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............................................... 35 ) ............ 36 ) ..................................................................................... 39 ) (5 - 11 ) ................... 40 ) .................................. 44 I. II. III. (13 - 15 ) ............................................. 45 (1650 - 1720) ........................................................................ 47 (1770 - 1814).............................................................................. 48

............................. 49 ) ................................................................. 49 ) .............. 53 ) ............................................................................................... 55

7

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) ................... 100 I. II. III. IV. V. VI. VII. VIII. () ................................ 98 ( ) ................. 99 ( ) ............................. 101 ................................................................... 102 .................................................................... 107 ....................................................................................... 109 ................................................................... 110 ......................................................................... 111

............................................................... 114 ) ( ) ................................................... 114 8

I.

.............................................................................. 118

) ( ) ........ 120 I. .............................................................................. 119

) ( ) ................................................................ 125 ) .......................... 126 1) ..................................................................................... 127 2) .................................................................................... 129 3) .......................................................................... 130 4) ...................................................................................... 133 5) ....................................... 135 6) .............................................. 136 ) ................. 138 1) ... ................................... 140 2) ............................................................. 141 3) .............................................................. 142 4) ..................................................... 144 5) ........................................................................... 145 6) ........................................................................... 146 7) ................................................................................... 148 8) ................................................... 149 9) ...................................... 150 10) ........................................................... 151 11) ....................................................... 152

........................ 153

.. 169

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( ), 1985. (), , , 2003.

,

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CONCLUSIONSThe Holy Cross of our Lord Jesus Christ radiates within the Orthodox Church and this radiance illuminates and graces the hearts of the faithful and it is greatly impressed in the liturgical church life, through hagiography, architecture, music, in the services and the sacraments, through the hymns and the setting of these to music. In the present essay an attempt was made to investigate and present the feast of the Holy Cross within the field of byzantine setting to music. The main objects were the settings of the hymns in verse to music which are encountered in various codes (mainly in those of Athos) during the Byzantine and the post-Byzantine period and are related to the feasts of the Exaltation of the Holy Cross and the Sunday of the Worship of The Holy Cross. A reference to the byzantine setting of music was considered worthwhile and also especially important a historic retrospection to the facts that concern the Holy Cross and to the theology of the hymns. The ritual layout of the two feasts was presented together with the structure of the services of the vespers and the matins in which the hymns in verse are mentioned in their appropriate place. The research was expanded to the settings of these hymns to music during the two periods (Byzantine and post-Byzantine) with reference to and presentation of the codes which entail the compositions while it is enriched with biographical elements and the works of the sacred hymnographers as well as the psalmists to whom the settings to music in topic are attributed. The present essay concludes with a musical morphological approach to the laudatory of the same psalms in verse of the first feast

, .

186

The feasts of the Holy Cross in our Church hide great hymnographic and musical wealth as the Cross of our Lord was a motive for several expressions of doxology and devotions for the hymnographers, the hymns of whom were also an inexhaustible source for those who devoted their lives to the musical dressing of word. It is to be wished that, with the blessing of the Most Merciful and Triadic God the church in general and the church music in particular, will continue to constitute a source of strength and inspiration for the .

187

188

189

190

191

192

. 1. , . 1000 .. .

193

. 2. , . .

194

. 3. ( ) , . .

195

. 4. ( 17 . , . 164).

196

197

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198

. 6. (8 .) ( . , 1949).

199

. 7. . . .

200

. 8. , ( ). , . .178, 1815.

201

. 9. , 14 ( . , . 165, 17 .).

202

. 10. , 17 . , 19 15 . ( . , . 178, 1815).

203

. 11. . 14 , .

204

. 12. . , ( , . 97, 1727).

205

, 154 , 60, 63 , 60 , 44 , 182 , 177 , 34 , 42 , 57 , 113 , 38 , 66 , 139 , 77, 87, 92, 146 , 106 , 38 , 41, 75 , 40 , 86, 95 206 , 54 , 82 , 119 , 113 , 83 , 84, 94 , 39, 84 , 44 , 117, 121 , 74

, 86, 96 , 179 , 152 A, 124 , 109 , 158 , 82 , 80 , 74

, 119 , 113 , 34 , 33 , 176 , 182 , 119 , 120 , 182 , 153 , 168 , 152 , 41 , 58 , 113 , 104 , 38 , 74 , 41 , 37 , 87, 97 , 74 , 113

, 113 , 37 , 48 , 39 , 38 , 113, 124 , 58

, 65, 106 , 99 , 99 , 114

207