV 10UVlO 1994, (nOplC71, a. 33-45), uno TOV T1TAO: "Barbaries et papiers de verre ou La petite monnaie de I' "actuel" ; Lettre a un architecte americain (fragment»>. LTO T£UXOe; TI"]e; npWTT)e; ol"]jJoalwOI"]e; TOU Assemblage n£pleX£TOl Kal I"] onoVTl"]OI"] TOU Eisenman, a . 14-17. 3. 0 Derrida o£v OV01Y£1 TO 8ejJo, o£v OPX1~£1 TWPO TI"] aU~rlTT)OI"] YlO

TO 8ejJo, OXI jJovov W£l0rl eX£1 rlol"] Y1V£1 Myoe; YlO TT)v onouala, ana TOV Eisenman KOI TOV Derrida, (I3Mn£ YlO napoo£IYjJa Ta oxoAla TOU T£A£UT010U Yla TT) YP0<Prl jJ£ a<popjJrl TO KeljJ£VO TOU Condillac, "Signatures evenement contexte .. , Marges de la Philosophie , nopl-01 , 1972, a . 365-393, a . 374 K.e.) aMo KUplwe; YlOTl jJeao aTO O£PPl­OIKO aKI"]vlKO o£V 80 jJnopoua£ va npoK£ITOl YlO yeo 8ejJa. LX£TlKO jJ£ TO 8ejJo TT)e; «£KK1Vl"]OI"]e; .. rl TT)e; "opxi]e;" (commencement) aTO epyo TOU Derrida, I3M ne TT) OIO<pWTlaTlKrl ojJwvujJI"] nopoypo<po TOU Bennington, ("Derridabase .. , aToJacques Derrida , naplC71, a . 18-26)

onou noponejJnel a£ anocrnoajJOTo TOU nep[ rpopporoAoy[ac;

(iJT<PP. KwOTf] nonoYlwPYI"], A8rlvO 1990, [1967], TWV Positions (1972) TOU Ecriture et Difference (1967), TOU La Voix et Ie pMnom€me

(1967), TOU Schiboleth pour Paul Celan (1986), TOU Oreille de I'Autre

(1982), TT)e; Dissemination (1972), TT)e; PsycM (1987), TOU Ulisse

Grammophone (1987), TOU Signe Ponge (1983), TOU Glass (1974),

KOI TWV Parages (1986), anoo£IKVUOVTOe; noao "KeVTplKo" 80 jJno­pouae va elVOl TO 8ejJo TT)e; «onoualoe; o<peTT)ploe;" aTO oepplolKO epyo, TT) aTlYjJrl nou 0 1010e; TO Bennington emxelpel (rl ono<peuyel va emxelPrlael) TT)v elaoywYll aTO epyo aUTO. 4. Kipnis Jeffrey, "Twisting the Separatrix .. , Assemblage 14,

Cambridge, a. 12-61 , a. 33: "While there are clear allegiances between Eisenman's and Derrida's work , there are also conspicuous tensions and disagreements .. ' nopanejJn£1 KOI aTO "Complexity Without Contradiction in Architecture.. TOU Geoff Bennington ' AA Files 15, KOAoKalpl 1987, a . 15-18.

5. "A letter to Peter Eisenman», D.n.: " in common .. , "ano KOlVOU'" TO elaoywYlKO elVOl TOU 1010U TOU Derrida. 6. "Pourquoi Peter Eisenman ecrit de si bons livres .. , PsycM,

Invention de I'autre , a. 495-508, a . 508.

7 . LTO 1010 unepl3oAlKo op8po TOU Kipnis, o.n., a. 43, ovo<pep£TOl KOI ouTr'] I"] onoljJI"] jJ£ TT)v onolo aUjJ<pwvw. 8. "Pourquoi Peter Eisenman ecrit de si bons livres .. , D.n. , a. 508.

9. On., a . 507.

10 . On., a . 508: "i llui a fallu , par ce qui ressemble encore au livre, frayer effectivement un nouvel espace dans lequel cette aneconomie serait a la fois possible et jusqu 'a un certain point legitimee, negociee. La negociation a lieu dans Ie temps, et ille faut , avec les pouvoirs et la culture du moment. Car au-dela de I'economie, au-dela du livre, d~nt la forme releve encore cette manie totalisante du discours, il ecrit autre chose ... 11. H uno OIOYPO<Prl ~uyaplo , oe; £C;£To~eTOl napOMI"]AO npoe; TO wp0Tepo 8ejJa TOU "-no OIOYPO<Prlv? (sous rature) nou eX£1 TT) OIK!) TOU laT0P10: 0Xl jJOVOV aTO O£PPlOlKO " awjJo" , (npI3A. «Differance .. , aTO Marges de la Philosophie , nOplC71, 1972, a . 1-30, a . 6). De la Grammatologie, nOplC71, 1967, (a. 31 , 65' a. 39, 80 eMI"]VlKrle; eKoo-0I"]e;) , oMo KOI aTOV XOlVTeyyep To elVOl uno OIOYP0<PrlV, TO Sein aTO "Zur Seinsfrage ... napanejJnw C7TI"] YOMlKrl jJeTo<ppaOl"] nou jJou oovela£ 0 BayyeAI"]e; MmTOWpl"]e;. "Contrubiton a la question de I'etre .. , iJT<Pp. G. Granel , nOplC71, 1968, a. 195-252. LTO 1010 KeljJevo ovo<pep£Tol eu8ewe; KOI 0 Derrida aTO "Comment ne pas parler .. , o.n ., a. 535-595, a. 588 K.£. 12. LUVOPOjJo rlol"] YVWPljJO ana TOUe; «52 0<p0plajJOUe; YlO eva npo­OljJlO": "Cinquante-deux aphorismes pour un avant-propos», elao­YWYrl aTO Mesure pour mesure, Architecture et Philosophie, numero special des Cahiers du CCI , Centre Georges Pompidou, 1987 ol"]jJoalwjJevo enlOl"]e; aTO PsycM, Inventions de i'autre , c.n ., a . 509-518.

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